Poetry by John Keats (ebook reader color screen .txt) 📕
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John Keats’ poems are a major part of the second wave of English Romantic poetry. They portray settings loaded with symbolism and sensuality, and draw heavily on Greek and Roman myth along with romanticised tales of chivalry. Keats died in 1821 at the young age of 25, having written the majority of his work in less than four years. While not appreciated during his lifetime, he has gone on to become one of the most loved of the Romantic poets, and has provided inspiration to authors as diverse as Oscar Wilde, Wilfred Owen and Neil Gaiman.
This collection includes among others early work such as “On Death,” the six odes written in 1819, his two epics Hyperion and Endymion, and “To Autumn,” now widely considered to be one of the best English short poems. Keats’ works are presented here in chronological order, and include the poems published in his lifetime and other unfinished fragments and posthumous verse.
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- Author: John Keats
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When streams of light pour down the golden west,
And on the balmy zephyrs tranquil rest
The silver clouds, far—far away to leave
All meaner thoughts, and take a sweet reprieve
From little cares; to find, with easy quest,
A fragrant wild, with Nature’s beauty drest,
And there into delight my soul deceive,
There warm my breast with patriotic lore,
Musing on Milton’s fate—on Sydney’s bier—
Till their stern forms before my mind arise:
Perhaps on wings of Poesy upsoar,
Full often dropping a delicious tear,
When some melodious sorrow spells mine eyes. Sonnet to Solitude
O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings; climb with me the steep,—
Nature’s observatory,—whence the dell,
Its flowery slopes, its river’s crystal swell,
May seem a span; let me thy vigils keep
’Mongst boughs pavilion’d, where the deer’s swift leap
Startles the wild bee from the foxglove bell.
But though I’ll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refin’d,
Is my soul’s pleasure; and it sure must be
Almost the highest bliss of human-kind,
When to thy haunts two kindred spirits flee.
To one who has been long in city pent,
’Tis very sweet to look into the fair
And open face of heaven,—to breathe a prayer
Full in the smile of the blue firmament.
Who is more happy, when, with hearts content,
Fatigued he sinks into some pleasant lair
Of wavy grass, and reads a debonair
And gentle tale of love and languishment?
Returning home at evening, with an ear
Catching the notes of Philomel,—an eye
Watching the sailing cloudlet’s bright career,
He mourns that day so soon has glided by:
E’en like the passage of an angel’s tear
That falls through the clear ether silently.
Fresh morning gusts have blown away all fear
From my glad bosom,—now from gloominess
I mount for ever—not an atom less
Than the proud laurel shall content my bier.
No! by the eternal stars! or why sit here
In the Sun’s eye, and ’gainst my temples press
Apollo’s very leaves, woven to bless
By thy white fingers and thy spirit clear.
Lo! who dares say, “Do this?” Who dares call down
My will from its high purpose? Who say, “Stand,”
Or “Go?” This mighty moment I would frown
On abject Caesars—not the stoutest band
Of mailèd heroes should tear off my crown:
Yet would I kneel and kiss thy gentle hand!
As late I rambled in the happy fields,
What time the skylark shakes the tremulous dew
From his lush clover covert; when anew
Adventurous knights take up their dinted shields:
I saw the sweetest flower wild nature yields,
A fresh-blown musk-rose; ’twas the first that threw
Its sweets upon the summer: graceful it grew
As is the wand that Queen Titania wields.
And, as I feasted on its fragrancy,
I thought the garden-rose it far excell’d:
But when, O Wells! thy roses came to me,
My sense with their deliciousness was spell’d:
Soft voices had they, that with tender plea
Whisper’d of peace, and truth, and friendliness unquell’d.
Many the wonders I this day have seen:
The sun, when first he kist away the tears
That fill’d the eyes of morn;—the laurell’d peers
Who from the feathery gold of evening lean;—
The ocean with its vastness, its blue green,
Its ships, its rocks, its caves, its hopes, its fears,—
Its voice mysterious, which whoso hears
Must think on what will be, and what has been.
E’en now, dear George, while this for you I write,
Cynthia is from her silken curtains peeping
So scantly, that it seems her bridal night,
And she her half-discover’d revels keeping.
But what, without the social thought of thee,
Would be the wonders of the sky and sea?
Full many a dreary hour have I past,
My brain bewilder’d, and my mind o’ercast
With heaviness; in seasons when I’ve thought
No spherey strains by me could e’er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretch’d supinely,
Pry ’mong the stars, to strive to think divinely:
That I should never hear Apollo’s song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty’s eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air he sees white coursers paw and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel;
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet’s ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet’s eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv’ring of a seraph’s dream;
Their rich brimm’d goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off are dimly seen their bowers,
Of which no mortal eye can reach the flowers;
And ’tis right just, for well Apollo knows
’Twould make the Poet quarrel with the rose.
All that’s reveal’d from that far seat of
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