The Last Thing He Told Me by Laura Dave (ebook reader ink .txt) 📕

the roster out of my messenger bag. I hold it out for her. “I’ll come and get you when it’s all clear in there.”

“Clear of what? Why don’t you just say it?” she asks. “Why don’t you say who you think is inside?”

“Probably for the same reason you’re not ready to say it, Bailey.”

This gets through to her. She nods her agreement.

Then she takes the roster out of my hand and turns toward the coffee shop. “Don’t take too long, okay?” she says.

Then she opens the door to the coffee shop, a whoosh of purple as she heads inside.

I breathe a sigh of relief. And I open the blue door to The Never Dry. There is a winding staircase, which I take upstairs to a candlelit hallway and a second blue door, which is also unlocked.

I open that door and enter a small cocktail lounge. An empty cocktail lounge. There are maple rafters and a dark mahogany bar, velvety love seats surrounding small bar tables. It doesn’t feel like a college town bar. The hidden doorway, the intimate room. It feels more like a speakeasy—guarded, sexy, private.

No one is standing behind the bar. The only indication that anyone is even there is the lit tea candles on the cocktail tables, Billie Holiday playing on an old record player.

I walk up to the bar, taking in the shelves behind it. They’re filled with dark liquors, boozy bitters—and there is one shelf devoted to framed photographs in thick, silver frames, a few framed newspaper clippings. Kate Smith appears in several, often with the same lanky, dark-haired guy. Not Owen. Someone besides Owen. There are several photographs of the dark-haired guy alone as well. I lean over the bar to try and make out what one of the newspaper clippings says. It includes a photograph of Kate dressed in a gown, the lanky guy dressed in a tuxedo. An older couple bookends him. I start to read through the names beneath the photograph. Meredith Smith, Kate Smith. Charlie Smith…

Then I hear footsteps. “Hey, there.”

I turn around to see Charlie Smith. The lanky guy from the photographs. He’s wearing a crisp button-down shirt and holding a case of champagne. He looks older than in the fancy framed photographs. Less lanky. His dark hair is now graying, his skin weathered, but it’s definitely him. Whoever he is to Bailey. Whoever Bailey is to Kate.

“We’re not open just yet,” he says. “We don’t usually start serving until closer to six…”

I point back from the direction I came. “I’m sorry about that, the door was unlocked,” I say. “I didn’t mean to just let myself in.”

“Not a problem, you can have a seat at the bar and take a look at the cocktail menu,” he says. “I just have a couple more things to take care of.”

“Sounds great,” I say.

He puts the champagne on the bar and offers a kind smile. I force a smile back. It isn’t easy being around this stranger who has the same coloring as Bailey—and his smile, when he points it at me, is hers too, complete with her same uptick, the same dimple shining through.

I hop up onto a stool as he moves behind the bar and starts unpacking the champagne.

“Can I ask you a quick question? I’m new to Austin and I think I got a bit turned around. I’m looking for the campus. Can I walk from here?”

“Sure, if you have forty-five minutes or so. Probably easier to just hop in an Uber if you’re in any kind of rush,” he says. “Where are you headed to exactly?”

I think of his bio, of what I just pulled up about him. “The School of Architecture,” I say.

“Really?” he says.

I’m not a good actress, so trying to look casual while telling this lie is a stretch. It pays off though. He’s interested suddenly, just like I hoped he would be. Charlie Smith: late thirties, almost architect, married to Andrea Reyes. Married to Andrea at a wedding Bailey and Owen attended.

“I took some classes at the School of Architecture, once upon a time,” he says.

“Small world,” I say. I look around to stop my heart from racing, to center myself. “Did you design this place? It’s gorgeous.”

“Can’t really take that much credit. I did a bit of a redesign when I took it over. But the bones are the same.”

He finishes putting the champagne away and leans across the bar.

“Are you an architect?” he asks.

“Landscape architect. And I’m in the running for a teaching position,” I say. “Just a temp position while one of the professors is on maternity leave. But they want me to come have dinner with some of the faculty, so I’m hopeful.”

“How about a little liquid courage?” he says. “What would you like to drink?”

“Dealer’s choice,” I say.

“That’s dangerous,” he says. “Especially when I’ve got a little time.”

Charlie turns and studies his choices, reaches for a bottle of small batch bourbon. I watch as he preps a martini glass with ice, bitters, sugar. Then he slowly pours the rich bourbon. Finishing it with a slice of orange peel.

He slides the drink toward me. “The house specialty,” he says. “A bourbon old-fashioned.”

“That looks too pretty to drink,” I say.

“My grandfather used to make the bitters himself. Now I do it, most of the time. I’m falling down on the job a bit, but it makes all the difference.”

I take a sip of my drink, which is smooth and icy and strong. It runs straight to my head.

“So, this is your family’s bar?”

“Yeah, my grandfather was the original proprietor,” he says. “He wanted a place to play cards with his buddies.”

He motions to the one velvet booth in the corner, a RESERVED sign on it. There are several black-and-white photographs above it—including a great one of a group of guys, sitting in that booth.

“He spent fifty years behind the bar before I took it over from him.”

“Wow,” I say. “That’s incredible. What about your father?”

“What about him?” he says.

And I