Short Fiction by Anton Chekhov (libby ebook reader .txt) π
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Anton Chekhov is widely considered to be one of the greatest short story writers in history. A physician by day, heβs famously quoted as saying, βMedicine is my lawful wife, and literature is my mistress.β Chekhov wrote nearly 300 short stories in his long writing career; while at first he wrote mainly to make a profit, as his interest in writingβand his skillβgrew, he wrote stories that heavily influenced the modern development of the form.
His stories are famous for, among other things, their ambiguous morality and their often inconclusive nature. Chekhov was a firm believer that the role of the artist was to correctly pose a question, but not necessarily to answer it.
This collection contains all of his short stories and two novellas, all translated by Constance Garnett, and arranged by the date they were originally published.
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- Author: Anton Chekhov
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When they went into the restaurant he nodded to a waiter and said:
βBring us, my lad, half a bodkin and twenty-four unsavouries.β
After a brief pause the waiter brought on a tray half a bottle of vodka and some plates of various kinds of savouries.
βLook here, my good fellow,β said Potchatkin. βGive us a plateful of the source of all slander and evil-speaking, with mashed potatoes.β
The waiter did not understand; he was puzzled, and would have said something, but Potchatkin looked at him sternly and said:
βExcept.β
The waiter thought intently, then went to consult with his colleagues, and in the end guessing what was meant, brought a plateful of tongue. When they had drunk a couple of glasses and had had lunch, Laptev asked:
βTell me, Ivan Vassilitch, is it true that our business has been dropping off for the last year?β
βNot a bit of it.β
βTell me frankly and honestly what income we have been making and are making, and what our profits are. We canβt go on in the dark. We had a balancing of the accounts at the warehouse lately, but, excuse me, I donβt believe in it; you think fit to conceal something from me and only tell the truth to my father. You have been used to being diplomatic from your childhood, and now you canβt get on without it. And whatβs the use of it? So I beg you to be open. What is our position?β
βIt all depends upon the fluctuation of credit,β Potchatkin answered after a momentβs pause.
βWhat do you understand by the fluctuation of credit?β
Potchatkin began explaining, but Laptev could make nothing of it, and sent for Makeitchev. The latter promptly made his appearance, had some lunch after saying grace, and in his sedate, mellow baritone began saying first of all that the clerks were in duty bound to pray night and day for their benefactors.
βBy all means, only allow me not to consider myself your benefactor,β said Laptev.
βEvery man ought to remember what he is, and to be conscious of his station. By the grace of God you are a father and benefactor to us, and we are your slaves.β
βI am sick of all that!β said Laptev, getting angry. βPlease be a benefactor to me now. Please explain the position of our business. Give up looking upon me as a boy, or tomorrow I shall close the business. My father is blind, my brother is in the asylum, my nieces are only children. I hate the business; I should be glad to go away, but thereβs no one to take my place, as you know. For goodnessβ sake, drop your diplomacy!β
They went to the warehouse to go into the accounts; then they went on with them at home in the evening, the old father himself assisting. Initiating his son into his commercial secrets, the old man spoke as though he were engaged, not in trade, but in sorcery. It appeared that the profits of the business were increasing approximately ten percent per annum, and that the Laptevsβ fortune, reckoning only money and paper securities, amounted to six million roubles.
When at one oβclock at night, after balancing the accounts, Laptev went out into the open air, he was still under the spell of those figures. It was a still, sultry, moonlight night. The white walls of the houses beyond the river, the heavy barred gates, the stillness and the black shadows, combined to give the impression of a fortress, and nothing was wanting to complete the picture but a sentinel with a gun. Laptev went into the garden and sat down on a seat near the fence, which divided them from the neighbourβs yard, where there was a garden, too. The bird-cherry was in bloom. Laptev remembered that the tree had been just as gnarled and just as big when he was a child, and had not changed at all since then. Every corner of the garden and of the yard recalled the faraway past. And in his childhood, too, just as now, the whole yard bathed in moonlight could be seen through the sparse trees, the shadows had been mysterious and forbidding, a black dog had lain in the middle of the yard, and the clerksβ windows had stood wide open. And all these were cheerless memories.
The other side of the fence, in the neighbourβs yard, there was a sound of light steps.
βMy sweet, my preciousβ ββ β¦β said a manβs voice so near the fence that Laptev could hear the manβs breathing.
Now they were kissing. Laptev was convinced that the millions and the business which was so distasteful to him were ruining his life, and would make him a complete slave. He imagined how, little by little, he would grow accustomed to his position; would, little by little, enter into the part of the head of a great firm; would begin to grow dull and old, die in the end, as the average man usually does die, in a decrepit, soured old age, making everyone about him miserable and depressed. But what hindered him from giving up those millions and that business, and leaving that yard and garden which had been hateful to him from his childhood?
The whispering and kisses the other side of the fence disturbed him. He moved into the middle of the yard, and, unbuttoning his shirt over his chest, looked at the moon, and it seemed to him
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