The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) π
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The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itβs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeβs literary parties, begins the story as Strickland leaves for Paris. Stricklandβs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistβs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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The pareo is a long strip of trade cotton, red or blue, stamped with a white pattern. It is worn round the waist and hangs to the knees.
βA girl of fifteen, perhaps, was plaiting pandanus-leaf to make a hat, and an old woman was sitting on her haunches smoking a pipe. Then I saw Ata. She was suckling a newborn child, and another child, stark naked, was playing at her feet. When she saw me she called out to Strickland, and he came to the door. He, too, wore nothing but a pareo. He was an extraordinary figure, with his red beard and matted hair, and his great hairy chest. His feet were horny and scarred, so that I knew he went always bare foot. He had gone native with a vengeance. He seemed pleased to see me, and told Ata to kill a chicken for our dinner. He took me into the house to show me the picture he was at work on when I came in. In one corner of the room was the bed, and in the middle was an easel with the canvas upon it. Because I was sorry for him, I had bought a couple of his pictures for small sums, and I had sent others to friends of mine in France. And though I had bought them out of compassion, after living with them I began to like them. Indeed, I found a strange beauty in them. Everyone thought I was mad, but it turns out that I was right. I was his first admirer in the islands.β
He smiled maliciously at TiarΓ©, and with lamentations she told us again the story of how at the sale of Stricklandβs effects she had neglected the pictures, but bought an American stove for twenty-seven francs.
βHave you the pictures still?β I asked.
βYes; I am keeping them till my daughter is of marriageable age, and then I shall sell them. They will be her dot.β Then he went on with the account of his visit to Strickland.
βI shall never forget the evening I spent with him. I had not intended to stay more than an hour, but he insisted that I should spend the night. I hesitated, for I confess I did not much like the look of the mats on which he proposed that I should sleep; but I shrugged my shoulders. When I was building my house in the Paumotus I had slept out for weeks on a harder bed than that, with nothing to shelter me but wild shrubs; and as for vermin, my tough skin should be proof against their malice.
βWe went down to the stream to bathe while Ata was preparing the dinner, and after we had eaten it we sat on the verandah. We smoked and chatted. The young man had a concertina, and he played the tunes popular on the music-halls a dozen years before. They sounded strangely in the tropical night thousands of miles from civilisation. I asked Strickland if it did not irk him to live in that promiscuity. No, he said; he liked to have his models under his hand. Presently, after loud yawning, the natives went away to sleep, and Strickland and I were left alone. I cannot describe to you the intense silence of the night. On my island in the Paumotus there is never at night the complete stillness that there was here. There is the rustle of the myriad animals on the beach, all the little shelled things that crawl about ceaselessly, and there is the noisy scurrying of the land-crabs. Now and then in the lagoon you hear the leaping of a fish, and sometimes a hurried noisy splashing as a brown shark sends all the other fish scampering for their lives. And above all, ceaseless like time, is the dull roar of the breakers on the reef. But here there was not a sound, and the air was scented with the white flowers of the night. It was a night so beautiful that your soul seemed hardly able to bear the prison of the body. You felt that it was ready to be wafted away on the immaterial air, and death bore all the aspect of a beloved friend.β
TiarΓ© sighed.
βAh, I wish I were fifteen again.β
Then she caught sight of a cat trying to get at a dish of prawns on the kitchen table, and with a dexterous gesture and a lively volley of abuse flung a book at its scampering tail.
βI asked him if he was happy with Ata.
βββShe leaves me alone,β he said. βShe cooks my food and looks after her babies. She does what I tell her. She gives me what I want from a woman.β
βββAnd do you never regret Europe? Do you not yearn sometimes for the light of the streets in Paris or London, the companionship of your friends, and equals, que sais-je? for theatres and newspapers, and the rumble of omnibuses on the cobbled pavements?β
βFor a long time he was silent. Then he said:
βββI shall stay here till I die.β
βββBut are you never bored or lonely?β I asked.
βHe chuckled.
βββMon pauvre ami,β he said. βIt is evident that you do not know what it is to be an artist.βββ
Capitaine Brunot turned to me with a gentle smile, and there was a wonderful look in his dark, kind eyes.
βHe did me an injustice, for I too know what it is
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