Poetry by John Keats (ebook reader color screen .txt) 📕
Description
John Keats’ poems are a major part of the second wave of English Romantic poetry. They portray settings loaded with symbolism and sensuality, and draw heavily on Greek and Roman myth along with romanticised tales of chivalry. Keats died in 1821 at the young age of 25, having written the majority of his work in less than four years. While not appreciated during his lifetime, he has gone on to become one of the most loved of the Romantic poets, and has provided inspiration to authors as diverse as Oscar Wilde, Wilfred Owen and Neil Gaiman.
This collection includes among others early work such as “On Death,” the six odes written in 1819, his two epics Hyperion and Endymion, and “To Autumn,” now widely considered to be one of the best English short poems. Keats’ works are presented here in chronological order, and include the poems published in his lifetime and other unfinished fragments and posthumous verse.
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- Author: John Keats
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There stood a knight, patting the flowing hair
Of his proud horse’s mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash-tree,
Or as the wingèd cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
’Tis the far-fam’d, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up,—a courtly smile upon his face,
And mailèd hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof’d hall were pendent,
And gave the steel a shining quite transcendent.
Soon in a pleasant chamber they are seated;
The sweet-lipp’d ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff’d his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman; while brimful of this,
He gave each damsel’s hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look’d half-staringly;
And then their features started into smiles,
Sweet as blue heavens o’er enchanted isles.
Softly the breezes from the forest came,
Softly they blew aside the taper’s flame;
Clear was the song from Philomel’s far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far heard trumpet’s tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep. …
Hadst thou liv’d in days of old,
O what wonders had been told
Of thy lively countenance,
And thy humid eyes that dance
In the midst of their own brightness;
In the very fane of lightness.
Over which thine eyebrows, leaning,
Picture out each lovely meaning:
In a dainty bend they lie,
Like to streaks across the sky,
Or the feathers from a crow,
Fallen on a bed of snow.
Of thy dark hair, that extends
Into many graceful bends:
As the leaves of Hellebore
Turn to whence they sprung before.
And behind each ample curl
Peeps the richness of a pearl.
Downward too flows many a tress
With a glossy waviness;
Full, and round like globes that rise
From the censer to the skies
Through sunny air. Add, too, the sweetness
Of thy honied voice; the neatness
Of thine ankle lightly turn’d:
With those beauties scarce discern’d,
Kept with such sweet privacy,
That they seldom meet the eye
Of the little loves that fly
Round about with eager pry.
Saving when, with freshening lave,
Thou dipp’st them in the taintless wave;
Like twin water-lilies, born
In the coolness of the morn.
O, if thou hadst breathèd then,
Now the Muses had been ten.
Couldst thou wish for lineage higher
Than twin-sister of Thalia?
At least for ever, evermore
Will I call the Graces four.
Hadst thou liv’d when chivalry
Lifted up her lance on high,
Tell me what thou wouldst have been?
Ah! I see the silver sheen
Of thy broider’d, floating vest
Cov’ring half thine ivory breast:
Which, O heavens! I should see,
But that cruel destiny
Has plac’d a golden cuirass there;
Keeping secret what is fair.
Like sunbeams in a cloudlet nested
Thy locks in knightly casque are rested:
O’er which bend four milky plumes
Like the gentle lily’s blooms
Springing from a costly vase.
See with what a stately pace
Comes thine alabaster steed;
Servant of heroic deed!
O’er his loins his trappings glow
Like the northern lights on snow.
Mount his back! thy sword unsheath!
Sign of the enchanter’s death;
Bane of every wicked spell;
Silencer of dragon’s yell.
Alas! thou this wilt never do:
Thou art an enchantress too,
And wilt surely never spill
Blood of those whose eyes can kill.
Nymph of the downward smile and sidelong glance,
In what diviner moments of the day
Art thou most lovely? When gone far astray
Into the labyrinths of sweet utterance?
Or when serenely wand’ring in a trance
Of sober thought? Or when starting away,
With careless robe, to meet the morning ray,
Thou spar’st the flowers in thy mazy dance?
Haply ’tis when thy ruby lips part sweetly,
And so remain, because thou listenest:
But thou to please wert nurtured so completely
That I can never tell what mood is best.
I shall as soon pronounce which Grace more neatly
Trips it before Apollo than the rest.
As from the darkening gloom a silver dove
Upsoars, and darts into the eastern light,
On pinions that nought moves but pure delight,
So fled thy soul into the realms above,
Regions of peace and everlasting love;
Where happy spirits, crown’d with circlets bright
Of starry beam, and gloriously bedight,
Taste the high joy none but the blest can prove.
There thou or joinest the immortal quire
In melodies that even heaven fair
Fill with superior bliss, or, at desire,
Of the omnipotent Father, cleav’st the air
On holy message sent—What pleasure’s higher?
Wherefore does any grief our joy impair?
Come hither, all sweet maidens soberly,
Down-looking aye, and with a chasten’d light
Hid in the fringes of your eyelids white,
And meekly let your fair hands joined be,
As if so gentle that ye could not see,
Untouch’d, a victim of your beauty bright,
Sinking away to his young spirit’s night,
Sinking bewilder’d ’mid the dreary sea:
’Tis young Leander toiling to his death;
Nigh swooning, he doth purse his weary lips
For Hero’s cheek, and smiles against her smile.
O horrid dream! see how his body dips
Dead-heavy; arms and shoulders gleam awhile:
He’s gone; up bubbles all his amorous breath!
Oh! how
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