Suspiria de Profundis by Thomas De Quincey (urban books to read .TXT) ๐
Description
The Suspiria is a collection of prose poems, or what De Quincey called โimpassioned prose,โ erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature.
De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwoodโs Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
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- Author: Thomas De Quincey
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Yes, reader, countless are the mysterious handwritings of grief or joy which have inscribed themselves successively upon the palimpsest of your brain; and, like the annual leaves of aboriginal forests, or the undissolving snows on the Himalaya, or light falling upon light, the endless strata have covered up each other in forgetfulness. But by the hour of death, but by fever, but by the searchings of opium, all these can revive in strength. They are not dead, but sleeping. In the illustration imagined by myself from the case of some individual palimpsest, the Grecian tragedy had seemed to be displaced, but was not displaced, by the monkish legend; and the monkish legend had seemed to be displaced, but was not displaced, by the knightly romance. In some potent convulsion of the system, all wheels back into its earliest elementary stage. The bewildering romance, light tarnished with darkness, the semi-fabulous legend, truth celestial mixed with human falsehoods, these fade even of themselves as life advances. The romance has perished that the young man adored; the legend has gone that deluded the boy; but the deep, deep tragedies of infancy, as when the childโs hands were unlinked forever from his motherโs neck, or his lips forever from his sisterโs kisses, these remain lurking below all, and these lurk to the last. Alchemy there is none of passion or disease that can scorch away these immortal impresses; and the dream which closed the preceding section, together with the succeeding dreams of this (which may be viewed as in the nature of choruses winding up the overture contained in Part I), are but illustrations of this truth, such as every man probably will meet experimentally who passes through similar convulsions of dreaming or delirium from any similar or equal disturbance in his nature.44
Vision of LifeUpon me, as upon others scattered thinly by tens and twenties over every thousand years, fell too powerfully and too early the vision of life. The horror of life mixed itself already in earliest youth with the heavenly sweetness of life; that grief which one in a hundred has sensibility enough to gather from the sad retrospect of life in its closing stage for me shed its dews as a prelibation upon the fountains of life whilst yet sparkling to the morning sun. I saw from afar and from before what I was to see from behind. Is this the description of an early youth passed in the shades of gloom? No; but of a youth passed in the divinest happiness. And, if the reader has (which so few have) the passion without which there is no reading of the legend and superscription upon manโs brow, if he is not (as most are) deafer than the grave to every deep note that sighs upwards from the Delphic caves of human life, he will know that the rapture of life (or anything which by approach can merit that name) does not arise, unless as perfect music arises, music of Mozart or Beethoven, by the confluence of the mighty and terrific discords with the subtle concords. Not by contrast, or as reciprocal foils, do these elements actโ โwhich is the feeble conception of manyโ โbut by union. They are the sexual forces in music: โmale and female created he themโ; and these mighty antagonists do not put forth their hostilities by repulsion, but by deepest attraction.
As โin today already walks tomorrow,โ so in the past experience of a youthful life may be seen dimly the future. The collisions with alien interests or hostile views of a child, boy, or very young man, so insulated as each of these is sure to beโ โthose aspects of opposition which such a person can occupyโ โare limited by the exceedingly few and trivial lines of connection along which he is able to radiate any essential influence whatever upon the fortunes or happiness of others. Circumstances may magnify his importance for the moment; but, after all, any cable which he carries out upon other vessels is easily slipped upon a feud arising. Far otherwise is the state of relations connecting an adult or responsible man with the circles around him as life advances. The network of these relations is a thousand times more intricate, the jarring of these intricate relations a thousand times more frequent, and the vibrations a thousand times harsher which these jarrings diffuse. This truth is felt beforehand, misgivingly and in troubled vision, by a young man who stands upon the threshold of manhood. One earliest instinct of fear and horror would darken his spirit if it could be revealed to itself and self-questioned at the moment of birth: a second instinct of the same nature would again pollute that tremulous mirror if the moment were as punctually marked as physical birth is marked which dismisses him finally upon the tides of absolute self-control. A dark ocean would seem the total expanse of life from the first; but far darker and more appalling would seem that inferior and second chamber of the ocean which called him away forever from the direct accountability of others. Dreadful would be the morning which should say, โBe thou a human child incarnateโ; but more dreadful the morning which should say, โBear thou henceforth the sceptre of thy self-dominion through life, and the passion of life!โ Yes, dreadful would be both; but without a basis of the dreadful there is no
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