Short Fiction by Aleksandr Kuprin (nonfiction book recommendations .txt) ๐
Description
Aleksandr Kuprin was one of the most celebrated Russian authors of the early twentieth century, writing both novels (including his most famous, The Duel) and short fiction. Along with Chekhov and Bunin, he did much to draw attention away from the โgreat Russian novelโ and to make short fiction popular. His work is famed for its descriptive qualities and sense of place, but it always centers on the souls of the storiesโ subjects. The themes of his work are wide and varied, and include biblical parables, bittersweet romances, spy fiction, and farce, among many others. In 1920, under some political pressure, Kuprin left Russia for France, and his later work primarily adopts his new homeland for the setting.
This collection comprises the best individual translations into English of each of his short stories and novellas available in the public domain, presented in chronological order of their translated publication.
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- Author: Aleksandr Kuprin
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Picture to yourself the neighbouring hamlet all overblown with snow, and the inevitable village idiot, Serozha, who goes naked even in the coldest weather; the priest who does not play โpreferenceโ on a fast day, but writes denunciations to the starosta, a stupid, artful man, diplomat and beggar, speaking in a dreadful Petersburg accent. If you see all this you understand to what a degree of boredom we attained. We grew tired of encompassing bears, of hunting hares with hounds, of shooting with pistols at a target through three rooms at a distance of twenty-five paces, of writing humorous verses in the evening. Of course we quarrelled.
Yes, and if you had asked us individually why we had come to this place I should think not one of us would have answered the question. I was painting at that time; Valerian Alexandrovitch wrote symbolical verses, and Vaska amused himself with Wagner and played Tristan and Iseult on the old, ruined, yellow-keyed clavicordia.
But about Christmas-time the village began to enliven, and in all the little clearings round about, in Tristenka, in Borodina, Breslina, Shustova, Nikiforskaya and Kosli the peasants began to brew beerโ โsuch thick beer that it stained your hands and face at the touch, like lime bark. There was so much drunkenness among the peasants, even before the festival, that in Dagileva a son broke his fatherโs head, and in Kruglitsi an old man drank himself to death. But Christmas was a diversion for us. We started paying the customary visits and offering congratulations to all the local officials and peasants of our acquaintance. First we went to the priest, then to the psalm-singer of the church, then to the church watchman, then to the two schoolmistresses. After the schoolmistresses we fared more pleasantly. We turned up at the doctorโs at Tuma, then trooped off to the district clerk, where a real banquet awaited us, then to the policeman, then to the lame apothecary, then to the local peasant tyrant who had grown rich and held a score of other peasants in his own grasp, and possessed all the cord, linen, grain, wood, whips in the neighbourhood. And we went and went on!
It must be confessed, however, that we felt a little awkward now and then. We couldnโt manage to get into the tempo of the life there. We were really out of it. This life had creamed and mantled for years without number. In spite of our pleasant manners and apparent ease we were, all the same, people from another planet. Then there was a disparity in our mutual estimation of one another: we looked at them as through a microscope, they at us as through a telescope. Certainly we made attempts to accommodate ourselves, and when the psalm-singerโs servant, a woman of forty, with warty hands all chocolate colour from the reins of the horse she put in the sledge when she went with a bucket to the well, sang of an evening, we did what we thought we ought to do. She would look ashamed, lower her eyes, fold her arms and sing:
โAndray Nikolaevitch
We have come to you,
We wish to trouble you.
But we have come
And please to take
The one of us you love.โ
Then we would boldly make to kiss her on the lips, which we did in spite of feigned resistance and screams.
And we would make a circle. One day there were a lot of us there; four students on holiday from an ecclesiastical college, the psalm-singer, a housekeeper from a neighbouring estate, the two schoolmistresses, the policeman in his uniform, the deacon, the local horse-doctor, and we three aesthetes. We went round and round in a dance, and sang, roared, swinging now this way, now that, and the lion of the company, a student named Vozdvizhensky, stood in the middle and ordered our movements, dancing himself the while and snapping his fingers over his head:
โThe queen was in the town, yes, the town,
And the prince, the little prince, ran away.
Found a bride, did the prince, found a bride.
She was nice, yes she was, she was nice,
And a ring got the prince for her, a ring.โ
After a while the giddy whirl of the dance came to an end, and we stopped and began to sing to one another, in solemn tones:
โThe royal gates were opened,
Bowed the king to the queen,
And the queen to the king,
But lower bowed the queen.โ
And then the horse-doctor and the psalm-singer had a competition as to who should bow lower to the other.
Our visiting continued, and at last came to the schoolhouse at Tuma. That was inevitable, since there had been long rehearsals of an entertainment which the children were going to give entirely for our benefitโ โPetersburg guests. We went in. The Christmas tree was lit simultaneously by a touch-paper. As for the programme, I knew it by heart before we went in. There were several little tableaux, illustrative of songs of the countryside. It was all poorly done, but it must be confessed that one six-year-old
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