The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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They started back to Montpellier Square together, Irene between them. In the crowded streets Soames went on in front. He did not listen to their conversation; the strange resolution of trustfulness he had taken seemed to animate even his secret conduct. Like a gambler, he said to himself: “It’s a card I dare not throw away—I must play it for what it’s worth. I have not too many chances.”
He dressed slowly, heard her leave her room and go downstairs, and, for full five minutes after, dawdled about in his dressing-room. Then he went down, purposely shutting the door loudly to show that he was coming. He found them standing by the hearth, perhaps talking, perhaps not; he could not say.
He played his part out in the farce, the long evening through—his manner to his guest more friendly than it had ever been before; and when at last Bosinney went, he said: “You must come again soon; Irene likes to have you to talk about the house!” Again his voice had the strange bravado and the stranger pathos; but his hand was cold as ice.
Loyal to his resolution, he turned away from their parting, turned away from his wife as she stood under the hanging lamp to say good night—away from the sight of her golden head shining so under the light, of her smiling mournful lips; away from the sight of Bosinney’s eyes looking at her, so like a dog’s looking at its master.
And he went to bed with the certainty that Bosinney was in love with his wife.
The summer night was hot, so hot and still that through every opened window came in but hotter air. For long hours he lay listening to her breathing.
She could sleep, but he must lie awake. And, lying awake, he hardened himself to play the part of the serene and trusting husband.
In the small hours he slipped out of bed, and passing into his dressing-room, leaned by the open window.
He could hardly breathe.
A night four years ago came back to him—the night but one before his marriage; as hot and stifling as this.
He remembered how he had lain in a long cane chair in the window of his sitting-room off Victoria Street. Down below in a side street a man had banged at a door, a woman had cried out; he remembered, as though it were now, the sound of the scuffle, the slam of the door, the dead silence that followed. And then the early water-cart, cleansing the reek of the streets, had approached through the strange-seeming, useless lamplight; he seemed to hear again its rumble, nearer and nearer, till it passed and slowly died away.
He leaned far out of the dressing-room window over the little court below, and saw the first light spread. The outlines of dark walls and roofs were blurred for a moment, then came out sharper than before.
He remembered how that other night he had watched the lamps paling all the length of Victoria Street; how he had hurried on his clothes and gone down into the street, down past houses and squares, to the street where she was staying, and there had stood and looked at the front of the little house, as still and grey as the face of a dead man.
And suddenly it shot through his mind, like a sick man’s fancy: What’s he doing?—that fellow who haunts me, who was here this evening, who’s in love with my wife—prowling out there, perhaps, looking for her as I know he was looking for her this afternoon; watching my house now, for all I can tell!
He stole across the landing to the front of the house, stealthily drew aside a blind, and raised a window.
The grey light clung about the trees of the square, as though Night, like a great downy moth, had brushed them with her wings. The lamps were still alight, all pale, but not a soul stirred—no living thing in sight.
Yet suddenly, very faint, far off in the deathly stillness, he heard a cry writhing, like the voice of some wandering soul barred out of heaven, and crying for its happiness. There it was again—again! Soames shut the window, shuddering.
Then he thought: “Ah! it’s only the peacocks, across the water.”
XII June Pays Some CallsJolyon stood in the narrow hall at Broadstairs, inhaling that odour of oilcloth and herrings which permeates all respectable seaside lodging-houses. On a chair—a shiny leather chair, displaying its horsehair through a hole in the top left-hand corner—stood a black despatch case. This he was filling with papers, with the Times, and a bottle of eau de cologne. He had meetings that day of the Globular Gold Concessions and the New Colliery Company, Limited, to which he was going up, for he never missed a Board; to “miss a Board” would be one more piece of evidence that he was growing old, and this his jealous Forsyte spirit could not bear.
His eyes, as he filled that black despatch case, looked as if at any moment they might blaze up with anger. So gleams the eye of a schoolboy, baited by a ring of his companions; but he controls himself, deterred by the fearful odds against him. And old Jolyon controlled himself, keeping down, with his masterful restraint now slowly wearing out, the irritation fostered in him by the conditions of his life.
He had received from his son an unpractical letter, in which by rambling generalities the boy seemed trying to get out of answering a plain question. “I’ve seen Bosinney,” he said; “he is not a criminal. The more I see of people the more I am convinced that they are never good or bad—merely comic, or pathetic. You probably don’t agree with me!”
Old Jolyon did not; he considered it cynical to so express oneself; he had not yet reached that point of old age when even Forsytes,
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