Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âBut you could not if you were married.â
âNo, I could not. There it is. I could never be my own mistress more. A terrible thought! It suffocates me! Nothing irks me like the idea of being a burden and a boreâ âan inevitable burden, a ceaseless bore! Now, when I feel my company superfluous, I can comfortably fold my independence round me like a mantle, and drop my pride like a veil, and withdraw to solitude. If married, that could not be.â
âI wonder we donât all make up our minds to remain single,â said Caroline. âWe should if we listened to the wisdom of experience. My uncle always speaks of marriage as a burden; and I believe whenever he hears of a man being married he invariably regards him as a fool, or, at any rate, as doing a foolish thing.â
âBut, Caroline, men are not all like your uncle. Surely not. I hope not.â
She paused and mused.
âI suppose we each find an exception in the one we love, till we are married,â suggested Caroline.
âI suppose so. And this exception we believe to be of sterling materials. We fancy it like ourselves; we imagine a sense of harmony. We think his voice gives the softest, truest promise of a heart that will never harden against us; we read in his eyes that faithful feelingâ âaffection. I donât think we should trust to what they call passion at all, Caroline. I believe it is a mere fire of dry sticks, blazing up and vanishing. But we watch him, and see him kind to animals, to little children, to poor people. He is kind to us likewise, good, considerate. He does not flatter women, but he is patient with them, and he seems to be easy in their presence, and to find their company genial. He likes them not only for vain and selfish reasons, but as we like himâ âbecause we like him. Then we observe that he is just, that he always speaks the truth, that he is conscientious. We feel joy and peace when he comes into a room; we feel sadness and trouble when he leaves it. We know that this man has been a kind son, that he is a kind brother. Will anyone dare to tell me that he will not be a kind husband?â
âMy uncle would affirm it unhesitatingly. âHe will be sick of you in a month,â he would say.â
âMrs. Pryor would seriously intimate the same.â
âMrs. Yorke and Miss Mann would darkly suggest ditto.â
âIf they are true oracles, it is good never to fall in love.â
âVery good, if you can avoid it.â
âI choose to doubt their truth.â
âI am afraid that proves you are already caught.â
âNot I. But if I were, do you know what soothsayers I would consult?â
âLet me hear.â
âNeither man nor woman, elderly nor young: the little Irish beggar that comes barefoot to my door; the mouse that steals out of the cranny in the wainscot; the bird that in frost and snow pecks at my window for a crumb; the dog that licks my hand and sits beside my knee.â
âDid you ever see anyone who was kind to such things?â
âDid you ever see anyone whom such things seemed instinctively to follow, like, rely on?â
âWe have a black cat and an old dog at the rectory. I know somebody to whose knee that black cat loves to climb, against whose shoulder and cheek it likes to purr. The old dog always comes out of his kennel and wags his tail, and whines affectionately when somebody passes.â
âAnd what does that somebody do?â
âHe quietly strokes the cat, and lets her sit while he conveniently can; and when he must disturb her by rising, he puts her softly down, and never flings her from him roughly. He always whistles to the dog and gives him a caress.â
âDoes he? It is not Robert?â
âBut it is Robert.â
âHandsome fellow!â said Shirley, with enthusiasm. Her eyes sparkled.
âIs he not handsome? Has he not fine eyes and well-cut features, and a clear, princely forehead?â
âHe has all that, Caroline. Bless him! he is both graceful and good.â
âI was sure you would see that he was. When I first looked at your face I knew you would.â
âI was well inclined to him before I saw him. I liked him when I did see him. I admire him now. There is charm in beauty for itself, Caroline; when it is blended with goodness, there is a powerful charm.â
âWhen mind is added, Shirley?â
âWho can resist it?â
âRemember my uncle, Mesdames Pryor, Yorke, and Mann.â
âRemember the croaking of the frogs of Egypt. He is a noble being. I tell you when they are good they are the lords of the creationâ âthey are the sons of God. Moulded in their Makerâs image, the minutest spark of His spirit lifts them almost above mortality. Indisputably, a great, good, handsome man is the first of created things.â
âAbove us?â
âI would scorn to contend for empire with himâ âI would scorn it. Shall my left hand dispute for precedence with my right? Shall my heart quarrel with my pulse? Shall my veins be jealous of the blood which fills them?â
âMen and women, husbands and wives, quarrel horribly, Shirley.â
âPoor things! Poor, fallen, degenerate things! God made them for another lot, for other feelings.â
âBut are we menâs equals, or are we not?â
âNothing ever charms me more than when I meet my superiorâ âone who makes me sincerely feel that he is my superior.â
âDid you ever meet him?â
âI should
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