The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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She had been hoping for this visit for some time past. Whispers had reached her that things were not all right between her nephew and his fiancée. Neither of them had been near her for weeks. She had asked Phil to dinner many times; his invariable answer had been “Too busy.”
Her instinct was alarmed, and the instinct in such matters of this excellent woman was keen. She ought to have been a Forsyte; in young Jolyon’s sense of the word, she certainly had that privilege, and merits description as such.
She had married off her three daughters in a way that people said was beyond their deserts, for they had the professional plainness only to be found, as a rule, among the female kind of the more legal callings. Her name was upon the committees of numberless charities connected with the Church-dances, theatricals, or bazaars—and she never lent her name unless sure beforehand that everything had been thoroughly organized.
She believed, as she often said, in putting things on a commercial basis; the proper function of the Church, of charity, indeed, of everything, was to strengthen the fabric of “Society.” Individual action, therefore, she considered immoral. Organization was the only thing, for by organization alone could you feel sure that you were getting a return for your money. Organization—and again, organization! And there is no doubt that she was what old Jolyon called her—“a ‘dab’ at that”—he went further, he called her “a humbug.”
The enterprises to which she lent her name were organized so admirably that by the time the takings were handed over, they were indeed skim milk divested of all cream of human kindness. But as she often justly remarked, sentiment was to be deprecated. She was, in fact, a little academic.
This great and good woman, so highly thought of in ecclesiastical circles, was one of the principal priestesses in the temple of Forsyteism, keeping alive day and night a sacred flame to the God of Property, whose altar is inscribed with those inspiring words: “Nothing for nothing, and really remarkably little for sixpence.”
When she entered a room it was felt that something substantial had come in, which was probably the reason of her popularity as a patroness. People liked something substantial when they had paid money for it; and they would look at her—surrounded by her staff in charity ballrooms, with her high nose and her broad, square figure, attired in an uniform covered with sequins—as though she were a general.
The only thing against her was that she had not a double name. She was a power in upper middle-class society, with its hundred sets and circles, all intersecting on the common battlefield of charity functions, and on that battlefield brushing skirts so pleasantly with the skirts of Society with the capital S. She was a power in society with the smaller s, that larger, more significant, and more powerful body, where the commercially Christian institutions, maxims, and “principle,” which Mrs. Baynes embodied, were real lifeblood, circulating freely, real business currency, not merely the sterilized imitation that flowed in the veins of smaller Society with the larger S. People who knew her felt her to be sound—a sound woman, who never gave herself away, nor anything else, if she could possibly help it.
She had been on the worst sort of terms with Bosinney’s father, who had not infrequently made her the object of an unpardonable ridicule. She alluded to him now that he was gone as her “poor, dear, irreverend brother.”
She greeted June with the careful effusion of which she was a mistress, a little afraid of her as far as a woman of her eminence in the commercial and Christian world could be afraid—for so slight a girl June had a great dignity, the fearlessness of her eyes gave her that. And Mrs. Baynes, too, shrewdly recognized that behind the uncompromising frankness of June’s manner there was much of the Forsyte. If the girl had been merely frank and courageous, Mrs. Baynes would have thought her “cranky,” and despised her; if she had been merely a Forsyte, like Francie—let us say—she would have patronized her from sheer weight of metal; but June, small though she was—Mrs. Baynes habitually admired quantity—gave her an uneasy feeling; and she placed her in a chair opposite the light.
There was another reason for her respect which Mrs. Baynes, too good a churchwoman to be worldly, would have been the last to admit—she often heard her husband describe old Jolyon as extremely well off, and was biased towards his granddaughter for the soundest of all reasons. Today she felt the emotion with which we read a novel describing a hero and an inheritance, nervously anxious lest, by some frightful lapse of the novelist, the young man should be left without it at the end.
Her manner was warm; she had never seen so clearly before how distinguished and desirable a girl this was. She asked after old Jolyon’s health.
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