Soldiers’ Pay by William Faulkner (digital e reader txt) 📕
Description
Soldiers’ Pay is William Faulkner’s first published novel. It begins with a train journey on which two American soldiers, Joe Gilligan and Julian Lowe, are returning from the First World War. They meet a scarred, lethargic, and withdrawn fighter pilot, Donald Mahon, who was presumed dead by his family. The novel continues to focus on Mahon and his slow deterioration, and the various romantic complications that arise upon his return home.
Faulkner drew inspiration for this novel from his own experience of the First World War. In the spring of 1918, he moved from his hometown, Oxford, Mississippi, to Yale and worked as an accountant until meeting a Canadian Royal Air Force pilot who encouraged him to join the R.A.F. He then traveled to Toronto, pretended to be British (he affected a British accent and forged letters from British officers and a made-up Reverend), and joined the R.A.F. in the hopes of becoming a hero. But the war ended before he was able to complete his flight training, and, like Julian Lowe, he never witnessed actual combat. Upon returning to Mississippi, he began fabricating various heroic stories about his time in the air force (like narrowly surviving a plane crash with broken legs and metal plates under the skin), and proudly strode around Oxford in his uniform.
Faulkner was encouraged to write Soldiers’ Pay by his close friend and fellow writer Sherwood Anderson, whom Faulkner met in New Orleans. Anderson wrote in his Memoirs that he went “personally to Horace Liveright”—Soldiers’ Pay was originally published by Boni & Liveright—“to plead for the book.”
Though the novel was a commercial failure at the time of its publication, Faulkner’s subsequent fame has ensured its long-term success.
Read free book «Soldiers’ Pay by William Faulkner (digital e reader txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: William Faulkner
Read book online «Soldiers’ Pay by William Faulkner (digital e reader txt) 📕». Author - William Faulkner
“Yes? But why frighten them?”
“Sometimes that’s the only way to get what you want from people.”
“Oh. … They have a name for that, haven’t they? Blackmail, isn’t it?”
“I don’t know. Is it?”
She shrugged with assumed indifference. “Why do you ask me about it?”
His yellow stare became unbearable and she looked away. How quiet it is outside, under the spell of noon. Trees shaded the house, the room was dark and cool. Furniture was slow unemphatic gleams of lesser dark and young Robert Saunders, at the age of sixty-five, was framed and indistinct above the mantel: her grandfather.
She wished for George. He should be here to help her. But what could he do? she reconsidered with that vast tolerance of their men which women must gain by giving their bodies (else how do they continue to live with them?) that the conquering male is after all no better than a clumsy, tactless child. She examined Jones with desperate speculation. If he were not so fat! Like a worm.
She repeated: “Why do you ask me?”
“I don’t know. You have never been frightened by anyone, have you?”
She watched him, not replying.
“Perhaps that’s because you have never done anything to be afraid of?”
She sat on a divan, her hands palm up on either side, watching him. He rose suddenly and she as suddenly shed her careless laxness, becoming defensive, watchful. But he only scratched a match on the iron grate screen. He sucked it into his pipe bowl while she watched the fleshy concavity of his cheeks and the golden pulsations of the flame in his eyes. He pushed the match through the screen and resumed his seat. But she did not relax.
“When are you to be married?” he asked suddenly.
“Married?”
“Yes. Isn’t it all arranged?”
She felt slow, slow blood in her throat and wrists, in her palms: her blood seemed to mark away an interval that would never pass. Jones, watching the light in her fine hair, lazy and yellow as an idol, Jones released her at last. “He expects it, you know.”
Her blood liquefied again and became cold. She could feel the skin all over her body. She said: “What makes you think he does? He is too sick to expect anything, now.”
“He?”
“You said Donald expects it.”
“My dear girl, I said. …” He could see a nimbus of light in her hair and the shape of her, but her face he could not see. He rose. She did not move as he sat beside her. The divan sank luxuriously beneath his weight, sensuously enfolding him. She did not move, her hand lay palm up between them, but he ignored it. “Why don’t you ask me how much I heard?”
“Heard? When?” Her whole attitude expressed ingenuous interest.
He knew that in her examination of his face there was calm speculation and probably contempt. He considered moving beyond her so that she must face the light and leave his own face in shadow. … The light in her hair, caressing the shape of her cheek. Her hand between them, naked and palm upward, grew to be a monstrous size: it was the symbol of her body. His hand a masculine body for hers to curl inside. Browning, is it? seeing noon become afternoon, becoming gold and slightly wearied among leaves like the limp hands of women. Her hand was a frail, impersonal barrier, restraining him.
“You attach a lot of importance to a kiss, don’t you?” she asked at length. He shaped her unresponsive hand to his and she continued lightly: “That’s funny, in you.”
“Why, in me?”
“You’ve had lots of girls crazy about you, haven’t you?”
“What makes you think that?”
“I don’t know. The way you—everything about you.” She could never decide exactly about him. The feminine predominated so in him, and the rest of him was feline: a woman with a man’s body and a cat’s nature.
“I expect you are right. You are an authority regarding your own species yourself.” He released her hand saying, “Excuse me,” and lit his pipe again. Her hand remained lax, impersonal between them: it might have been a handkerchief. He pushed the dead match through the screen and said:
“What makes you think I attach so much importance to a kiss?”
Light in her hair was the thumbed rim of a silver coin, the divan embraced her quietly and light quietly followed the long slope of her limbs. A wind came among leaves without the window, stroking them together. Noon was past.
“I mean, you think that whenever a woman kisses a man or tells him something, that she means something by it.”
“She does mean something by it. Of course it never is what the poor devil thinks she means, but she means something.”
“Then you certainly don’t blame the woman if the man chooses to think she meant something she didn’t at all mean, do you?”
“Why not? It would be the devil of a chaotic world if you never could count on whether or not people mean what they say. You knew damn well what I meant when you let me kiss you that day.”
“But I don’t know that you meant anything, any more than I did. You are the one who—”
“Like hell you didn’t,” Jones interrupted roughly. “You knew what I meant by it.”
“I think we are getting personal,” she told him, with faint distaste.
Jones sucked his pipe. “Certainly, we are. What else are we interested in except you and me?”
She crossed her knees. “Never in my life—”
“In God’s name, don’t say it. I have heard that from so many women. I had expected better of someone as vain as I am.”
He would be fairly decent looking, she thought, if he were not so fat—and could dye his eyes another color. After a while, she spoke.
“What do you think I mean when I do either of them?”
“I couldn’t begin to say. You are a fast worker, too fast for me. I doubt if I could keep up with the men you kiss
Comments (0)