Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Certainly, small feet and perfectly turned shoulders aid the impression of refined manners, and the right thing said seems quite astonishingly right when it is accompanied with exquisite curves of lip and eyelid. And Rosamond could say the right thing; for she was clever with that sort of cleverness which catches every tone except the humorous. Happily she never attempted to joke, and this perhaps was the most decisive mark of her cleverness.
She and Lydgate readily got into conversation. He regretted that he had not heard her sing the other day at Stone Court. The only pleasure he allowed himself during the latter part of his stay in Paris was to go and hear music.
“You have studied music, probably?” said Rosamond.
“No, I know the notes of many birds, and I know many melodies by ear; but the music that I don’t know at all, and have no notion about, delights me—affects me. How stupid the world is that it does not make more use of such a pleasure within its reach!”
“Yes, and you will find Middlemarch very tuneless. There are hardly any good musicians. I only know two gentlemen who sing at all well.”
“I suppose it is the fashion to sing comic songs in a rhythmic way, leaving you to fancy the tune—very much as if it were tapped on a drum?”
“Ah, you have heard Mr. Bowyer,” said Rosamond, with one of her rare smiles. “But we are speaking very ill of our neighbors.”
Lydgate was almost forgetting that he must carry on the conversation, in thinking how lovely this creature was, her garment seeming to be made out of the faintest blue sky, herself so immaculately blond, as if the petals of some gigantic flower had just opened and disclosed her; and yet with this infantine blondness showing so much ready, self-possessed grace. Since he had had the memory of Laure, Lydgate had lost all taste for large-eyed silence: the divine cow no longer attracted him, and Rosamond was her very opposite. But he recalled himself.
“You will let me hear some music tonight, I hope.”
“I will let you hear my attempts, if you like,” said Rosamond. “Papa is sure to insist on my singing. But I shall tremble before you, who have heard the best singers in Paris. I have heard very little: I have only once been to London. But our organist at St. Peter’s is a good musician, and I go on studying with him.”
“Tell me what you saw in London.”
“Very little.” (A more naive girl would have said, “Oh, everything!” But Rosamond knew better.) “A few of the ordinary sights, such as raw country girls are always taken to.”
“Do you call yourself a raw country girl?” said Lydgate, looking at her with an involuntary emphasis of admiration, which made Rosamond blush with pleasure. But she remained simply serious, turned her long neck a little, and put up her hand to touch her wondrous hair-plaits—an habitual gesture with her as pretty as any movements of a kitten’s paw. Not that Rosamond was in the least like a kitten: she was a sylph caught young and educated at Mrs. Lemon’s.
“I assure you my mind is raw,” she said immediately; “I pass at Middlemarch. I am not afraid of talking to our old neighbors. But I am really afraid of you.”
“An accomplished woman almost always knows more than we men, though her knowledge is of a different sort. I am sure you could teach me a thousand things—as an exquisite bird could teach a bear if there were any common language between them. Happily, there is a common language between women and men, and so the bears can get taught.”
“Ah, there is Fred beginning to strum! I must go and hinder him from jarring all your nerves,” said Rosamond, moving to the other side of the room, where Fred having opened the piano, at his father’s desire, that Rosamond might give them some music, was parenthetically performing “Cherry Ripe!” with one hand. Able men who have passed their examinations will do these things sometimes, not less than the plucked Fred.
“Fred, pray defer your practising till tomorrow; you will make Mr. Lydgate ill,” said Rosamond. “He has an ear.”
Fred laughed, and went on with his tune to the end.
Rosamond turned to Lydgate, smiling gently, and said, “You perceive, the bears will not always be taught.”
“Now then, Rosy!” said Fred, springing from the stool and twisting it upward for her, with a hearty expectation of enjoyment. “Some good rousing tunes first.”
Rosamond played admirably. Her master at Mrs. Lemon’s school (close to a county town with a memorable history that had its relics in church and castle) was one of those excellent musicians here and there to be found in our provinces, worthy to compare with many a noted Kapellmeister in a country which offers more plentiful conditions of musical celebrity. Rosamond, with the executant’s instinct, had seized his manner of playing, and gave forth his large rendering of noble music with the precision of an echo. It was almost startling, heard for the first time. A hidden soul seemed to be flowing forth from Rosamond’s fingers; and so indeed it was, since souls live on in perpetual echoes, and to all fine expression there goes somewhere an originating activity, if it be only that of an interpreter. Lydgate was taken possession of, and began to believe in her as something exceptional. After all, he thought, one need not be surprised to find the rare conjunctions of nature under circumstances apparently unfavorable: come where they may, they always depend on conditions that are not obvious. He sat looking at her, and did not rise to pay her any compliments, leaving that to others, now that his admiration was deepened.
Her singing was less remarkable, but also well trained, and sweet to hear as a chime perfectly in tune. It is true she sang “Meet me by moonlight,” and “I’ve been roaming”; for mortals must share the fashions
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