Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
Description
Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
Read free book «Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: George Eliot
Read book online «Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕». Author - George Eliot
“Well, in general, I think, whatever is agreeable is called a folly. But you have not left off hunting, I hear.”
(Pause, wherein Gwendolen recalled what she had heard about Grandcourt’s position, and decided that he was the most aristocratic-looking man she had ever seen.)
“One must do something.”
“And do you care about the turf?—or is that among the things you have left off?”
(Pause, during which Gwendolen thought that a man of extremely calm, cold manners might be less disagreeable as a husband than other men, and not likely to interfere with his wife’s preferences.)
“I run a horse now and then; but I don’t go in for the thing as some men do. Are you fond of horses?”
“Yes, indeed; I never like my life so well as when I am on horseback, having a great gallop. I think of nothing. I only feel myself strong and happy.”
(Pause, wherein Gwendolen wondered whether Grandcourt would like what she said, but assured herself that she was not going to disguise her tastes.)
“Do you like danger?”
“I don’t know. When I am on horseback I never think of danger. It seems to me that if I broke my bones I should not feel it. I should go at anything that came in my way.”
(Pause during which Gwendolen had run through a whole hunting season with two chosen hunters to ride at will.)
“You would perhaps like tiger-hunting or pig-sticking. I saw some of that for a season or two in the East. Everything here is poor stuff after that.”
“You are fond of danger, then?”
(Pause, wherein Gwendolen speculated on the probability that the men of coldest manners were the most adventurous, and felt the strength of her own insight, supposing the question had to be decided.)
“One must have something or other. But one gets used to it.”
“I begin to think I am very fortunate, because everything is new to me: it is only that I can’t get enough of it. I am not used to anything except being dull, which I should like to leave off as you have left off shooting.”
(Pause, during which it occurred to Gwendolen that a man of cold and distinguished manners might possibly be a dull companion; but on the other hand she thought that most persons were dull, that she had not observed husbands to be companions—and that after all she was not going to accept Grandcourt.)
“Why are you dull?”
“This is a dreadful neighborhood. There is nothing to be done in it. That is why I practiced my archery.”
(Pause, during which Gwendolen reflected that the life of an unmarried woman who could not go about and had no command of anything must necessarily be dull through all degrees of comparison as time went on.)
“You have made yourself queen of it. I imagine you will carry the first prize.”
“I don’t know that. I have great rivals. Did you not observe how well Miss Arrowpoint shot?”
(Pause, wherein Gwendolen was thinking that men had been known to choose someone else than the woman they most admired, and recalled several experiences of that kind in novels.)
“Miss Arrowpoint. No—that is, yes.”
“Shall we go now and hear what the scoring says? Everyone is going to the other end now—shall we join them? I think my uncle is looking toward me. He perhaps wants me.”
Gwendolen found a relief for herself by thus changing the situation: not that the tête-à-tête was quite disagreeable to her; but while it lasted she apparently could not get rid of the unwonted flush in her cheeks and the sense of surprise which made her feel less mistress of herself than usual. And this Mr. Grandcourt, who seemed to feel his own importance more than he did hers—a sort of unreasonableness few of us can tolerate—must not take for granted that he was of great moment to her, or that because others speculated on him as a desirable match she held herself altogether at his beck. How Grandcourt had filled up the pauses will be more evident hereafter.
“You have just missed the gold arrow, Gwendolen,” said Mr. Gascoigne. “Miss Juliet Fenn scores eight above you.”
“I am very glad to hear it. I should have felt that I was making myself too disagreeable—taking the best of everything,” said Gwendolen, quite easily.
It was impossible to be jealous of Juliet Fenn, a girl as middling as midday market in everything but her archery and plainness, in which last she was noticeable like her father: underhung and with receding brow resembling that of the more intelligent fishes. (Surely, considering the importance which is given to such an accident in female offspring, marriageable men, or what the new English calls “intending bridegrooms,” should look at themselves dispassionately in the glass, since their natural selection of a mate prettier than themselves is not certain to bar the effect of their own ugliness.)
There was now a lively movement in the mingling groups, which carried the talk along with it. Everyone spoke to everyone else by turns, and Gwendolen, who chose to see what was going on around her now, observed that Grandcourt was having Klesmer presented to him by someone unknown to her—a middle-aged man, with dark, full face and fat hands, who seemed to be on the easiest terms with both, and presently led the way in joining the Arrowpoints, whose acquaintance had already been made by both him and Grandcourt. Who this stranger was she did not care much to know; but she wished to observe what was Grandcourt’s manner toward others than herself. Precisely the same: except that he did not look much at Miss Arrowpoint, but rather at Klesmer, who was speaking with animation—now stretching out his long fingers horizontally, now pointing downward with his forefinger, now folding his arms and tossing his mane, while he addressed himself first to one and then to the other, including Grandcourt, who listened with an impassive face and narrow eyes, his left forefinger in his waistcoat-pocket, and his right slightly touching his thin whisker.
“I wonder which style Miss Arrowpoint admires most,” was
Comments (0)