Short Fiction by Nikolai Gogol (primary phonics .TXT) 📕
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying “We all come out from Gogol’s ‘Overcoat,’ ” (presented here as “The Mantle”) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that “no-one can compare with him,” and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including “The Nose” as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogol’s short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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With growing amazement the maiden listened, losing no single word, to the frank, sincere language in which, as in a mirror, the young, strong spirit reflected itself. Each simple word of this speech, uttered in a voice which penetrated straight to the depths of her heart, was clothed in power. She advanced her beautiful face, pushed back her troublesome hair, opened her mouth, and gazed long, with parted lips. Then she tried to say something and suddenly stopped, remembering that the warrior was known by a different name; that his father, brothers, country, lay beyond, grim avengers; that the Zaporozhtzi besieging the city were terrible, and that the cruel death awaited all who were within its walls, and her eyes suddenly filled with tears. She seized a silk embroidered handkerchief and threw it over her face. In a moment it was all wet; and she sat for some time with her beautiful head thrown back, and her snowy teeth set on her lovely underlip, as though she suddenly felt the sting of a poisonous serpent, without removing the handkerchief from her face, lest he should see her shaken with grief.
“Speak but one word to me,” said Andrii, and he took her satin-skinned hand. A sparkling fire coursed through his veins at the touch, and he pressed the hand lying motionless in his.
But she still kept silence, never taking the kerchief from her face, and remaining motionless.
“Why are you so sad? Tell me, why are you so sad?”
She cast away the handkerchief, pushed aside the long hair which fell over her eyes, and poured out her heart in sad speech, in a quiet voice, like the breeze which, rising on a beautiful evening, blows through the thick growth of reeds beside the stream. They rustle, murmur, and give forth delicately mournful sounds, and the traveller, pausing in inexplicable sadness, hears them, and heeds not the fading light, nor the gay songs of the peasants which float in the air as they return from their labours in meadow and stubble-field, nor the distant rumble of the passing wagon.
“Am not I worthy of eternal pity? Is not the mother that bore me unhappy? Is it not a bitter lot which has befallen me? Art not thou a cruel executioner, fate? Thou has brought all to my feet—the highest nobles in the land, the richest gentlemen, counts, foreign barons, all the flower of our knighthood. All loved me, and any one of them would have counted my love the greatest boon. I had but to beckon, and the best of them, the handsomest, the first in beauty and birth would have become my husband. And to none of them didst thou incline my heart, O bitter fate; but thou didst turn it against the noblest heroes of our land, and towards a stranger, towards our enemy. O most holy mother of God! for what sin dost thou so pitilessly, mercilessly, persecute me? In abundance and superfluity of luxury my days were passed, the richest dishes and the sweetest wine were my food. And to what end was it all? What was it all for? In order that I might at last die a death more cruel than that of the meanest beggar in the kingdom? And it was not enough that I should be condemned to so horrible a fate; not enough that before my own end I should behold my father and mother perish in intolerable torment, when I would have willingly given my own life twenty times over to save them; all this was not enough, but before my own death I must hear words of love such as I had never before dreamed of. It was necessary that he should break my heart with his words; that my bitter lot should be rendered still more bitter; that my young life should be made yet more sad; that my death should seem even more terrible; and that, dying, I should reproach thee still more, O cruel fate! and thee—forgive my sin—O holy mother of God!”
As she ceased in despair, her feelings were plainly expressed in her face. Every feature spoke of gnawing sorrow and, from the sadly bowed brow and downcast eyes to the tears trickling down and drying on her softly burning cheeks, seemed to say, “There is no happiness in this face.”
“Such a thing was never heard of since the world began. It cannot be,” said Andrii, “that the best and most beautiful of women should suffer so bitter a fate, when she was born that all the best there is in the world should bow before her as before a saint. No, you will not die, you shall not die! I swear by my birth and by all there is dear to me in the world that you shall not die. But if it must be so; if nothing, neither strength, nor prayer, nor heroism, will avail to avert this cruel fate—then we will die together, and I will die first. I will die before you, at your beauteous knees, and even in
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