The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
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In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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They had no occasion thus, the conjoined worshippers, to talk of what the Prince might be or might do for his son—the sum of service, in his absence, so completely filled itself out. It was not in the least, moreover, that there was doubt of him, for he was conspicuously addicted to the manipulation of the child, in the frank Italian way, at such moments as he judged discreet in respect to other claims: conspicuously, indeed, that is, for Maggie, who had more occasion, on the whole, to speak to her husband of the extravagance of her father than to speak to her father of the extravagance of her husband. Adam Verver had, all round, in this connection, his own serenity. He was sure of his son-in-law’s auxiliary admiration—admiration, he meant, of his grandson; since, to begin with, what else had been at work but the instinct—or it might fairly have been the tradition—of the latter’s making the child so solidly beautiful as to have to be admired? What contributed most to harmony in this play of relations, however, was the way the young man seemed to leave it to be gathered that, tradition for tradition, the grandpapa’s own was not, in any estimate, to go for nothing. A tradition, or whatever it was, that had flowered prelusively in the Princess herself—well, Amerigo’s very discretions were his way of taking account of it. His discriminations in respect to his heir were, in fine, not more angular than any others to be observed in him; and Mr. Verver received perhaps from no source so distinct an impression of being for him an odd and important phenomenon as he received from this impunity of appropriation, these unchallenged nursery hours. It was as if the grandpapa’s special show of the character were but another side for the observer to study, another item for him to note. It came back, this latter personage knew, to his own previous perception—that of the Prince’s inability, in any matter in which he was concerned, to conclude. The idiosyncrasy, for him, at each stage, had to be demonstrated—on which, however, he admirably accepted it. This last was, after all, the point; he really worked, poor young man, for acceptance, since he worked so constantly for comprehension. And how, when you came to that, could you know that a horse wouldn’t shy at a brass-band, in a country road, because it didn’t shy at a traction-engine? It might have been brought up to traction-engines without having been brought up to brass-bands. Little by little, thus, from month to month, the Prince was learning what his wife’s father had been brought up to; and now it could be checked off—he had been brought, up to the romantic view of principini. Who would have thought it, and where would it all stop? The only fear somewhat sharp for Mr. Verver was a certain fear of disappointing him for strangeness. He felt that the evidence he offered, thus viewed, was too much on the positive side. He didn’t know—he was learning, and it was funny for him—to how many things he had been brought up. If the Prince could only strike something to which he hadn’t! This wouldn’t, it seemed to him, ruffle the smoothness, and yet might, a little, add to the interest.
What was now clear, at all events, for the father and the daughter, was their simply knowing they wanted, for the time, to be together—at any cost, as it were; and their necessity so worked in them as to bear them out of the house, in a quarter hidden from that in which their friends were gathered, and cause them to wander, unseen, unfollowed, along a covered walk in the “old” garden, as it was called, old with an antiquity of formal things, high box and shaped yew and expanses of brick wall that had turned at once
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