Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âLet us hear.â
âShe is nice; she is fair; she has a pretty white slender throat; she has long curls, not stiff onesâ âthey hang loose and soft, their colour is brown but not dark; she speaks quietly, with a clear tone; she never makes a bustle in moving; she often wears a gray silk dress; she is neat all overâ âher gowns, and her shoes, and her gloves always fit her. She is what I call a lady, and when I am as tall as she is, I mean to be like her. Shall I suit you if I am? Will you really marry me?â
Moore stroked Jessyâs hair. For a minute he seemed as if he would draw her nearer to him, but instead he put her a little farther off.
âOh! you wonât have me? You push me away.â
âWhy, Jessy, you care nothing about me. You never come to see me now at the Hollow.â
âBecause you donât ask me.â
Hereupon Mr. Moore gave both the little girls an invitation to pay him a visit next day, promising that, as he was going to Stilbroâ in the morning, he would buy them each a present, of what nature he would not then declare, but they must come and see. Jessy was about to reply, when one of the boys unexpectedly broke inâ â
âI know that Miss Helstone you have all been palavering about. Sheâs an ugly girl. I hate her. I hate all womenites. I wonder what they were made for.â
âMartin!â said his father, for Martin it was. The lad only answered by turning his cynical young face, half-arch, half-truculent, towards the paternal chair. âMartin, my lad, thouârt a swaggering whelp now; thou wilt some day be an outrageous puppy. But stick to those sentiments of thine. See, Iâll write down the words now iâ my pocketbook.â (The senior took out a morocco-covered book, and deliberately wrote therein.) âTen years hence, Martin, if thou and I be both alive at that day, Iâll remind thee of that speech.â
âIâll say the same then. I mean always to hate women. Theyâre such dolls; they do nothing but dress themselves finely, and go swimming about to be admired. Iâll never marry. Iâll be a bachelor.â
âStick to it! stick to it!â âHestherâ (addressing his wife), âI was like him when I was his ageâ âa regular misogamist; and, behold! by the time I was three-and-twentyâ âbeing then a tourist in France and Italy, and the Lord knows whereâ âI curled my hair every night before I went to bed, and wore a ring iâ my ear, and would have worn one iâ my nose if it had been the fashion, and all that I might make myself pleasing and charming to the ladies. Martin will do the like.â
âWill I? Never! Iâve more sense. What a guy you were, father! As to dressing, I make this vow: Iâll never dress more finely than as you see me at present.â âMr. Moore, Iâm clad in blue cloth from top to toe, and they laugh at me, and call me sailor at the grammar-school. I laugh louder at them, and say they are all magpies and parrots, with their coats one colour, and their waistcoats another, and their trousers a third. Iâll always wear blue cloth, and nothing but blue cloth. It is beneath a human beingâs dignity to dress himself in particoloured garments.â
âTen years hence, Martin, no tailorâs shop will have choice of colours varied enough for thy exacting taste; no perfumerâs stores essences exquisite enough for thy fastidious senses.â
Martin looked disdain, but vouchsafed no further reply. Meantime Mark, who for some minutes had been rummaging amongst a pile of books on a side-table, took the word. He spoke in a peculiarly slow, quiet voice, and with an expression of still irony in his face not easy to describe.
âMr. Moore,â said he, âyou think perhaps it was a compliment on Miss Caroline Helstoneâs part to say you were not sentimental. I thought you appeared confused when my sisters told you the words, as if you felt flattered. You turned red, just like a certain vain little lad at our school, who always thinks proper to blush when he gets a rise in the class. For your benefit, Mr. Moore, Iâve been looking up the word âsentimentalâ in the dictionary, and I find it to mean âtinctured with sentiment.â On examining further, âsentimentâ is explained to be thought, idea, notion. A sentimental man, then, is one who has thoughts, ideas, notions; an unsentimental man is one destitute of thought, idea, or notion.â
And Mark stopped. He did not smile, he did not look round for admiration. He had said his say, and was silent.
âMa foi! mon ami,â observed Mr. Moore to Yorke, âce sont vraiment des enfants terribles, que les vĂŽtres!â
Rose, who had been listening attentively to Markâs speech, replied to him, âThere are different kinds of thoughts, ideas, and notions,â said she, âgood and bad. Sentimental must refer to the bad, or Miss Helstone must have taken it in that sense, for she was not blaming Mr. Moore; she was defending him.â
âThatâs my kind little advocate!â said Moore, taking Roseâs hand.
âShe was defending him,â repeated Rose, âas I should have done had I been in her place, for the other ladies seemed to speak spitefully.â
âLadies always do speak spitefully,â observed Martin. âIt is the nature of womenites to be spiteful.â
Matthew now, for the first time, opened his lips. âWhat a fool Martin is, to be always gabbling about what he does not understand!â
âIt is my privilege, as a freeman, to gabble on whatever subject I like,â responded Martin.
âYou use it, or rather abuse it, to such an extent,â rejoined the elder brother, âthat you prove you ought to
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