Cane by Jean Toomer (100 best novels of all time .TXT) ๐
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Published in 1923, Jean Toomerโs Cane was widely heralded as one of the first masterpieces of the Harlem Renaissance, and its author as โa bright morning starโ of the movement. Toomer himself, however, was reluctant to embrace an explicitly racialized identity, preferring to define himself as simply an American writer.
Inspired in part by Sherwood Andersonโs short story cycle Winesburg, Ohio, Toomer conceived Cane as a mosaic of intricately connected vignettes, poems, stories, songs, and even play-like dialogues. Drawing on both modernist poetry and African-American spirituals, Toomer imbues each form with a lyrical and often experimental sensibility.
The work is structured in three distinct but unnamed parts. The first is set in rural Georgia and focuses on the lives of women and the men who desire them. The second part moves to the urban enclaves of the North in the years following the Great Migration. The third and final part returns to the rural South and explores the interactions between African-Americans from the North and those living in the South.
Although sales languished in the later years of Toomerโs life, the book was reissued after his death and rediscovered by a new generation of American writers. Alice Walker described Cane as one of the most important books in her own development as a writer: โI love it passionately, could not possibly exist without it.โ
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- Author: Jean Toomer
Read book online ยซCane by Jean Toomer (100 best novels of all time .TXT) ๐ยป. Author - Jean Toomer
Licker has released conflicts in Kabnis and set them flowing. He pricks his ears, intuitively feels that the talk is about him, leaves Cora, and approaches the table. His eyes are watery, heavy with passion. He stoops. He is a ridiculous pathetic figure in his showy robe.
Kabnis: Talkin bout me. I know. Iโm th topic of conversation everywhere theres talk about this town. Girls an fellers. White folks as well. An if its me youre talkin bout, guess I got a right t listen in. Whats sayin? Whats sayin bout his royal guts, the Duke? Whats sayin, eh?
Halsey (to Lewis): Weโll take it up another time.
Kabnis: No nother time bout it. Now. Iโm here now an talkinโs just begun. I was born an bred in a family of orators, thats what I was.
Halsey: Preachers.
Kabnis: Na. Preachers hell. I didnt say wind-busters. Y misapprehended me. Y understand what that means, dont y? All right then, y misapprehended me. I didnt say preachers. I said orators. o r a t o r s. Born one an Iโll die one. You understand me, Lewis. (He turns to Halsey and begins shaking his finger in his face.) An as f you, youre all right f choppin things from blocks of wood. I was good at that th day I ducked th cradle. An since then, Iโve been shapin words after a design that branded here. Know whats here? M soul. Ever heard o that? Th hell y have. Been shapin words t fit m soul. Never told y that before, did I? Thought I couldnt talk. Iโll tell y. Iโve been shapin words; ah, but sometimes theyre beautiful an golden an have a taste that makes them fine t roll over with y tongue. Your tongue aint fit f nothin but t roll an lick hog-meat.
Stella and Cora come up to the table.
Halsey: Give him a shove there, will y, Stel?
Stella jams Kabnis in a chair. Kabnis springs up.
Kabnis: Cant keep a good man down. Those words I was tellin y about, they wont fit int th mold thats branded on m soul. Rhyme, y see? Poet, too. Bad rhyme. Bad poet. Somethin else youve learned tnight. Lewis dont know it all, an Iโm atellin y. Ugh. Th form thats burned int my soul is some twisted awful thing that crept in from a dream, a godam nightmare, an wont stay still unless I feed it. An it lives on words. Not beautiful words. God Almighty no. Misshapen, split-gut, tortured, twisted words. Layman was feedin it back there that day you thought I ran out fearin things. White folks feed it cause their looks are words. Niggers, black niggers feed it cause theyre evil an their looks are words. Yallar niggers feed it. This whole damn bloated purple country feeds it cause its goin down t hell in a holy avalanche of words. I want t feed th soulโ โI know what that is; th preachers dontโ โbut Iโve got t feed it. I wish t God some lynchin white man ud stick his knife through it an pin it to a tree. An pin it to a tree. You hear me? Thats a wish f y, you little snot-nosed pups whoโve been makin fun of me, an fakin that Iโm weak. Me, Ralph Kabnis weak. Ha.
Halsey: Thats right, old man. There, there. Here, so much exertion merits a fittin reward. Help him t be seated, Cora.
Halsey gives him a swig of shine. Cora glides up, seats him, and then plumps herself down on his lap, squeezing his head into her breasts. Kabnis mutters. Tries to break loose. Curses. Cora almost stifles him. He goes limp and gives up. Cora toys with him. Ruffles his hair. Braids it. Parts it in the middle. Stella smiles contemptuously. And then a sudden anger sweeps her. She would like to lash Cora from the place. Sheโd like to take Kabnis to some distant pine grove and nurse and mother him. Her eyes flash. A quick tensioning throws her breasts and neck into a poised strain. She starts towards them. Halsey grabs her arm and pulls her to him. She struggles. Halsey pins her arms and kisses her. She settles, spurting like a pine-knot afire.
Lewis finds himself completely cut out. The glowing within him subsides. It is followed by a dead chill. Kabnis, Carrie, Stella, Halsey, Cora, the old man, the cellar, and the workshop, the southern town descend upon him. Their pain is too intense. He cannot stand it. He bolts from the table. Leaps up the stairs. Plunges through the workshop and out into the night.
VIThe cellar swims in a pale phosphorescence. The table, the chairs, the figure of the old man are amoeba-like shadows which move about and float in it. In the corner under the steps, close to the floor, a solid blackness. A sound comes from it. A forcible yawn. Part of the blackness detaches itself so that
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