War and Peace by Leo Tolstoy (ebook reader for pc TXT) π
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Against the backdrop of the Napoleonic Wars, five aristocratic families in Russia are transformed by the vagaries of life, by war, and by the intersection of their lives with each other. Hundreds of characters populate War and Peace, many of them historical persons, including Napoleon and Tsar Alexander I, and all of them come to life under Tolstoyβs deft hand.
War and Peace is generally considered to be Tolstoyβs masterpiece, a pinnacle of Russian literature, and one of historyβs great novels. Tolstoy himself refused to call it that, saying it was βnot a novel, even less is it a poem, and still less a historical chronicle.β It contains elements of history, narrative, and philosophy, the latter increasing in quantity as the book moves towards its climax. Whatever it is called, it is a triumph whose breadth and depth is perhaps unmatched in literature.
This production restores the Russian given names that were anglicized by the Maudes in their translation, the use of Russian patronymics and diminutives that they eliminated, and Tolstoyβs original four-book structure.
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- Author: Leo Tolstoy
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From that day an awakening from life came to Prince AndrΓ©y together with his awakening from sleep. And compared to the duration of life it did not seem to him slower than an awakening from sleep compared to the duration of a dream.
There was nothing terrible or violent in this comparatively slow awakening.
His last days and hours passed in an ordinary and simple way. Both Princess MΓ‘rya and NatΓ‘sha, who did not leave him, felt this. They did not weep or shudder and during these last days they themselves felt that they were not attending on him (he was no longer there, he had left them) but on what reminded them most closely of himβ βhis body. Both felt this so strongly that the outward and terrible side of death did not affect them and they did not feel it necessary to foment their grief. Neither in his presence nor out of it did they weep, nor did they ever talk to one another about him. They felt that they could not express in words what they understood.
They both saw that he was sinking slowly and quietly, deeper and deeper, away from them, and they both knew that this had to be so and that it was right.
He confessed, and received communion: everyone came to take leave of him. When they brought his son to him, he pressed his lips to the boyβs and turned away, not because he felt it hard and sad (Princess MΓ‘rya and NatΓ‘sha understood that) but simply because he thought it was all that was required of him, but when they told him to bless the boy, he did what was demanded and looked round as if asking whether there was anything else he should do.
When the last convulsions of the body, which the spirit was leaving, occurred, Princess MΓ‘rya and NatΓ‘sha were present.
βIs it over?β said Princess MΓ‘rya when his body had for a few minutes lain motionless, growing cold before them. NatΓ‘sha went up, looked at the dead eyes, and hastened to close them. She closed them but did not kiss them, but clung to that which reminded her most nearly of himβ βhis body.
βWhere has he gone? Where is he now?β ββ β¦β
When the body, washed and dressed, lay in the coffin on a table, everyone came to take leave of him and they all wept.
NikolΓΊshka cried because his heart was rent by painful perplexity. The countess and SΓ³nya cried from pity for NatΓ‘sha and because he was no more. The old count cried because he felt that before long, he, too, must take the same terrible step.
NatΓ‘sha and Princess MΓ‘rya also wept now, but not because of their own personal grief; they wept with a reverent and softening emotion which had taken possession of their souls at the consciousness of the simple and solemn mystery of death that had been accomplished in their presence.
Part II 1812 IManβs mind cannot grasp the causes of events in their completeness, but the desire to find those causes is implanted in manβs soul. And without considering the multiplicity and complexity of the conditions any one of which taken separately may seem to be the cause, he snatches at the first approximation to a cause that seems to him intelligible and says: βThis is the cause!β In historical events (where the actions of men are the subject of observation) the first and most primitive approximation to present itself was the will of the gods and, after that, the will of those who stood in the most prominent positionβ βthe heroes of history. But we need only penetrate to the essence of any historic eventβ βwhich lies in the activity of the general mass of men who take part in itβ βto be convinced that the will of the historic hero does not control the actions of the mass but is itself continually controlled. It may seem to be a matter of indifference whether we understand the meaning of historical events this way or that; yet there is the same difference between a man who says that the people of the West moved on the East because Napoleon wished it and a man who says that this happened because it had to happen, as there is between those who declared that the earth was stationary and that the planets moved round it and those who admitted that they did not know what upheld the earth, but knew there were laws directing its movement and that of the other planets. There is, and can be, no cause of an historical event except the one cause of all causes. But there are laws directing events, and some of these laws are known to us while we are conscious of others we cannot comprehend. The discovery of these laws is only possible when we have quite abandoned the attempt to find the cause in the will of some one man, just as the discovery of the laws of the motion of the planets was possible only when men abandoned the conception of the fixity of the earth.
The historians consider that, next to the battle of BorodinΓ³ and the occupation of Moscow by the enemy and its destruction by fire, the most important episode of the war of 1812 was the movement of the Russian army from the RyazΓ‘na to the KalΓΊga road and to the TarΓΊtino campβ βthe so-called flank march across the KrΓ‘snaya PakhrΓ‘ River. They ascribe the glory of that achievement of genius to different men and dispute as to whom the honor is due. Even foreign historians, including the French, acknowledge the genius of the Russian commanders when they speak of that flank march. But it is hard to understand why military writers, and following them others, consider this flank march to be the profound conception of some one man who saved Russia and destroyed Napoleon. In the first place it is hard to understand where
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