In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
had little to do with the matter, which was marked, on the contrary, by the richest variety of colour; but the working basis, at all events, had been settled—the Miss Maddocks of life been assured of their importance for him. How conveniently assured Maggie—to take him too into the joke—had more than once gone so far as to mention to her father; since it fell in easily with the tenderness of her disposition to remember she might occasionally make him happy by an intimate confidence. This was one of her rules—full as she was of little rules, considerations, provisions. There were things she of course couldn’t tell him, in so many words, about Amerigo and herself, and about their happiness and their union and their deepest depths—and there were other things she needn’t; but there were also those that were both true and amusing, both communicable and real, and of these, with her so conscious, so delicately cultivated scheme of conduct as a daughter, she could make her profit at will. A pleasant hush, for that matter, had fallen on most of the elements while she lingered apart with her companion; it involved, this serenity, innumerable complete assumptions: since so ordered and so splendid a rest, all the tokens, spreading about them, of confidence solidly supported, might have suggested for persons of poorer pitch the very insolence of facility. Still, they weren’t insolent—they weren’t, our pair could reflect; they were only blissful and grateful and personally modest, not ashamed of knowing, with competence, when great things were great, when good things were good, and when safe things were safe, and not, therefore, placed below their fortune by timidity which would have been as bad as being below it by impudence. Worthy of it as they were, and as each appears, under our last possible analysis, to have wished to make the other feel that they were, what they most finally exhaled into the evening air as their eyes mildly met may well have been a kind of helplessness in their felicity. Their rightness, the justification of everything—something they so felt the pulse of—sat there with them; but they might have been asking themselves a little blankly to what further use they could put anything so perfect. They had created and nursed and established it; they had housed it here in dignity and crowned it with comfort; but mightn’t the moment possibly count for them—or count at least for us while we watch them with their fate all before them—as the dawn of the discovery that it doesn’t always meet all contingencies to be right? Otherwise why should Maggie have found a word of definite doubt—the expression of the fine pang determined in her a few hours before—rise after a time to her lips? She took so for granted moreover her companion’s intelligence of her doubt that the mere vagueness of her question could say it all. “What is it, after all, that they want to do to you?” “They” were for the Princess too the hovering forces of which Mrs. Rance was the symbol, and her father, only smiling back now, at his ease, took no trouble to appear not to know what she meant. What she meant—when once she had spoken—could come out well enough; though indeed it was nothing, after they had come to the point, that could serve as ground for a great defensive campaign. The waters of talk spread a little, and Maggie presently contributed an idea in saying: “What has really happened is that the proportions, for us, are altered.” He accepted equally, for the time, this somewhat cryptic remark; he still failed to challenge her even when she added that it wouldn’t so much matter if he hadn’t been so terribly young. He uttered a sound of protest only when she went to declare that she ought as a daughter, in common decency, to have waited. Yet by that time she was already herself admitting that she should have had to wait long—if she waited, that is, till he was old. But there was a way. “Since you are an irresistible youth, we’ve got to face it. That, somehow, is what that woman has made me feel. There’ll be others.”
X
To talk of it thus appeared at last a positive relief to him. “Yes, there’ll be others. But you’ll see me through.”
She hesitated. “Do you mean if you give in?”
“Oh no. Through my holding out.”
Maggie waited again, but when she spoke it had an effect of abruptness. “Why should you hold out forever?”
He gave, none the less, no start—and this as from the habit of taking anything, taking everything, from her as harmonious. But it was quite written upon him too, for that matter, that holding out wouldn’t be, so very completely, his natural, or at any rate his acquired, form. His appearance would have testified that he might have to do so a long time—for a man so greatly beset. This appearance, that is, spoke but little, as yet, of short remainders and simplified senses—and all in spite of his being a small, spare, slightly stale person, deprived of the general prerogative of presence. It was not by mass or weight or vulgar immediate quantity that he would in the future, any more than he had done in the past, insist or resist or prevail. There was even something in him that made his position, on any occasion, made his relation to any scene or to any group, a matter of the back of the stage, of an almost visibly conscious want of affinity with the footlights. He would have figured less than anything the stage-manager or the author of the play, who most occupy the foreground; he might be, at the best, the financial “backer,” watching his interests from the wing, but in rather confessed ignorance of the mysteries of mimicry. Barely taller than his daughter, he pressed at no point on the presumed propriety of his greater stoutness. He
Free e-book: «The Golden Bowl by Henry James (free ebook reader for android TXT) 📕» - read online now on website american library books (americanlibrarybooks.com)
Comments (0)