Soldiers’ Pay by William Faulkner (digital e reader txt) 📕
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Soldiers’ Pay is William Faulkner’s first published novel. It begins with a train journey on which two American soldiers, Joe Gilligan and Julian Lowe, are returning from the First World War. They meet a scarred, lethargic, and withdrawn fighter pilot, Donald Mahon, who was presumed dead by his family. The novel continues to focus on Mahon and his slow deterioration, and the various romantic complications that arise upon his return home.
Faulkner drew inspiration for this novel from his own experience of the First World War. In the spring of 1918, he moved from his hometown, Oxford, Mississippi, to Yale and worked as an accountant until meeting a Canadian Royal Air Force pilot who encouraged him to join the R.A.F. He then traveled to Toronto, pretended to be British (he affected a British accent and forged letters from British officers and a made-up Reverend), and joined the R.A.F. in the hopes of becoming a hero. But the war ended before he was able to complete his flight training, and, like Julian Lowe, he never witnessed actual combat. Upon returning to Mississippi, he began fabricating various heroic stories about his time in the air force (like narrowly surviving a plane crash with broken legs and metal plates under the skin), and proudly strode around Oxford in his uniform.
Faulkner was encouraged to write Soldiers’ Pay by his close friend and fellow writer Sherwood Anderson, whom Faulkner met in New Orleans. Anderson wrote in his Memoirs that he went “personally to Horace Liveright”—Soldiers’ Pay was originally published by Boni & Liveright—“to plead for the book.”
Though the novel was a commercial failure at the time of its publication, Faulkner’s subsequent fame has ensured its long-term success.
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- Author: William Faulkner
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“Don’t do that,” he said sharply. “What makes you so beautiful and disturbing and so goddammed dull?”
“What do you mean? I am not used—”
“Oh, I give up. I can’t explain to you. And you wouldn’t understand, anyway. I know I am temporarily a fool, so if you tell me I am, I’ll kill you.”
“Who knows? I may like that.” Her soft, coarse voice was quiet.
Light in her hair, her mouth speaking and the vague, crushed shape of her body. “Atthis,” he said.
“What did you call me?”
He told her. “ ‘For a moment, an aeon, I pause plunging above the narrow precipice of thy breast’ and on and on and on. Do you know how falcons make love? They embrace at an enormous height and fall locked, beak to beak, plunging: an unbearable ecstasy. While we have got to assume all sorts of ludicrous postures, knowing our own sweat. The falcon breaks his clasp and swoops away swift and proud and lonely, while a man must rise and take his hat and walk out.”
She was not listening, hadn’t heard him. “Tell me what you heard,” she repeated. Where she touched him was a cool fire; he moved but she followed like water. “Tell me what you heard.”
“What difference does it make, what I heard? I don’t care anything about your jelly-beans. You can have all the Georges and Donalds you want. Take them all for lovers if you like. I don’t want your body. If you can just get that through your beautiful thick head, if you will just let me alone, I will never want it again.”
“But you have proposed to me. What do you want of me?”
“You wouldn’t understand, if I tried to tell you.”
“Then if I did marry you, how would I know how to act toward you? I think you are crazy.”
“That’s what I have been trying to tell you,” Jones answered in a calm fury. “You won’t have to act anyway toward me. I will do that. Act with your Donalds and Georges, I tell you.”
She was like a light globe from which the current has been shut. “I think you’re crazy,” she repeated.
“I know I am.” He rose abruptly. “Goodbye. Shall I see your mother, or will you thank her for lunch for me?”
Without moving she said: “Come here.”
In the hall, he could hear Mrs. Saunders’ chair as it creaked to her rocking, through the front door he saw trees, the lawn and the street. She said Come here again. Her body was a vague white shape as he entered the room again and light was the thumbed rim of a coin about her head. He said:
“If I come back, you know what it means.”
“But I can’t marry you. I am engaged.”
“I wasn’t talking about that.”
“Then what do you mean?”
“Goodbye,” he repeated. At the front door he could hear Mr. and Mrs. Saunders talking but from the room he had left came a soft movement, louder than any other sound. He thought she was following him, but the door remained empty and when he looked into the room again she sat as he had left her. He could not even tell if she were looking at him.
“I thought you had gone,” she remarked.
After a time he said: “Men have lied to you a lot, haven’t they?”
“What makes you say that?”
He looked at her a long moment. Then he turned to the door again. “Come here,” she repeated quickly.
She made no movement, save to slightly avert her face as he embraced her. “I’m not going to kiss you,” he told her.
“I’m not so sure of that.” Yet his clasp was impersonal.
“Listen. You are a shallow fool, but at least you can do as you are told. And that is, let me alone about what I heard. Do you understand? You’ve got that much sense, haven’t you? I’m not going to hurt you: I don’t even want to see you again. So just let me alone about it. If I heard anything I have already forgotten it—and it’s damn seldom I do anything this decent. Do you hear?”
She was cool and pliant as a young tree in his arms and against his jaw she said: “Tell me what you heard.”
“All right then,” he said savagely. His hand cupped her shoulder, holding her powerless and his other hand ruthlessly brought her face around. She resisted, twisting her face against his fat palm.
“No, no; tell me first.”
He dragged her face up brutally and she said in a smothered whisper: “You are hurting me!”
“I don’t give a damn. That might go with George, but not with me.”
He saw her eyes go dark, saw the red print of his fingers on her cheek and chin. He held her face where the light could fall on it, examining it with sybaritish anticipation. She exclaimed quickly, staring at him: “Here comes daddy! Stop!”
But it was Mrs. Saunders in the door, and Jones was calm, circumspect, lazy and remote as an idol.
“Why, it’s quite cool in here, isn’t it? But so dark. How do you keep awake?” said Mrs. Saunders, entering. “I nearly went to sleep several times on the porch. But the glare is so bad on the porch. Robert went off to school without his hat: I don’t know what he will do.”
“Perhaps they haven’t a porch at the school house,” murmured Jones.
“Why, I don’t recall. But our school is quite modern. It was built in—when was it built, Cecily?”
“I don’t know, mamma.”
“Yes. But it is quite new. Was it last year or the year before, darling?”
“I don’t know, mamma.”
“I told him to wear his hat because of the glare, but of course, he didn’t. Boys are so hard to manage. Were you hard to manage when you were a child, Mr. Jones?”
“No, ma’am,” answered Jones, who had no mother that he could name
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