Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
Read free book «Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Thomas Hardy
Read book online «Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕». Author - Thomas Hardy
“Tess!”
“Yes, dearest.”
“Am I to believe this? From your manner I am to take it as true. O you cannot be out of your mind! You ought to be! Yet you are not … My wife, my Tess—nothing in you warrants such a supposition as that?”
“I am not out of my mind,” she said.
“And yet—” He looked vacantly at her, to resume with dazed senses: “Why didn’t you tell me before? Ah, yes, you would have told me, in a way—but I hindered you, I remember!”
These and other of his words were nothing but the perfunctory babble of the surface while the depths remained paralyzed. He turned away, and bent over a chair. Tess followed him to the middle of the room, where he was, and stood there staring at him with eyes that did not weep. Presently she slid down upon her knees beside his foot, and from this position she crouched in a heap.
“In the name of our love, forgive me!” she whispered with a dry mouth. “I have forgiven you for the same!”
And, as he did not answer, she said again—
“Forgive me as you are forgiven! I forgive you, Angel.”
“You—yes, you do.”
“But you do not forgive me?”
“O Tess, forgiveness does not apply to the case! You were one person; now you are another. My God—how can forgiveness meet such a grotesque—prestidigitation as that!”
He paused, contemplating this definition; then suddenly broke into horrible laughter—as unnatural and ghastly as a laugh in hell.
“Don’t—don’t! It kills me quite, that!” she shrieked. “O have mercy upon me—have mercy!”
He did not answer; and, sickly white, she jumped up.
“Angel, Angel! what do you mean by that laugh?” she cried out. “Do you know what this is to me?”
He shook his head.
“I have been hoping, longing, praying, to make you happy! I have thought what joy it will be to do it, what an unworthy wife I shall be if I do not! That’s what I have felt, Angel!”
“I know that.”
“I thought, Angel, that you loved me—me, my very self! If it is I you do love, O how can it be that you look and speak so? It frightens me! Having begun to love you, I love you forever—in all changes, in all disgraces, because you are yourself. I ask no more. Then how can you, O my own husband, stop loving me?”
“I repeat, the woman I have been loving is not you.”
“But who?”
“Another woman in your shape.”
She perceived in his words the realization of her own apprehensive foreboding in former times. He looked upon her as a species of imposter; a guilty woman in the guise of an innocent one. Terror was upon her white face as she saw it; her cheek was flaccid, and her mouth had almost the aspect of a round little hole. The horrible sense of his view of her so deadened her that she staggered, and he stepped forward, thinking she was going to fall.
“Sit down, sit down,” he said gently. “You are ill; and it is natural that you should be.”
She did sit down, without knowing where she was, that strained look still upon her face, and her eyes such as to make his flesh creep.
“I don’t belong to you any more, then; do I, Angel?” she asked helplessly. “It is not me, but another woman like me that he loved, he says.”
The image raised caused her to take pity upon herself as one who was ill-used. Her eyes filled as she regarded her position further; she turned round and burst into a flood of self-sympathetic tears.
Clare was relieved at this change, for the effect on her of what had happened was beginning to be a trouble to him only less than the woe of the disclosure itself. He waited patiently, apathetically, till the violence of her grief had worn itself out, and her rush of weeping had lessened to a catching gasp at intervals.
“Angel,” she said suddenly, in her natural tones, the insane, dry voice of terror having left her now. “Angel, am I too wicked for you and me to live together?”
“I have not been able to think what we can do.”
“I shan’t ask you to let me live with you, Angel, because I have no right to! I shall not write to mother and sisters to say we be married, as I said I would do; and I shan’t finish the good-hussif’ I cut out and meant to make while we were in lodgings.”
“Shan’t you?”
“No, I shan’t do anything, unless you order me to; and if you go away from me I shall not follow ’ee; and if you never speak to me any more I shall not ask why, unless you tell me I may.”
“And if I order you to do anything?”
“I will obey you like your wretched slave, even if it is to lie down and die.”
“You are very good. But it strikes me that there is a want of harmony between your present mood of self-sacrifice and your past mood of self-preservation.”
These were the first words of antagonism. To fling elaborate sarcasms at Tess, however, was much like flinging them at a dog or cat. The charms of their subtlety passed by her unappreciated, and she only received them as inimical sounds which meant that anger ruled. She remained mute, not knowing that he was smothering his affection for her. She hardly observed that a tear descended slowly upon his cheek, a tear so large that it magnified the pores of the skin over which it rolled, like the object lens of a microscope. Meanwhile reillumination as to the terrible and total change that her confession had wrought in his life, in his universe, returned to him, and he tried desperately to advance among the new conditions in which he stood. Some consequent action was necessary; yet what?
“Tess,” he said, as gently as he could speak, “I cannot stay—in this room—just now.
Comments (0)