A Sicilian Romance by Ann Radcliffe (read this if .TXT) ๐
Description
A Sicilian Romance begins when a tourist meets a local monk at the crumbling ruins of the castle Mazzini. The monk invites her to the monastery to view a manuscript that records the mysterious happenings that occurred hundreds of years ago in the once-great castle. The manuscript tells of the plight of two sisters, Julia and Emilia Mazzini, who, after the return of their tyrannical father, witness supernatural phenomena around the castleโs neglected southern wing.
Radcliffe was viewed as the greatest writer of the Gothic literary style by most early 19th century critics and literary historians despite Horace Walpole seemingly โinventingโ the genre in The Castle of Otranto. A Sicilian Romance was first published anonymously in 1790, making it the second of her published works.
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- Author: Ann Radcliffe
Read book online ยซA Sicilian Romance by Ann Radcliffe (read this if .TXT) ๐ยป. Author - Ann Radcliffe
It appeared that on the day preceding this horrid transaction, the marquis had passed some hours in her apartment; that they were heard in loud dispute;โ โthat the passion of the marquis grew high;โ โthat he upbraided her with her past conduct, and threatened her with a formal separation. When the marquis quitted her, she was heard walking quick through the room, in a passion of tears; she often suddenly stopped in vehement but incoherent exclamation; and at last threw herself on the floor, and was for some time entirely still. Here her woman found her, upon whose entrance she arose hastily, and reproved her for appearing uncalled. After this she remained silent and sullen.
She descended to supper, where the marquis met her alone at table. Little was said during the repast, at the conclusion of which the servants were dismissed; and it was believed that during the interval between supper, and the hour of repose, Maria de Vellorno contrived to mingle poison with the wine of the marquis. How she had procured this poison was never discovered.
She retired early to her chamber; and her woman observing that she appeared much agitated, inquired if she was ill? To this she returned a short answer in the negative, and her woman was soon afterwards dismissed. But she had hardly shut the door of the room when she heard her ladyโs voice recalling her. She returned, and received some trifling order, and observed that Maria looked uncommonly pale; there was besides a wildness in her eyes which frightened her, but she did not dare to ask any questions. She again quitted the room, and had only reached the extremity of the gallery when her mistressโs bell rang. She hastened back, Maria enquired if the marquis was gone to bed, and if all was quiet? Being answered in the affirmative, she replied, โThis is a still hour and a dark one!โ โGood night!โ
Her woman having once more left the room, stopped at the door to listen, but all within remaining silent, she retired to rest.
It is probable that Maria perpetrated the fatal act soon after the dismission of her woman; for when she was found, two hours afterwards, she appeared to have been dead for some time. On examination a wound was discovered on her left side, which had doubtless penetrated to the heart, from the suddenness of her death, and from the effusion of blood which had followed.
These terrible events so deeply affected Emilia that she was confined to her bed by a dangerous illness. Ferdinand struggled against the shock with manly fortitude. But amid all the tumult of the present scenes, his uncertainty concerning Julia, whom he had left in the hands of banditti, and whom he had been withheld from seeking or rescuing, formed, perhaps, the most affecting part of his distress.
The late Marquis de Mazzini, and Maria de Vellorno, were interred with the honor due to their rank in the church of the convent of St. Nicolo. Their lives exhibited a boundless indulgence of violent and luxurious passions, and their deaths marked the consequences of such indulgence, and held forth to mankind a singular instance of divine vengeance.
XVIIn turning up the ground of the cell, it was discovered that it communicated with the dungeon in which Ferdinand had been confined, and where he had heard those groans which had occasioned him so much terror.
The story which the marquis formerly related to his son, concerning the southern buildings, it was now evident was fabricated for the purpose of concealing the imprisonment of the marchioness. In the choice of his subject, he certainly discovered some art; for the circumstance related was calculated, by impressing terror, to prevent farther enquiry into the recesses of these buildings. It served, also, to explain, by supernatural evidence, the cause of those sounds, and of that appearance which had been there observed, but which were, in reality, occasioned only by the marquis.
The event of the examination in the cell threw Ferdinand into new perplexity. The marquis had confessed that he poisoned his wifeโ โyet her remains were not to be found; and the place which he signified to be that of her confinement, bore no vestige of her having been there. There appeared no way by which she could have escaped from her prison; for both the door which opened upon the cell, and that which terminated the avenue beyond, were fastened when tried by Ferdinand.
But the young marquis had no time for useless speculationโ โserious duties called upon him. He believed that Julia was still in the power of banditti; and, on the conclusion of his fatherโs funeral, he set forward himself to Palermo, to give information of the abode of the robbers, and to repair with the officers of justice, accompanied by a party of his own people, to the rescue of his sister. On his arrival at Palermo he was informed, that a banditti, whose retreat had been among the ruins of a monastery, situated in the forest of Marentino, was already discovered; that their abode had been searched, and themselves secured for examples of public justiceโ โbut that no captive lady had been found amongst them. This latter intelligence excited in Ferdinand a very serious distress, and he was wholly unable to conjecture her fate. He obtained leave, however, to interrogate those of the robbers, who were imprisoned at Palermo, but could draw from them no satisfactory or certain information.
At length he quitted Palermo for the forest of Marentino, thinking it possible that Julia might be heard of in its neighbourhood. He travelled on in melancholy and dejection, and evening overtook him long before he reached the place of his destination. The night came on heavily in clouds, and a violent storm of wind and rain arose. The road lay through a wild and rocky country, and Ferdinand could obtain no shelter. His attendants offered him
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