Table-Talk by William Hazlitt (best pdf reader for ebooks txt) π
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like βOn the Pleasures of Paintingβ and βOn Corporate Bodies.β Hazlittβs intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlittβs political activism, was received poorly by his contemporaries. Today itβs considered one of his masterpieces.
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- Author: William Hazlitt
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Besides, all this untoward heat and precocity often argues rottenness and a falling-off. I myself remember several instances of this sort of unrestrained license of opinion and violent effervescence of sentiment in the first period of the French Revolution. Extremes meet: and the most furious anarchists have since become the most barefaced apostates. Among the foremost of these I might mention the present poet-laureate and some of his friends. The prose-writers on that side of the questionβ βMr. Godwin, Mr. Bentham, etc.β βhave not turned round in this extraordinary manner: they seem to have felt their ground (however mistaken in some points), and have in general adhered to their first principles. But βpoetsβ (as it has been said) βhave such seething brains, that they are disposed to meddle with everything, and mar all. They make bad philosophers and worse politicians.47 They live, for the most part, in an ideal world of their own; and it would perhaps be as well if they were confined to it. Their flights and fancies are delightful to themselves and to everybody else: but they make strange work with matter of fact; and if they were allowed to act in public affairs, would soon turn the world the wrong side out. They indulge only their own flattering dreams or superstitious prejudices, and make idols or bugbears of whatever they please, caring as little for history or particular facts as for general reasoning. They are dangerous leaders and treacherous followers. Their inordinate vanity runs them into all sorts of extravagances; and their habitual effeminacy gets them out of them at any price. Always pampering their own appetite for excitement, and wishing to astonish others, their whole aim is to produce a dramatic effect, one way or otherβ βto shock or delight the observers; and they are apparently as indifferent to the consequences of what they write as if the world were merely a stage for them to play their fantastic tricks on, and to make their admirers weep. Not less romantic in their servility than their independence, and equally importunate candidates for fame or infamy, they require only to be distinguished, and are not scrupulous as to the means of distinction. Jacobins or
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