Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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“So be we!”
“I wonder what she is like—the lady they say his family have looked out for him!”
“I wonder,” said Izz.
“Some lady looked out for him?” gasped Tess, starting. “I have never heard o’ that!”
“O yes—’tis whispered; a young lady of his own rank, chosen by his family; a Doctor of Divinity’s daughter near his father’s parish of Emminster; he don’t much care for her, they say. But he is sure to marry her.”
They had heard so very little of this; yet it was enough to build up wretched dolorous dreams upon, there in the shade of the night. They pictured all the details of his being won round to consent, of the wedding preparations, of the bride’s happiness, of her dress and veil, of her blissful home with him, when oblivion would have fallen upon themselves as far as he and their love were concerned. Thus they talked, and ached, and wept till sleep charmed their sorrow away.
After this disclosure Tess nourished no further foolish thought that there lurked any grave and deliberate import in Clare’s attentions to her. It was a passing summer love of her face, for love’s own temporary sake—nothing more. And the thorny crown of this sad conception was that she whom he really did prefer in a cursory way to the rest, she who knew herself to be more impassioned in nature, cleverer, more beautiful than they, was in the eyes of propriety far less worthy of him than the homelier ones whom he ignored.
XXIVAmid the oozing fatness and warm ferments of the Froom Vale, at a season when the rush of juices could almost be heard below the hiss of fertilization, it was impossible that the most fanciful love should not grow passionate. The ready bosoms existing there were impregnated by their surroundings.
July passed over their heads, and the Thermidorean weather which came in its wake seemed an effort on the part of Nature to match the state of hearts at Talbothays Dairy. The air of the place, so fresh in the spring and early summer, was stagnant and enervating now. Its heavy scents weighed upon them, and at midday the landscape seemed lying in a swoon. Ethiopic scorchings browned the upper slopes of the pastures, but there was still bright green herbage here where the watercourses purled. And as Clare was oppressed by the outward heats, so was he burdened inwardly by waxing fervour of passion for the soft and silent Tess.
The rains having passed, the uplands were dry. The wheels of the dairyman’s spring-cart, as he sped home from market, licked up the pulverized surface of the highway, and were followed by white ribands of dust, as if they had set a thin powder-train on fire. The cows jumped wildly over the five-barred barton-gate, maddened by the gadfly; Dairyman Crick kept his shirtsleeves permanently rolled up from Monday to Saturday; open windows had no effect in ventilation without open doors, and in the dairy-garden the blackbirds and thrushes crept about under the currant-bushes, rather in the manner of quadrupeds than of winged creatures. The flies in the kitchen were lazy, teasing, and familiar, crawling about in the unwonted places, on the floors, into drawers, and over the backs of the milkmaids’ hands. Conversations were concerning sunstroke; while butter-making, and still more butter-keeping, was a despair.
They milked entirely in the meads for coolness and convenience, without driving in the cows. During the day the animals obsequiously followed the shadow of the smallest tree as it moved round the stem with the diurnal roll; and when the milkers came they could hardly stand still for the flies.
On one of these afternoons four or five unmilked cows chanced to stand apart from the general herd, behind the corner of a hedge, among them being Dumpling and Old Pretty, who loved Tess’s hands above those of any other maid. When she rose from her stool under a finished cow, Angel Clare, who had been observing her for some time, asked her if she would take the aforesaid creatures next. She silently assented, and with her stool at arm’s length, and the pail against her knee, went round to where they stood. Soon the sound of Old Pretty’s milk fizzing into the pail came through the hedge, and then Angel felt inclined to go round the corner also, to finish off a hard-yielding milcher who had strayed there, he being now as capable of this as the dairyman himself.
All the men, and some of the women, when milking, dug their foreheads into the cows and gazed into the pail. But a few—mainly the younger ones—rested their heads sideways. This was Tess Durbeyfield’s habit, her temple pressing the milcher’s flank, her eyes fixed on the far end of the meadow with the quiet of one lost in meditation. She was milking Old Pretty thus, and the sun chancing to be on the milking-side, it shone flat upon her pink-gowned form and her white curtain-bonnet, and upon her profile, rendering it keen as a cameo cut from the dun background of the cow.
She did not know that Clare had followed her round, and that he sat under his cow watching her. The stillness of her head and features was remarkable: she might have been in a trance, her eyes open, yet unseeing. Nothing in the picture moved but Old Pretty’s tail and Tess’s pink hands, the latter so gently as to be a rhythmic pulsation only, as if they were obeying a reflex stimulus, like a beating heart.
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing
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