War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
Description
Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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βWell, then, matesβ ββ β¦ that very prince whoβ ββ β¦β some voice at the other end of the shed was saying, with a strong emphasis on the word who.
Sitting silent and motionless on a heap of straw against the wall, Pierre sometimes opened and sometimes closed his eyes. But as soon as he closed them he saw before him the dreadful face of the factory ladβ βespecially dreadful because of its simplicityβ βand the faces of the murderers, even more dreadful because of their disquiet. And he opened his eyes again and stared vacantly into the darkness around him.
Beside him in a stooping position sat a small man of whose presence he was first made aware by a strong smell of perspiration which came from him every time he moved. This man was doing something to his legs in the darkness, and though Pierre could not see his face he felt that the man continually glanced at him. On growing used to the darkness Pierre saw that the man was taking off his leg bands, and the way he did it aroused Pierreβs interest.
Having unwound the string that tied the band on one leg, he carefully coiled it up and immediately set to work on the other leg, glancing up at Pierre. While one hand hung up the first string the other was already unwinding the band on the second leg. In this way, having carefully removed the leg bands by deft circular motions of his arm following one another uninterruptedly, the man hung the leg bands up on some pegs fixed above his head. Then he took out a knife, cut something, closed the knife, placed it under the head of his bed, and, seating himself comfortably, clasped his arms round his lifted knees and fixed his eyes on Pierre. The latter was conscious of something pleasant, comforting, and well-rounded in these deft movements, in the manβs well-ordered arrangements in his corner, and even in his very smell, and he looked at the man without taking his eyes from him.
βYouβve seen a lot of trouble, sir, eh?β the little man suddenly said.
And there was so much kindliness and simplicity in his singsong voice that Pierre tried to reply, but his jaw trembled and he felt tears rising to his eyes. The little fellow, giving Pierre no time to betray his confusion, instantly continued in the same pleasant tones:
βEh, lad, donβt fret!β said he, in the tender singsong caressing voice old Russian peasant women employ. βDonβt fret, friendβ ββsuffer an hour, live for an age!β thatβs how it is, my dear fellow. And here we live, thank heaven, without offense. Among these folk, too, there are good men as well as bad,β said he, and still speaking, he turned on his knees with a supple movement, got up, coughed, and went off to another part of the shed.
βEh, you rascal!β Pierre heard the same kind voice saying at the other end of the shed. βSo youβve come, you rascal? She remembersβ ββ β¦ Now, now, thatβll do!β
And the soldier, pushing away a little dog that was jumping up at him, returned to his place and sat down. In his hands he had something wrapped in a rag.
βHere, eat a bit, sir,β said he, resuming his former respectful tone as he unwrapped and offered Pierre some baked potatoes. βWe had soup for dinner and the potatoes are grand!β
Pierre had not eaten all day and the smell of the potatoes seemed extremely pleasant to him. He thanked the soldier and began to eat.
βWell, are they all right?β said the soldier with a smile. βYou should do like this.β
He took a potato, drew out his clasp knife, cut the potato into two equal halves on the palm of his hand, sprinkled some salt on it from the rag, and handed it to Pierre.
βThe potatoes are grand!β he said once more. βEat some like that!β
Pierre thought he had never eaten anything that tasted better.
βOh, Iβm all right,β said he, βbut why did they shoot those poor fellows? The last one was hardly twenty.β
βTss, ttβ ββ β¦β!β said the little man. βAh, what a sinβ ββ β¦ what a sin!β he added quickly, and as if his words were always waiting ready in his mouth and flew out involuntarily he went on: βHow was it, sir, that you stayed in Moscow?β
βI didnβt think they would come so soon. I stayed accidentally,β replied Pierre.
βAnd how did they arrest you, dear lad? At your house?β
βNo, I went to look at the fire, and they arrested me there, and tried me as an incendiary.β
βWhere thereβs law thereβs injustice,β put in the little man.
βAnd have you been here long?β Pierre asked as he munched the last of the potato.
βI? It was last Sunday they took me, out of a hospital in Moscow.β
βWhy, are you a soldier then?β
βYes, we are soldiers of the Γpsheron regiment. I was dying of fever. We werenβt told anything. There were some twenty of us lying there. We had no idea, never guessed at all.β
βAnd do you feel sad here?β Pierre inquired.
βHow can one help it, lad? My name is PlatΓ³n, and the surname is KaratΓ‘ev,β he added, evidently wishing to make it easier for Pierre to address him. βThey call me βlittle falconβ in the regiment. How is one to help feeling sad? Moscowβ βsheβs the mother of cities. How can one see all this and not feel sad? But βthe maggot gnaws the cabbage, yet dies firstβ; thatβs what the old folks used to tell us,β he added rapidly.
βWhat? What did you say?β asked Pierre.
βWho? I?β said KaratΓ‘ev. βI say things happen not as we plan but as God judges,β he replied, thinking that he was repeating what he had said before, and immediately continued:
βWell, and you, have
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