Sybil by Benjamin Disraeli (book recommendations website TXT) 📕

at thirty-five. He was distinguished by that beauty of the noble English blood, of which in these days few types remain; the Norman tempered by the Saxon; the fire of conquest softened by integrity; and a serene, though inflexible habit of mind. The chains of convention, an external life grown out of all proportion with that of the heart and mind, have destroyed this dignified beauty. There is no longer in fact an aristocracy in England, for the superiority of the animal man is an essential quality of aristocracy. But that it once existed, any collection of portraits from the sixteenth century will show.

Aubrey St. Lys was a younger son of the most ancient Norman family in England. The Conqueror had given them the moderate estate on which they now lived, and which, in spite of so many civil conflicts and religious changes, they had handed down to each other, from generation to generation, for eight centuries. Aubrey St. Lys was the vicar of Mowbray. He had been the college tutor of the late Lord Fitz-Warene, whose mind he had formed, whose bright abilities he had cultivated, who adored him. To that connection he owed the slight preferment which he possessed, but which was all he desired. A bishopric would not have tempted him from his peculiar charge.

In the centre of the town of Mowbray teeming with its toiling thousands, there rose a building which might vie with many of the cathedrals of our land. Beautiful its solemn towers, its sculptured western front; beautiful its columned aisles and lofty nave; its sparkling shrine and delicate chantry; most beautiful the streaming glories of its vast orient light!

This magnificent temple, built by the monks of Mowbray, and once connected with their famous house of which not a trace now remained, had in time become the parish church of an obscure village, whose population could not have filled one of its side chapels. These strange vicissitudes of ecclesiastical buildings are not singular in the north of England.

Mowbray Church remained for centuries the wonder of passing peasants, and the glory of county histories. But there is a magic in beautiful buildings which exercises an irresistible influence over the mind of man. One of the reasons urged for the destruction of the monasteries after the dispersion of their inhabitants, was the pernicious influence of their solemn and stately forms on the memories and imagination of those that beheld them. It was impossible to connect systematic crime with the creators of such divine fabrics. And so it was with Mowbray Church. When manufactures were introduced into this district, which abounded with all the qualities which were necessary for their successful pursuit, Mowbray offering equal though not superior advantages to other positions, was accorded the preference, “because it possessed such a beautiful church.” The lingering genius of the monks of Mowbray hovered round the spot which they had adorned, and sanctified, and loved; and thus they had indirectly become the authors of its present greatness and prosperity.

Unhappily for a long season the vicars of Mowbray had been little conscious of their mission. An immense population gathered round the sacred citadel and gradually spread on all sides of it for miles. But the parish church for a long time remained the only one at Mowbray when the population of the town exceeded that of some European capitals. And even in the parish church the frigid spell of Erastian self-complacency fatally prevailed. A scanty congregation gathered together for form, and as much influenced by party as higher sentiments. Going to church was held more genteel than going to meeting. The principal tradesmen of the neighbouring great houses deemed it more “aristocratic;” using a favourite and hackneyed epithet which only expressed their own servility. About the time the Church Commission issued, the congregation of Mowbray was approaching zero. There was an idea afloat for a time of making it the seat of a new bishopric; the cathedral was ready; another instance of the influence of fine art. But there was no residence for the projected prelate, and a jobbing bishop on the commission was afraid that he might have to contribute to building one. So the idea died away; and the living having become vacant at this moment, instead of a bishop, Mowbray received a humble vicar in the shape of Aubrey St. Lys, who came among a hundred thousand heathens to preach “the Unknown God.”

XII

“And how do you find the people about you, Marney?” said Lord de Mowbray seating himself on a sofa by his guest.

“All very well, my lord,” replied the earl, who ever treated Lord de Mowbray with a certain degree of ceremony, especially when the descendant of the crusaders affected the familiar. There was something of a Puck-like malignity in the temperament of Lord Marney, which exhibited itself in a remarkable talent for mortifying persons in a small way; by a gesture, an expression, a look, cloaked too very often with all the character of profound deference. The old nobility of Spain delighted to address each other only by their names, when in the presence of a spick-and-span grandee; calling each other, “Infantado,” “Sidonia,” “Ossuna,” and then turning round with the most distinguished consideration, and appealing to the Most Noble Marquis of Ensenada.

“They begin to get a little uneasy here,” said Lord de Mowbray.

“We have nothing to complain of,” said Lord Marney. “We continue reducing the rates, and as long as we do that the country must improve. The workhouse test tells. We had the other day a case of incendiarism, which frightened some people: but I inquired into it, and am quite satisfied it originated in purely accidental circumstances; at least nothing to do with wages. I ought to be a judge, for it was on my own property.”

“And what is the rate of wages, in your part of the world, Lord Marney?” inquired Mr. St. Lys who was standing by.

“Oh! good enough: not like your manufacturing districts; but people who work in the open air,