Poetry by John Keats (ebook reader color screen .txt) 📕
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John Keats’ poems are a major part of the second wave of English Romantic poetry. They portray settings loaded with symbolism and sensuality, and draw heavily on Greek and Roman myth along with romanticised tales of chivalry. Keats died in 1821 at the young age of 25, having written the majority of his work in less than four years. While not appreciated during his lifetime, he has gone on to become one of the most loved of the Romantic poets, and has provided inspiration to authors as diverse as Oscar Wilde, Wilfred Owen and Neil Gaiman.
This collection includes among others early work such as “On Death,” the six odes written in 1819, his two epics Hyperion and Endymion, and “To Autumn,” now widely considered to be one of the best English short poems. Keats’ works are presented here in chronological order, and include the poems published in his lifetime and other unfinished fragments and posthumous verse.
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- Author: John Keats
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Upon the forehead of the age to come;
These, these will give the world another heart,
And other pulses. Hear ye not the hum
Of mighty workings in the human mart?
Listen awhile ye nations, and be dumb. II
Highmindedness, a jealousy for good,
A loving-kindness for the great man’s fame,
Dwells here and there with people of no name,
In noisome alley, and in pathless wood:
And where we think the truth least understood,
Oft may be found a “singleness of aim,”
That ought to frighten into hooded shame
A money-mong’ring, pitiable brood.
How glorious this affection for the cause
Of steadfast genius, toiling gallantly!
What when a stout unbending champion awes
Envy, and Malice to their native sty?
Unnumber’d souls breathe out a still applause,
Proud to behold him in his country’s eye.
The church bells toll a melancholy round,
Calling the people to some other prayers,
Some other gloominess, more dreadful cares,
More hearkening to the sermon’s horrid sound.
Surely the mind of man is closely bound
In some black spell; seeing that each one tears
Himself from fireside joys, and Lydian airs,
And converse high of those with glory crown’d.
Still, still they toll, and I should feel a damp—
A chill as from a tomb, did I not know
That they are dying like an outburnt lamp;
That ’tis their sighing, wailing ere they go
Into oblivion;—that fresh flowers will grow,
And many glories of immortal stamp.
Good Kosciusko, thy great name alone
Is a full harvest whence to reap high feeling;
It comes upon us like the glorious pealing
Of the wide spheres—an everlasting tone.
And now it tells me, that in worlds unknown,
The names of heroes, burst from clouds concealing,
Are changed to harmonies, for ever stealing
Through cloudless blue, and round each silver throne.
It tells me too, that on a happy day,
When some good spirit walks upon the earth,
Thy name with Alfred’s, and the great of yore,
Gently commingling, gives tremendous birth
To a loud hymn, that sounds far, far away
To where the great God lives for evermore.
The poetry of earth is never dead:
When all the birds are faint with the hot sun,
And hide in cooling trees; a voice will run
From hedge to hedge about the new-mown mead;
That is the Grasshopper’s—he takes the lead
In summer luxury,—he has never done
With his delights; for when tired out with fun,
He rests at ease beneath some pleasant weed.
The poetry of earth is ceasing never:
On a lone winter evening, when the frost
Has wrought a silence, from the stove there shrills
The Cricket’s song, in warmth increasing ever,
And seems to one, in drowsiness half lost,
The Grasshopper’s among some grassy hills.
God of the golden bow,
And of the golden lyre,
And of the golden hair,
And of the golden fire,
Charioteer
Of the patient year,
Where—where slept thine ire,
When like a blank idiot I put on thy wreath,
Thy laurel, thy glory,
The light of thy story,
Or was I a worm—too low crawling, for death?
O Delphic Apollo!
The Thunderer grasp’d and grasp’d,
The Thunderer frown’d and frown’d;
The eagle’s feathery mane
For wrath became stiffen’d—the sound
Of breeding thunder
Went drowsily under,
Muttering to be unbound.
O why didst thou pity, and for a worm
Why touch thy soft lute
Till the thunder was mute,
Why was not I crush’d—such a pitiful germ?
O Delphic Apollo!
The Pleiades were up,
Watching the silent air;
The seeds and roots in the Earth
Were swelling for summer fare;
The Ocean, its neighbour,
Was at its old labour,
When, who—who did dare
To tie, like a madman, thy plant round his brow,
And grin and look proudly,
And blaspheme so loudly,
And live for that honour, to stoop to thee now?
O Delphic Apollo?
As I lay in my bed slepe full unmete
Was unto me, but why that I ne might
Rest I ne wist, for there n’ as erthly wight
(As I suppose) had more of hertis ese
Than I, for I n’ ad sicknesse nor disese.
What is more gentle than a wind in summer?
What is more soothing than the pretty hummer
That stays one moment in an open flower,
And buzzes cheerily from bower to bower?
What is more tranquil than a musk-rose blowing
In a green island, far from all men’s knowing?
More healthful than the leafiness of dales?
More secret than a nest of nightingales?
More serene than Cordelia’s countenance?
More full of visions than a high romance?
What, but thee, Sleep? Soft closer of our eyes!
Low murmurer of tender lullabies!
Light hoverer around our happy pillows!
Wreather of poppy buds, and weeping willows!
Silent entangler of a beauty’s tresses!
Most happy listener! when the morning blesses
Thee for enlivening all the cheerful eyes
That glance so brightly at the new sunrise.
But what is higher beyond thought than thee?
Fresher than berries of a mountain-tree?
More strange, more beautiful, more smooth, more regal,
Than wings of swans, than doves, than dim-seen eagle?
What is it? And to what shall I compare it?
It has a glory, and nought else can share it:
The thought thereof is awful, sweet, and holy,
Chasing away all worldliness and folly:
Coming sometimes like fearful claps of thunder,
Or the low rumblings earth’s regions under;
And sometimes like a gentle whispering
Of all the secrets of some wond’rous thing
That breathes about us in the vacant air;
So that we look around with prying stare,
Perhaps to see shapes of light, aerial limning;
And catch soft floatings from a faint-heard hymning;
To see the laurel wreath, on high suspended,
That is to crown our name when life is ended.
Sometimes it gives a glory to the voice,
And from the heart up-springs, rejoice! rejoice!
Sounds which will reach the Framer of all things,
And die away in ardent mutterings.
No one who once the glorious sun has seen,
And all the clouds, and felt his bosom clean
For his great Maker’s presence, but must know
What ’tis I mean, and feel his being glow:
Therefore no insult will I give his spirit,
By telling what he
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