Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âYes, distinctly.â
âThat break is a dellâ âa deep, hollow cup, lined with turf as green and short as the sod of this common. The very oldest of the trees, gnarled mighty oaks, crowd about the brink of this dell. In the bottom lie the ruins of a nunnery.â
âWe will goâ âyou and I alone, Carolineâ âto that wood, early some fine summer morning, and spend a long day there. We can take pencils and sketchbooks, and any interesting reading book we like; and of course we shall take something to eat. I have two little baskets, in which Mrs. Gill, my housekeeper, might pack our provisions, and we could each carry our own. It would not tire you too much to walk so far?â
âOh no; especially if we rested the whole day in the wood. And I know all the pleasantest spots. I know where we could get nuts in nutting time; I know where wild strawberries abound; I know certain lonely, quite untrodden glades, carpeted with strange mosses, some yellow as if gilded, some a sober gray, some gem-green. I know groups of trees that ravish the eye with their perfect, picture-like effectsâ ârude oak, delicate birch, glossy beech, clustered in contrast; and ash trees stately as Saul, standing isolated; and superannuated wood-giants clad in bright shrouds of ivy. Miss Keeldar, I could guide you.â
âYou would be dull with me alone?â
âI should not. I think we should suit; and what third person is there whose presence would not spoil our pleasure?â
âIndeed, I know of none about our own agesâ âno lady at least; and as to gentlemenâ ââ
âAn excursion becomes quite a different thing when there are gentlemen of the party,â interrupted Caroline.
âI agree with youâ âquite a different thing to what we were proposing.â
âWe were going simply to see the old trees, the old ruins; to pass a day in old times, surrounded by olden silence, and above all by quietude.â
âYou are right; and the presence of gentlemen dispels the last charm, I think. If they are of the wrong sort, like your Malones, and your young Sykes, and Wynnes, irritation takes the place of serenity. If they are of the right sort, there is still a change; I can hardly tell what changeâ âone easy to feel, difficult to describe.â
âWe forget Nature, imprimis.â
âAnd then Nature forgets us, covers her vast calm brow with a dim veil, conceals her face, and withdraws the peaceful joy with which, if we had been content to worship her only, she would have filled our hearts.â
âWhat does she give us instead?â
âMore elation and more anxiety; an excitement that steals the hours away fast, and a trouble that ruffles their course.â
âOur power of being happy lies a good deal in ourselves, I believe,â remarked Caroline sagely. âI have gone to Nunnwood with a large partyâ âall the curates and some other gentry of these parts, together with sundry ladiesâ âand I found the affair insufferably tedious and absurd; and I have gone quite alone, or accompanied but by Fanny, who sat in the woodmanâs hut and sewed, or talked to the goodwife, while I roamed about and made sketches, or read; and I have enjoyed much happiness of a quiet kind all day long. But that was when I was youngâ âtwo years ago.â
âDid you ever go with your cousin, Robert Moore?â
âYes; once.â
âWhat sort of a companion is he on these occasions?â
âA cousin, you know, is different to a stranger.â
âI am aware of that; but cousins, if they are stupid, are still more insupportable than strangers, because you cannot so easily keep them at a distance. But your cousin is not stupid?â
âNo; butâ ââ
âWell?â
âIf the company of fools irritates, as you say, the society of clever men leaves its own peculiar pain also. Where the goodness or talent of your friend is beyond and above all doubt, your own worthiness to be his associate often becomes a matter of question.â
âOh! there I cannot follow you. That crotchet is not one I should choose to entertain for an instant. I consider myself not unworthy to be the associate of the best of themâ âof gentlemen, I meanâ âthough that is saying a great deal. Where they are good, they are very good, I believe. Your uncle, by the by, is not a bad specimen of the elderly gentleman. I am always glad to see his brown, keen, sensible old face, either in my own house or any other. Are you fond of him? Is he kind to you? Now, speak the truth.â
âHe has brought me up from childhood, I doubt not, precisely as he would have brought up his own daughter, if he had had one; and that is kindness. But I am not fond of him. I would rather be out of his presence than in it.â
âStrange, when he has the art of making himself so agreeable.â
âYes, in company; but he is stern and silent at home. As he puts away his cane and shovel-hat in the rectory hall, so he locks his liveliness in his bookcase and study-desk: the knitted brow and brief word for the fireside; the smile, the jest, the witty sally for society.â
âIs he tyrannical?â
âNot in the least. He is neither tyrannical nor hypocritical. He is simply a man who is rather liberal than good-natured, rather brilliant than genial, rather scrupulously equitable than truly justâ âif you can understand such superfine distinctions.â
âOh yes! Good-nature implies indulgence, which he has not; geniality, warmth of heart, which he does not own; and genuine justice is the offspring of sympathy and considerateness, of which, I can well conceive, my bronzed old friend is quite innocent.â
âI often wonder, Shirley, whether most men resemble my uncle in their domestic relations; whether it is necessary to be new and unfamiliar to them in order to seem agreeable or estimable in their eyes; and whether it is impossible to their natures to retain a constant interest and affection for those they see every day.â
âI donât know. I canât clear up your doubts. I ponder over similar ones myself sometimes. But,
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