The Moon and Sixpence by W. Somerset Maugham (most popular novels .txt) ๐
Description
The Moon and Sixpence tells the story of English stockbroker Charles Strickland, who abandons his wife and child to travel to Paris to become a painter. First published in 1919 in the United Kingdom by Heinemann, the story is inspired by the life of the French artist Paul Gauguin. Itโs told in episodic form from a first-person perspective. The narrator, who came to know Strickland through his wifeโs literary parties, begins the story as Strickland leaves for Paris. Stricklandโs new life becomes a stark contrast to his life in London. While he was once a well-off banker living a comfortable life, he must now sleep in cheap hotels while suffering both illness and hunger.
Maugham spent a year in Paris in 1904, which is when he first heard the story of Gauguin, the banker who left his family and profession to pursue his passion for art. He heard the story from others who had known and worked with Gauguin. Ten years later Maugham travelled to Tahiti where he met others who had known Gauguin during the artistโs time there. Inspired by the stories he heard, Maugham wrote The Moon and Sixpence. Although based on the life of Paul Gauguin, the story is a work of fiction.
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- Author: W. Somerset Maugham
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His temper was certainly no better when he arrived, perspiring freely and thirsty. Ata was on the lookout for him, and came a little way along the path to meet him.
โBefore I see anyone give me something to drink or I shall die of thirst,โ he cried out. โPour lโamour de Dieu, get me a coconut.โ
She called out, and a boy came running along. He swarmed up a tree, and presently threw down a ripe nut. Ata pierced a hole in it, and the doctor took a long, refreshing draught. Then he rolled himself a cigarette and felt in a better humour.
โNow, where is the Red One?โ he asked.
โHe is in the house, painting. I have not told him you were coming. Go in and see him.โ
โBut what does he complain of? If he is well enough to paint, he is well enough to have come down to Taravao and save me this confounded walk. I presume my time is no less valuable than his.โ
Ata did not speak, but with the boy followed him to the house. The girl who had brought him was by this time sitting on the verandah, and here was lying an old woman, with her back to the wall, making native cigarettes. Ata pointed to the door. The doctor, wondering irritably why they behaved so strangely, entered, and there found Strickland cleaning his palette. There was a picture on the easel. Strickland, clad only in a pareo, was standing with his back to the door, but he turned round when he heard the sound of boots. He gave the doctor a look of vexation. He was surprised to see him, and resented the intrusion. But the doctor gave a gasp, he was rooted to the floor, and he stared with all his eyes. This was not what he expected. He was seized with horror.
โYou enter without ceremony,โ said Strickland. โWhat can I do for you?โ
The doctor recovered himself, but it required quite an effort for him to find his voice. All his irritation was gone, and he feltโ โeh bien, oui, je ne le nie pasโ โhe felt an overwhelming pity.
โI am Dr. Coutras. I was down at Taravao to see the chiefess, and Ata sent for me to see you.โ
โSheโs a damned fool. I have had a few aches and pains lately and a little fever, but thatโs nothing; it will pass off. Next time anyone went to Papeete I was going to send for some quinine.โ
โLook at yourself in the glass.โ
Strickland gave him a glance, smiled, and went over to a cheap mirror in a little wooden frame, that hung on the wall.
โWell?โ
โDo you not see a strange change in your face? Do you not see the thickening of your features and a lookโ โhow shall I describe it?โ โthe books call it lion-faced. Mon pauvre ami, must I tell you that you have a terrible disease?โ
โI?โ
โWhen you look at yourself in the glass you see the typical appearance of the leper.โ
โYou are jesting,โ said Strickland.
โI wish to God I were.โ
โDo you intend to tell me that I have leprosy?โ
โUnfortunately, there can be no doubt of it.โ
Dr. Coutras had delivered sentence of death on many men, and he could never overcome the horror with which it filled him. He felt always the furious hatred that must seize a man condemned when he compared himself with the doctor, sane and healthy, who had the inestimable privilege of life. Strickland looked at him in silence. Nothing of emotion could be seen on his face, disfigured already by the loathsome disease.
โDo they know?โ he asked at last, pointing to the persons on the verandah, now sitting in unusual, unaccountable silence.
โThese natives know the signs so well,โ said the doctor. โThey were afraid to tell you.โ
Strickland stepped to the door and looked out. There must have been something terrible in his face, for suddenly they all burst out into loud cries and lamentation. They lifted up their voices and they wept. Strickland did not speak. After looking at them for a moment, he came back into the room.
โHow long do you think I can last?โ
โWho knows? Sometimes the disease continues for twenty years. It is a mercy when it runs its course quickly.โ
Strickland went to his easel and looked reflectively at the picture that stood on it.
โYou have had a long journey. It is fitting that the bearer of important tidings should be rewarded. Take this picture. It means nothing to you now, but it may be that one day you will be glad to have it.โ
Dr. Coutras protested that he needed no payment for his journey; he had already given back to Ata the hundred-franc note, but Strickland insisted that he should take the picture. Then together they went out on the verandah. The natives were sobbing violently. โBe quiet, woman. Dry thy tears,โ said Strickland, addressing Ata. โThere is no great harm. I shall leave thee very soon.โ
โThey are not going to take thee away?โ she cried.
At that time there was no rigid sequestration on the islands, and lepers, if they chose, were allowed to
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