The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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He tucked the top corner of his napkin behind the third button of his waistcoat, a practice he had been obliged to abandon years ago in the West End. He felt that he should relish his soup—the entire morning had been given to winding up the estate of an old friend.
After filling his mouth with household bread, stale, he at once began: “How are you going down to Robin Hill? You going to take Irene? You’d better take her. I should think there’ll be a lot that’ll want seeing to.”
Without looking up, Soames answered: “She won’t go.”
“Won’t go? What’s the meaning of that? She’s going to live in the house, isn’t she?”
Soames made no reply.
“I don’t know what’s coming to women nowadays,” mumbled James; “I never used to have any trouble with them. She’s had too much liberty. She’s spoiled. …”
Soames lifted his eyes: “I won’t have anything said against her,” he said unexpectedly.
The silence was only broken now by the supping of James’s soup.
The waiter brought the two glasses of port, but Soames stopped him.
“That’s not the way to serve port,” he said; “take them away, and bring the bottle.”
Rousing himself from his reverie over the soup, James took one of his rapid shifting surveys of surrounding facts.
“Your mother’s in bed,” he said; “you can have the carriage to take you down. I should think Irene’d like the drive. This young Bosinney’ll be there, I suppose, to show you over.”
Soames nodded.
“I should like to go and see for myself what sort of a job he’s made finishing off,” pursued James. “I’ll just drive round and pick you both up.”
“I am going down by train,” replied Soames. “If you like to drive round and see, Irene might go with you, I can’t tell.”
He signed to the waiter to bring the bill, which James paid.
They parted at St. Paul’s, Soames branching off to the station, James taking his omnibus westwards.
He had secured the corner seat next the conductor, where his long legs made it difficult for anyone to get in, and at all who passed him he looked resentfully, as if they had no business to be using up his air.
He intended to take an opportunity this afternoon of speaking to Irene. A word in time saved nine; and now that she was going to live in the country there was a chance for her to turn over a new leaf! He could see that Soames wouldn’t stand very much more of her goings on!
It did not occur to him to define what he meant by her “goings on.” the expression was wide, vague, and suited to a Forsyte. And James had more than his common share of courage after lunch.
On reaching home, he ordered out the barouche, with special instructions that the groom was to go too. He wished to be kind to her, and to give her every chance.
When the door of No. 62 was opened he could distinctly hear her singing, and said so at once, to prevent any chance of being denied entrance.
Yes, Mrs. Soames was in, but the maid did not know if she was seeing people.
James, moving with the rapidity that ever astonished the observers of his long figure and absorbed expression, went forthwith into the drawing-room without permitting this to be ascertained. He found Irene seated at the piano with her hands arrested on the keys, evidently listening to the voices in the hall. She greeted him without smiling.
“Your mother-in-law’s in bed,” he began, hoping at once to enlist her sympathy. “I’ve got the carriage here. Now, be a good girl, and put on your hat and come with me for a drive. It’ll do you good!”
Irene looked at him as though about to refuse, but, seeming to change her mind, went upstairs, and came down again with her hat on.
“Where are you going to take me?” she asked.
“We’ll just go down to Robin Hill,” said James, spluttering out his words very quick; “the horses want exercise, and I should like to see what they’ve been doing down there.”
Irene hung back, but again changed her mind, and went out to the carriage, James brooding over her closely, to make quite sure.
It was not before he had got her more than half way that he began: “Soames is very fond of you—he won’t have anything said against you; why don’t you show him more affection?”
Irene flushed, and said in a low voice: “I can’t show what I haven’t got.”
James looked at her sharply; he felt that now he had her in his own carriage, with his own horses and servants, he was really in command of the situation. She could not put him off; nor would she make a scene in public.
“I can’t think what you’re about,” he said. “He’s a very good husband!”
Irene’s answer was so low as to be almost inaudible among the sounds of traffic. He caught the words: “You are not married to him!”
“What’s that got to do with it? He’s given you everything you want. He’s always ready to take you anywhere, and now he’s built you this house in the country. It’s not as if you had anything of your own.”
“No.”
Again James looked at her; he could not make out the expression on her face. She looked almost as if she were going to cry, and yet. …
“I’m sure,” he muttered hastily, “we’ve all tried to be kind to you.”
Irene’s lips quivered; to his dismay James saw a tear steal down her cheek. He felt a choke rise in his own throat.
“We’re all fond of you,” he said, “if you’d only”—he was going to say, “behave yourself,” but changed it to—“if you’d only be more of a wife to him.”
Irene did not answer, and James, too, ceased speaking. There was something in her silence which disconcerted him; it was not the silence of obstinacy, rather that of acquiescence in all that he could find to say. And yet he felt as if he had not
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