His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

country inn, with its little grocery business attached, its large common room smelling of soapsuds, and its spacious yard full of manure, on which the ducks disported themselves.

“Hallo, Faucheur! we have come to lunch. An omelette, some sausages, and some cheese, eh?”

“Are you going to stay the night, Monsieur Claude?”

“No, no; another time. And some white wine; eh? you know that pinky wine, that grates a bit in the throat.”

Christine had already followed mother Faucheur to the barnyard, and when the latter came back with her eggs, she asked Claude with her artful peasant’s laugh:

“And so now you’re married?”

“Well,” replied the painter without hesitation, “it looks like it since I’m with my wife.”

The lunch was exquisite: the omelette overdone, the sausages too greasy, and the bread so hard that he had to cut it into fingers for Christine lest she should hurt her wrist. They emptied two bottles of wine, and began a third, becoming so gay and noisy that they ended by feeling bewildered in the long room, where they partook of the meal all alone. She, with her cheeks aflame, declared that she was tipsy; it had never happened to her before, and she thought it very funny. Oh! so funny, and she burst into uncontrollable laughter.

“Let us get a breath of air,” she said at last.

“Yes, let’s take a stroll. We must start back at four o’clock; so we have three hours before us.”

They went up the village of Bennecourt, whose yellow houses straggle along the river bank for about a couple of thousand yards. All the villagers were in the fields; they only met three cows, led by a little girl. He, with an outstretched arm, told her all about the locality; seemed to know whither he was going, and when they had reached the last house⁠—an old building, standing on the bank of the Seine, just opposite the slopes of Jeufosse⁠—turned round it, and entered a wood of oak trees. It was like the end of the world, roofed in with foliage, through which the sun alone penetrated in narrow tongues of flame. And there they could stroll and talk and kiss in freedom.

When at last it became necessary for them to retrace their steps, they found a peasant standing at the open doorway of the house by the wood-side. Claude recognised the man and called to him:

“Hallo, Porrette! Does that shanty belong to you?”

At this the old fellow, with tears in his eyes, related that it did, and that his tenants had gone away without paying him, leaving their furniture behind. And he invited them inside.

“There’s no harm in looking; you may know somebody who would like to take the place. There are many Parisians who’d be glad of it. Three hundred francs a year, with the furniture; it’s for nothing, eh?”

They inquisitively followed him inside. It was a rambling old place that seemed to have been cut out of a barn. Downstairs they found an immense kitchen and a dining-room, in which one might have given a dance; upstairs were two rooms also, so vast that one seemed lost in them. As for the furniture, it consisted of a walnut bedstead in one of the rooms, and of a table and some household utensils in the kitchen. But in front of the house the neglected garden was planted with magnificent apricot trees, and overgrown with large rosebushes in full bloom; while at the back there was a potato field reaching as far as the oak wood, and surrounded by a quick-set hedge.

“I’d leave the potatoes as they are,” said old Porrette.

Claude and Christine looked at each other with one of those sudden cravings for solitude and forgetfulness common to lovers. Ah! how sweet it would be to love one another there in the depths of that nook, so far away from everybody else! But they smiled. Was such a thing to be thought of? They had barely time to catch the train that was to take them back to Paris. And the old peasant, who was Madame Faucheur’s father, accompanied them along the river bank, and as they were stepping into the ferryboat, shouted to them, after quite an inward struggle:

“You know, I’ll make it two hundred and fifty francs⁠—send me some people.”

On reaching Paris, Claude accompanied Christine to Madame Vanzade’s door. They had grown very sad. They exchanged a long handshake, silent and despairing, not daring to kiss each other there.

A life of torment then began. In the course of a fortnight she was only able to call on three occasions; and she arrived panting, having but a few minutes at her disposal, for it so happened that the old lady had just then become very exacting. Claude questioned her, feeling uneasy at seeing her look so pale and out of sorts, with her eyes bright with fever. Never had that pious house, that vault, without air or light, where she died of boredom, caused her so much suffering. Her fits of giddiness had come upon her again; the want of exercise made the blood throb in her temples. She owned to him that she had fainted one evening in her room, as if she had been suddenly strangled by a leaden hand. Still she did not say a word against her employer; on the contrary, she softened on speaking of her: the poor creature, so old and so infirm, and so kindhearted, who called her daughter! She felt as if she were committing a wicked act each time that she forsook her to hurry to her lover’s.

Two more weeks went by, and the falsehoods with which Christine had to buy, as it were, each hour of liberty became intolerable to her. She loved, she would have liked to proclaim it aloud, and her feelings revolted at having to hide her love like a crime, at having to lie basely, like a servant afraid of being sent away.

At last, one evening in the studio, at the moment when she was leaving, she