The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) 📕
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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“I’ll be in the tale with thee, if thou wilt proclaim them dead,” said Gro. “And nothing is likelier, if they be gone with but two or three on to the Moruna, than that such a tale should come true ere it were told in Carcë.”
“Pshaw!” said Corund, “to the devil with such false feathers. What’s done shows brave enow without them: Impland conquered, Juss’s army minced to a gallimaufry, himself and Brandoch Daha chased like runaway thralls up on the Moruna. Where if devils tear them, ’tis my best wish come true. If not, thou’lt hear of them, be sure. Dost think these can survive on earth and not raise a racket that shall be heard from hence to Carcë?”
XII Koshtra PivrarchaOf the coming of the lords of Demonland to Morna Moruna, whence they beheld the Zimiamvian Mountains, seen also by Gro in years gone by; and of the wonders seen by them and perils undergone and deeds done in their attempt on Koshtra Pivrarcha, the which alone of all earth’s mountains looketh down upon Koshtra Belorn; and none shall ascend up into Koshtra Belorn that hath not first looked down upon her.
Now it is to be said of Lord Juss and Lord Brandoch Daha that they, finding themselves parted from their people in the fog, and utterly unable to find them, when the last sound of battle had died away wiped and put up their bloody swords and set forth at a great pace eastward. Only Mivarsh fared with them of all their following. His lips were drawn back a little, showing his teeth, but he carried himself proudly as one who being resolved to die walks with a quiet mind to his destruction. Day after day they journeyed, sometimes in clear weather, sometimes in mist or sleet, over the changeless desert, without a landmark, save here a little sluggish river, or here a piece of rising ground, or a pond, or a clump of rocks: small things which faded from sight amid the waste ere they were passed by a half-mile’s distance. So was each day like yesterday, drawing to a morrow like to it again. And always fear walked at their heel and sat beside them sleeping: clanking of wings heard above the wind, a brooding hush of menace in the sunshine, and noises out of the void of darkness as of teeth chattering. So came they on the twentieth day to Morna Moruna, and stood at even in the sorrowful twilight by the little round castle, silent on Omprenne Edge.
From their feet the cliffs dropped sheer. Strange it was, standing on that frozen lip of the Moruna, as on the limit of the world, to gaze southward on a land of summer, and to breathe faint summer airs blowing up from blossoming trees and flower-clad alps. In the depths a carpet of huge treetops clothed a vast stretch of country, through the midst of which, seen here and there in a bend of silver among the woods, the Bhavinan bore the waters of a thousand secret mountain solitudes down to an unknown sea. Beyond the river the deep woods, blue with distance, swelled to feathery hilltops with some sharper-featured loftier heights bodying cloudily beyond them. The Demons strained their eyes searching the curtain of mystery behind and above those foothills; but the great peaks, like great ladies, shrouded themselves against their curious gaze, and no glimpse was shown them of the snows.
Surely to be in Morna Moruna was to be in the death chamber of some once lovely presence. Stains of fire were on the walls. The fair gallery of open woodwork that ran above the main hall was burnt through and partly fallen in ruin, the blackened ends of the beams that held it jutting blindly in the gap. Among the wreck of carved chairs and benches, broken and worm-eaten, some shreds of figured tapestries rotted, the home now of beetles and spiders. Patches of colour, faded lines, mildewed and damp with the corruption of two hundred years, lingered to be the memorials, like the mummied skeleton of a king’s daughter long ago untimely dead, of sweet gracious paintings on the walls. Five nights and five days the Demons and Mivarsh dwelt in Morna Moruna, inured to portents till they marked them as little as men mark swallows at their window. In the still night were flames seen, and flying forms dim in the moonlit air; and in moonless nights unstarred, moans heard and gibbering accents: prodigies beside their beds, and ridings in the sky, and fleshless fingers plucking at Juss unseen when he went forth to make question of the night.
Cloud and mist abode ever in the south, and only the foothills showed of the great ranges beyond Bhavinan. But on the evening of the sixth day before Yule, it being the nineteenth of December when Betelgeuze stands at midnight on the meridian, a wind blew out of the northwest with changing fits of sleet and sunshine. Day was fading as they stood above the cliff. All the forest land was blue with shades of approaching night: the river was dull silver: the wooded heights afar mingled their outlines with the towers and banks of turbulent deep blue vapour that hurtled in ceaseless passage through the upper air. Suddenly a window opened
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