The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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He was unable, however, to long keep silence.
“I suppose that young Bosinney,” he said, “will be getting married to June now?”
Irene’s face changed. “I don’t know,” she said; “you should ask her.”
“Does she write to you?”
“No.”
“How’s that?” said James. “I thought you and she were such great friends.”
Irene turned on him. “Again,” she said, “you should ask her!”
“Well,” flustered James, frightened by her look, “it’s very odd that I can’t get a plain answer to a plain question, but there it is.”
He sat ruminating over his rebuff, and burst out at last:
“Well, I’ve warned you. You won’t look ahead. Soames he doesn’t say much, but I can see he won’t stand a great deal more of this sort of thing. You’ll have nobody but yourself to blame, and, what’s more, you’ll get no sympathy from anybody.”
Irene bent her head with a little smiling bow. “I am very much obliged to you.”
James did not know what on earth to answer.
The bright hot morning had changed slowly to a grey, oppressive afternoon; a heavy bank of clouds, with the yellow tinge of coming thunder, had risen in the south, and was creeping up.
The branches of the trees dropped motionless across the road without the smallest stir of foliage. A faint odour of glue from the heated horses clung in the thick air; the coachman and groom, rigid and unbending, exchanged stealthy murmurs on the box, without ever turning their heads.
To James’ great relief they reached the house at last; the silence and impenetrability of this woman by his side, whom he had always thought so soft and mild, alarmed him.
The carriage put them down at the door, and they entered.
The hall was cool, and so still that it was like passing into a tomb; a shudder ran down James’s spine. He quickly lifted the heavy leather curtains between the columns into the inner court.
He could not restrain an exclamation of approval.
The decoration was really in excellent taste. The dull ruby tiles that extended from the foot of the walls to the verge of a circular clump of tall iris plants, surrounding in turn a sunken basin of white marble filled with water, were obviously of the best quality. He admired extremely the purple leather curtains drawn along one entire side, framing a huge white-tiled stove. The central partitions of the skylight had been slid back, and the warm air from outside penetrated into the very heart of the house.
He stood, his hands behind him, his head bent back on his high, narrow shoulders, spying the tracery on the columns and the pattern of the frieze which ran round the ivory-coloured walls under the gallery. Evidently, no pains had been spared. It was quite the house of a gentleman. He went up to the curtains, and, having discovered how they were worked, drew them asunder and disclosed the picture-gallery, ending in a great window taking up the whole end of the room. It had a black oak floor, and its walls, again, were of ivory white. He went on throwing open doors, and peeping in. Everything was in apple-pie order, ready for immediate occupation.
He turned round at last to speak to Irene, and saw her standing over in the garden entrance, with her husband and Bosinney.
Though not remarkable for sensibility, James felt at once that something was wrong. He went up to them, and, vaguely alarmed, ignorant of the nature of the trouble, made an attempt to smooth things over.
“How are you, Mr. Bosinney?” he said, holding out his hand. “You’ve been spending money pretty freely down here, I should say!”
Soames turned his back, and walked away.
James looked from Bosinney’s frowning face to Irene, and, in his agitation, spoke his thoughts aloud: “Well, I can’t tell what’s the matter. Nobody tells me anything!” And, making off after his son, he heard Bosinney’s short laugh, and his “Well, thank God! You look so. …” Most unfortunately he lost the rest.
What had happened? He glanced back. Irene was very close to the architect, and her face not like the face he knew of her. He hastened up to his son.
Soames was pacing the picture-gallery.
“What’s the matter?” said James. “What’s all this?”
Soames looked at him with his supercilious calm unbroken, but James knew well enough that he was violently angry.
“Our friend,” he said, “has exceeded his instructions again, that’s all. So much the worse for him this time.”
He turned round and walked back towards the door. James followed hurriedly, edging himself in front. He saw Irene take her finger from before her lips, heard her say something in her ordinary voice, and began to speak before he reached them.
“There’s a storm coming on. We’d better get home. We can’t take you, I suppose, Mr. Bosinney? No, I suppose not. Then, goodbye!” He held out his hand. Bosinney did not take it, but, turning with a laugh, said:
“Goodbye, Mr. Forsyte. Don’t get caught in the storm!” and walked away.
“Well,” began James, “I don’t know. …”
But the sight of Irene’s face stopped him. Taking hold of his daughter-in-law by the elbow, he escorted her towards the carriage. He felt certain, quite certain, they had been making some appointment or other. …
Nothing in this world is more sure to upset a Forsyte than the discovery that something on which he has stipulated to spend a certain sum has cost more. And this is reasonable, for upon the accuracy of his estimates the whole policy of his life is ordered. If he cannot rely on definite values of property, his compass is amiss; he is adrift upon bitter waters without a helm.
After writing to Bosinney in the terms that have already been chronicled, Soames had dismissed the cost of the house from his mind. He believed that he had made the matter of the final cost so very plain that the possibility of its being again exceeded had really never entered his head. On hearing from Bosinney that his limit of twelve thousand pounds would be exceeded by
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