Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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Clare had studied the curves of those lips so many times that he could reproduce them mentally with ease: and now, as they again confronted him, clothed with colour and life, they sent an aura over his flesh, a breeze through his nerves, which well nigh produced a qualm; and actually produced, by some mysterious physiological process, a prosaic sneeze.
She then became conscious that he was observing her; but she would not show it by any change of position, though the curious dreamlike fixity disappeared, and a close eye might easily have discerned that the rosiness of her face deepened, and then faded till only a tinge of it was left.
The influence that had passed into Clare like an excitation from the sky did not die down. Resolutions, reticences, prudences, fears, fell back like a defeated battalion. He jumped up from his seat, and, leaving his pail to be kicked over if the milcher had such a mind, went quickly towards the desire of his eyes, and, kneeling down beside her, clasped her in his arms.
Tess was taken completely by surprise, and she yielded to his embrace with unreflecting inevitableness. Having seen that it was really her lover who had advanced, and no one else, her lips parted, and she sank upon him in her momentary joy, with something very like an ecstatic cry.
He had been on the point of kissing that too tempting mouth, but he checked himself, for tender conscience’ sake.
“Forgive me, Tess dear!” he whispered. “I ought to have asked. I—did not know what I was doing. I do not mean it as a liberty. I am devoted to you, Tessy, dearest, in all sincerity!”
Old Pretty by this time had looked round, puzzled; and seeing two people crouching under her where, by immemorial custom, there should have been only one, lifted her hind leg crossly.
“She is angry—she doesn’t know what we mean—she’ll kick over the milk!” exclaimed Tess, gently striving to free herself, her eyes concerned with the quadruped’s actions, her heart more deeply concerned with herself and Clare.
She slipped up from her seat, and they stood together, his arm still encircling her. Tess’s eyes, fixed on distance, began to fill.
“Why do you cry, my darling?” he said.
“O—I don’t know!” she murmured.
As she saw and felt more clearly the position she was in she became agitated and tried to withdraw.
“Well, I have betrayed my feeling, Tess, at last,” said he, with a curious sigh of desperation, signifying unconsciously that his heart had outrun his judgement. “That I—love you dearly and truly I need not say. But I—it shall go no further now—it distresses you—I am as surprised as you are. You will not think I have presumed upon your defencelessness—been too quick and unreflecting, will you?”
“N’—I can’t tell.”
He had allowed her to free herself; and in a minute or two the milking of each was resumed. Nobody had beheld the gravitation of the two into one; and when the dairyman came round by that screened nook a few minutes later, there was not a sign to reveal that the markedly sundered pair were more to each other than mere acquaintance. Yet in the interval since Crick’s last view of them something had occurred which changed the pivot of the universe for their two natures; something which, had he known its quality, the dairyman would have despised, as a practical man; yet which was based upon a more stubborn and resistless tendency than a whole heap of so-called practicalities. A veil had been whisked aside; the tract of each one’s outlook was to have a new horizon thenceforward—for a short time or for a long.
Phase the Fourth The Consequence XXVClare, restless, went out into the dusk when evening drew on, she who had won him having retired to her chamber.
The night was as sultry as the day. There was no coolness after dark unless on the grass. Roads, garden-paths, the house-fronts, the barton-walls were warm as hearths, and reflected the noontime temperature into the noctambulist’s face.
He sat on the east gate of the dairy-yard, and knew not what to think of himself. Feeling had indeed smothered judgement that day.
Since the sudden embrace, three hours before, the twain had kept apart. She seemed stilled, almost alarmed, at what had occurred, while the novelty, unpremeditation, mastery of circumstance disquieted him—palpitating, contemplative being that he was. He could hardly realize their true relations to each other as yet, and what their mutual bearing should be before third parties thenceforward.
Angel had come as pupil to this dairy in the idea that his temporary existence here was to be the merest episode in his life, soon passed through and early forgotten; he had come as to a place from which as from a screened alcove he could calmly view the absorbing world without, and, apostrophizing it with Walt Whitman—
Crowds of men and women attired in the usual costumes,
How curious you are to me!—
resolve upon a plan for plunging into that world anew. But behold, the absorbing scene had been imported hither. What had been the engrossing world had dissolved into an uninteresting outer dumb-show; while here, in this apparently dim and unimpassioned place, novelty had volcanically started up, as it had never, for him, started up elsewhere.
Every window of the house being open, Clare could hear across the yard each trivial sound of
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