The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
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In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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What at last appeared to have happened, however, was that the divided parties, coming back at the same moment, had met outside and then drifted together, from empty room to room, yet not in mere aimless quest of the pair of companions they had left at home. The quest had carried them to the door of the billiard-room, and their appearance, as it opened to admit them, determined for Adam Verver, in the oddest way in the world, a new and sharp perception. It was really remarkable: this perception expanded, on the spot, as a flower, one of the strangest, might, at a breath, have suddenly opened. The breath, for that matter, was more than anything else, the look in his daughter’s eyes—the look with which he saw her take in exactly what had occurred in her absence: Mrs. Rance’s pursuit of him to this remote locality, the spirit and the very form, perfectly characteristic, of his acceptance of the complication—the seal set, in short, unmistakably, on one of Maggie’s anxieties. The anxiety, it was true, would have been, even though not imparted, separately shared; for Fanny Assingham’s face was, by the same stroke, not at all thickly veiled for him, and a queer light, of a colour quite to match, fairly glittered in the four fine eyes of the Miss Lutches. Each of these persons—counting out, that is, the Prince and the Colonel, who didn’t care, and who didn’t even see that the others did—knew something, or had at any rate had her idea; the idea, precisely, that this was what Mrs. Rance, artfully biding her time, would do. The special shade of apprehension on the part of the Miss Lutches might indeed have suggested the vision of an energy supremely asserted. It was droll, in truth, if one came to that, the position of the Miss Lutches: they had themselves brought, they had guilelessly introduced Mrs. Rance, strong in the fact of Mr. Rance’s having been literally beheld of them; and it was now for them, positively, as if their handful of flowers—since Mrs. Rance was a handful!—had been but the vehicle of a dangerous snake. Mr. Verver fairly felt in the air the Miss Lutches’ imputation—in the intensity of which, really, his own propriety might have been involved.
That, none the less, was but a flicker; what made the real difference, as I have hinted, was his mute passage with Maggie. His daughter’s anxiety alone had depths, and it opened out for him the wider that it was altogether new. When, in their common past, when till this moment, had she shown a fear, however dumbly, for his individual life? They had had fears together, just as they had had joys, but all of hers, at least, had been for what equally concerned them. Here of a sudden was a question that concerned him alone, and the soundless explosion of it somehow marked a date. He was on her mind, he was even in a manner on her hands—as a distinct thing, that is, from being, where he had always been, merely deep in her heart and in her life; too deep down, as it were, to be disengaged, contrasted or opposed, in short objectively presented. But time finally had done it; their relation was altered: he saw, again, the difference lighted for her. This marked it to himself—and it wasn’t a question simply of a Mrs. Rance the more or the less. For Maggie too, at a stroke, almost beneficently, their visitor had, from being an inconvenience, become a sign. They had made vacant, by their marriage, his immediate foreground, his personal precinct—they being the Princess and the Prince. They had made room in it for others—so others had become aware. He became aware himself, for that matter, during the minute Maggie stood there before speaking; and with the sense, moreover, of what he saw her see, he had the sense of what she saw him. This last, it may be added, would have been his intensest perception had there not, the next instant, been more for him in Fanny Assingham. Her face couldn’t keep it from him; she had seen, on top of everything, in her quick way, what they both were seeing.
IXSo much mute communication was doubtless, all this time, marvellous, and we may confess to having perhaps read into the scene, prematurely, a critical character that took longer to develop. Yet the quiet hour of reunion enjoyed that afternoon by the father and the daughter did really little else than deal with the elements definitely presented to each in the vibration produced by the return of the churchgoers. Nothing allusive, nothing at all insistent, passed between them either before or immediately after luncheon—except indeed so far as their failure soon again to meet might be itself an accident charged with reference. The hour or two after luncheon—and on Sundays with especial rigour, for one of the domestic reasons of which it belonged to Maggie quite multitudinously to take account—were habitually spent by the Princess with her little boy,
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