Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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He was certainly a happy fellow at this time: to be seven-and-twenty, without any fixed vices, with a generous resolution that his action should be beneficent, and with ideas in his brain that made life interesting quite apart from the cultus of horseflesh and other mystic rites of costly observance, which the eight hundred pounds left him after buying his practice would certainly not have gone far in paying for. He was at a starting-point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swims and makes his point or else is carried headlong. The risk would remain even with close knowledge of Lydgate’s character; for character too is a process and an unfolding. The man was still in the making, as much as the Middlemarch doctor and immortal discoverer, and there were both virtues and faults capable of shrinking or expanding. The faults will not, I hope, be a reason for the withdrawal of your interest in him. Among our valued friends is there not someone or other who is a little too self-confident and disdainful; whose distinguished mind is a little spotted with commonness; who is a little pinched here and protuberant there with native prejudices; or whose better energies are liable to lapse down the wrong channel under the influence of transient solicitations? All these things might be alleged against Lydgate, but then, they are the periphrases of a polite preacher, who talks of Adam, and would not like to mention anything painful to the pew-renters. The particular faults from which these delicate generalities are distilled have distinguishable physiognomies, diction, accent, and grimaces; filling up parts in very various dramas. Our vanities differ as our noses do: all conceit is not the same conceit, but varies in correspondence with the minutiae of mental make in which one of us differs from another. Lydgate’s conceit was of the arrogant sort, never simpering, never impertinent, but massive in its claims and benevolently contemptuous. He would do a great deal for noodles, being sorry for them, and feeling quite sure that they could have no power over him: he had thought of joining the Saint Simonians when he was in Paris, in order to turn them against some of their own doctrines. All his faults were marked by kindred traits, and were those of a man who had a fine baritone, whose clothes hung well upon him, and who even in his ordinary gestures had an air of inbred distinction. Where then lay the spots of commonness? says a young lady enamoured of that careless grace. How could there be any commonness in a man so well-bred, so ambitious of social distinction, so generous and unusual in his views of social duty? As easily as there may be stupidity in a man of genius if you take him unawares on the wrong subject, or as many a man who has the best will to advance the social millennium might be ill-inspired in imagining its lighter pleasures; unable to go beyond Offenbach’s music, or the brilliant punning in the last burlesque. Lydgate’s spots of commonness lay in the complexion of his prejudices, which, in spite of noble intention and sympathy, were half of them such as are found in ordinary men of the world: that distinction of mind which belonged to his intellectual ardor, did not penetrate his feeling
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