Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) ๐
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Considered by many to be Maughamโs masterpiece, Of Human Bondage is a semi-autobiographical coming-of-age tale. The novel follows Philip, a sensitive young man interested in literature and art, as he searches for happiness in London and Paris. Philip, the ostensible stand-in for Maugham, suffers from a club foot, a physical representation of the stutter that Maugham himself suffered. Philipโs love life, a central aspect to the book, also mirrors Maughamโs own stormy affairs.
Maugham originally titled the book โBeauty from Ashesโ before settling on the final title, taken from a section of Spinozaโs Ethics in which he discusses how oneโs inability to control oneโs emotions results in a form of bondage.
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- Author: W. Somerset Maugham
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When Philip had been a week at Blackstable an incident happened which seemed to irritate his uncle very much. One morning he found on the breakfast table a small packet which had been sent on by post from the late Mrs. Careyโs house in London. It was addressed to her. When the parson opened it he found a dozen photographs of Mrs. Carey. They showed the head and shoulders only, and her hair was more plainly done than usual, low on the forehead, which gave her an unusual look; the face was thin and worn, but no illness could impair the beauty of her features. There was in the large dark eyes a sadness which Philip did not remember. The first sight of the dead woman gave Mr. Carey a little shock, but this was quickly followed by perplexity. The photographs seemed quite recent, and he could not imagine who had ordered them.
โDโyou know anything about these, Philip?โ he asked.
โI remember mamma said sheโd been taken,โ he answered. โMiss Watkin scolded her.โ โโ โฆ She said: I wanted the boy to have something to remember me by when he grows up.โ
Mr. Carey looked at Philip for an instant. The child spoke in a clear treble. He recalled the words, but they meant nothing to him.
โYouโd better take one of the photographs and keep it in your room,โ said Mr. Carey. โIโll put the others away.โ
He sent one to Miss Watkin, and she wrote and explained how they came to be taken.
One day Mrs. Carey was lying in bed, but she was feeling a little better than usual, and the doctor in the morning had seemed hopeful; Emma had taken the child out, and the maids were downstairs in the basement: suddenly Mrs. Carey felt desperately alone in the world. A great fear seized her that she would not recover from the confinement which she was expecting in a fortnight. Her son was nine years old. How could he be expected to remember her? She could not bear to think that he would grow up and forget, forget her utterly; and she had loved him so passionately, because he was weakly and deformed, and because he was her child. She had no photographs of herself taken since her marriage, and that was ten years before. She wanted her son to know what she looked like at the end. He could not forget her then, not forget utterly. She knew that if she called her maid and told her she wanted to get up, the maid would prevent her, and perhaps send for the doctor, and she had not the strength now to struggle or argue. She got out of bed and began to dress herself. She had been on her back so long that her legs gave way beneath her, and then the soles of her feet tingled so that she could hardly bear to put them to the ground. But she went on. She was unused to doing her own hair and, when she raised her arms and began to brush it, she felt faint. She could never do it as her maid did. It was beautiful hair, very fine, and of a deep rich gold. Her eyebrows were straight and dark. She put on a black skirt, but chose the bodice of the evening dress which she liked best: it was of a white damask which was fashionable in those days. She looked at herself in the glass. Her face was very pale, but her skin was clear: she had never had much colour, and this had always made the redness of her beautiful mouth emphatic. She could not restrain a sob. But she could not afford to be sorry for herself; she was feeling already desperately tired; and she put on the furs which Henry had given her the Christmas beforeโ โshe had been so proud of them and so happy thenโ โand slipped downstairs with beating heart. She got safely out of the house and drove to a photographer. She paid for a dozen photographs. She was obliged to ask for a glass of water in the middle of the sitting; and the assistant, seeing she was ill, suggested that she should come another day, but she insisted on staying till the end. At last it was finished, and she drove back again to the dingy little house in Kensington which she hated with all her heart. It was a horrible house to die in.
She found the front door open, and when she drove up the maid and Emma ran down the steps to help her. They had been frightened when they found her room empty. At first they thought she must have gone to Miss Watkin, and the cook was sent round. Miss Watkin came back with her and was waiting anxiously in the drawing-room. She came downstairs now full of anxiety and reproaches; but the exertion had been more than Mrs. Carey was fit for, and when the occasion for firmness no longer existed she gave way. She fell heavily into Emmaโs arms and was carried upstairs. She remained unconscious for a time that seemed incredibly long to those that watched her, and the doctor, hurriedly sent for, did not come. It was next day, when she was a little better, that Miss Watkin got some explanation out of her. Philip was
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