Cane by Jean Toomer (100 best novels of all time .TXT) π
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Published in 1923, Jean Toomerβs Cane was widely heralded as one of the first masterpieces of the Harlem Renaissance, and its author as βa bright morning starβ of the movement. Toomer himself, however, was reluctant to embrace an explicitly racialized identity, preferring to define himself as simply an American writer.
Inspired in part by Sherwood Andersonβs short story cycle Winesburg, Ohio, Toomer conceived Cane as a mosaic of intricately connected vignettes, poems, stories, songs, and even play-like dialogues. Drawing on both modernist poetry and African-American spirituals, Toomer imbues each form with a lyrical and often experimental sensibility.
The work is structured in three distinct but unnamed parts. The first is set in rural Georgia and focuses on the lives of women and the men who desire them. The second part moves to the urban enclaves of the North in the years following the Great Migration. The third and final part returns to the rural South and explores the interactions between African-Americans from the North and those living in the South.
Although sales languished in the later years of Toomerβs life, the book was reissued after his death and rediscovered by a new generation of American writers. Alice Walker described Cane as one of the most important books in her own development as a writer: βI love it passionately, could not possibly exist without it.β
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- Author: Jean Toomer
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Halsey: Rough on th old boy, aint he? (Laughs.)
Lewis: Something, yes. Layman here could have given me quite a deal, but the incentive to his keeping quiet is so much greater than anything I could have offered him to open up, that I crossed him off my mind. And youβ β
Kabnis: What about me?
Halsey: Tell him, Lewis, for godsake tell him. Iβve told him. But its somethin else he wants so bad Iβve heard him downstairs mumblin with th old man.
Lewis: The old man?
Kabnis: What about me? Come on now, you know so much.
Halsey: Tell him, Lewis. Tell it t him.
Lewis: Life has already told him more than he is capable of knowing. It has given him in excess of what he can receive. I have been offered. Stuff in his stomach curdled, and he vomited me.
Kabnisβ face twitches. His body writhes.
Kabnis: You know a lot, you do. How about Halsey?
Lewis: Yesβ ββ β¦ Halsey? Fits here. Belongs here. An artist in your way, arent you, Halsey?
Halsey: Reckon I am, Lewis. Give me th work and fair pay an I aint askin nothin better. Went overseas an saw France; an I come back. Been up North; an I come back. Went t school; but there aint no books whats got th feel t them of them there tools. Nassur. An Iβm atellin y.
A shriveled, bony white man passes the window and enters the shop. He carries a broken hatchet-handle and the severed head. He speaks with a flat, drawn voice to Halsey, who comes forward to meet him.
Mr. Ramsay: Can y fix this fer me, Halsey?
Halsey (looking it over): Reckon so, Mr. Ramsay. Here, Kabnis. A little practice fer y.
Halsey directs Kabnis, showing him how to place the handle in the vise, and cut it down. The knife hangs. Kabnis thinks that it must be dull. He jerks it hard. The tool goes deep and shaves too much off. Mr. Ramsay smiles brokenly at him.
Mr. Ramsay (to Halsey): Still breakin in the new hand, eh, Halsey? Seems like a likely enough faller once he gets th hang of it.
He gives a tight laugh at his own good humor. Kabnis burns red. The back of his neck stings him beneath his collar. He feels stifled. Through Ramsay, the whole white South weighs down upon him. The pressure is terrific. He sweats under the arms. Chill beads run down his body. His brows concentrate upon the handle as though his own life was staked upon the perfect shaving of it. He begins to out and out botch the job. Halsey smiles.
Halsey: Heβll make a good un some of these days, Mr. Ramsay.
Mr. Ramsay: Y ought t know. Yer daddy was a good un before y. Runs in th family, seems like t me.
Halsey: Thats right, Mr. Ramsay.
Kabnis is hopeless. Halsey takes the handle from him. With a few deft strokes he shaves it. Fits it. Gives it to Ramsay.
Mr. Ramsay: How much on this?
Halsey: No charge, Mr. Ramsay.
Mr. Ramsay (going out): All right, Halsey. Come down an take it out in trade. Shoestrings or something.
Halsey: Yassur, Mr. Ramsay.
Halsey rejoins Lewis and Layman. Kabnis, hangdog-fashion, follows him.
Halsey: They like y if y work fer them.
Layman: Thats right, Mr. Halsey. Thats right, sho.
The group is about to resume its talk when Hanby enters. He is all energy, bustle, and business. He goes direct to Kabnis.
Hanby: An axle is out in the buggy which I would like to have shaped into a crowbar. You will see that it is fixed for me.
Without waiting for an answer, and knowing that Kabnis will follow, he passes out. Kabnis, scowling, silent, trudges after him.
Hanby (from the outside): Have that ready for me by three oβclock, young man. I shall call for it.
Kabnis (under his breath as he comes in): Th hell you say, you old black swamp-gut.
He slings the axle on the floor.
Halsey: Wheeee!
Layman, lunch finished long ago, rises, heavily. He shakes hands with Lewis.
Layman: Might not see y again befo y leave, Mr. Lewis. I enjoys t hear y talk. Y might have been a preacher. Maybe a bishop some day. Sho do hope t see y back this away again sometime, Mr. Lewis.
Lewis: Thanks, Professor. Hope Iβll see you.
Layman waves a long arm loosely to the others, and leaves. Kabnis goes to the door. His eyes, sullen, gaze up the street.
Kabnis: Carrie K.βs comin with th lunch. Bout time.
She passes the window. Her red girlβs-cap, catching the sun, flashes vividly. With a stiff, awkward little movement she crosses the doorsill and gives Kabnis one of the two baskets which she is carrying. There is a slight stoop to her shoulders. The curves of her body blend with this to a soft rounded charm. Her gestures are stiffly variant. Black bangs curl over the forehead of her oval-olive face. Her expression is dazed, but on provocation it can melt into a wistful smile. Adolescent. She is easily the sister of Fred Halsey.
Carrie K.: Mother says excuse her, brother Fred an Ralph, fer bein late.
Kabnis: Everythings all right an OK, Carrie Kate. OK an all right.
The two men settle on their lunch. Carrie, with hardly a glance in the direction of the hearth, as is her habit, is about to take the second basket down to the old man, when Lewis rises. In doing so he draws her unwitting attention. Their meeting is a swift sunburst. Lewis impulsively moves towards her. His mind flashes images of her life in the southern town. He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit-bloom, even now touched sullen, bitter. Her rich beauty fadingβ ββ β¦ He wants toβ βHe stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sunburst from her eyes floods up and haloes him. Christ-eyes, his eyes look to her. Fearlessly she loves into them. And then something happens. Her face blanches. Awkwardly she draws away. The sin-bogies of respectable southern colored folks clamor at her: βLook out! Be a good girl.
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