Tess of the d’Urbervilles by Thomas Hardy (readict TXT) 📕
Description
Tess of the d’Urbervilles is said to be Thomas Hardy’s fictional masterpiece and is considered to be an important nineteenth century novel. It explores themes of love, sex, class and morality in an aching love story.
It initially appeared in a censored, serialised version in The Graphic in 1891 and was published in a single volume the following year. Early reviews were mixed, partly because of its challenge to Victorian sexual morals—it is now looked upon much more favorably.
Tess Durbeyfield is the oldest child of uneducated peasants who are given the impression that they may have noble blood, as their surname is a corruption of that of an extinct Norman family. When Tess participates in the village May Dance, she meets Angel, who stops to join the dance but notices Tess too late to dance with her. That night, Tess’s father gets too drunk to drive to the market, so she undertakes the journey herself. However, she falls asleep at the reins, and the family’s only horse encounters a speeding wagon and is fatally wounded. Tess feels so guilty over the consequences for the family that she agrees to try to claim kin with a rich widow who lives in a neighbouring town. The story traces Tess’s life through the following years.
The novel has been adapted for the stage, theatre, opera, cinema and television numerous times since its publication.
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- Author: Thomas Hardy
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During the interval of the cottager’s going and coming, she had said to her husband—
“I don’t see how I can help being the cause of much misery to you all your life. The river is down there. I can put an end to myself in it. I am not afraid.”
“I don’t wish to add murder to my other follies,” he said.
“I will leave something to show that I did it myself—on account of my shame. They will not blame you then.”
“Don’t speak so absurdly—I wish not to hear it. It is nonsense to have such thoughts in this kind of case, which is rather one for satirical laughter than for tragedy. You don’t in the least understand the quality of the mishap. It would be viewed in the light of a joke by nine-tenths of the world if it were known. Please oblige me by returning to the house, and going to bed.”
“I will,” said she dutifully.
They had rambled round by a road which led to the well-known ruins of the Cistercian abbey behind the mill, the latter having, in centuries past, been attached to the monastic establishment. The mill still worked on, food being a perennial necessity; the abbey had perished, creeds being transient. One continually sees the ministration of the temporary outlasting the ministration of the eternal. Their walk having been circuitous, they were still not far from the house, and in obeying his direction she only had to reach the large stone bridge across the main river and follow the road for a few yards. When she got back, everything remained as she had left it, the fire being still burning. She did not stay downstairs for more than a minute, but proceeded to her chamber, whither the luggage had been taken. Here she sat down on the edge of the bed, looking blankly around, and presently began to undress. In removing the light towards the bedstead its rays fell upon the tester of white dimity; something was hanging beneath it, and she lifted the candle to see what it was. A bough of mistletoe. Angel had put it there; she knew that in an instant. This was the explanation of that mysterious parcel which it had been so difficult to pack and bring; whose contents he would not explain to her, saying that time would soon show her the purpose thereof. In his zest and his gaiety he had hung it there. How foolish and inopportune that mistletoe looked now.
Having nothing more to fear, having scarce anything to hope, for that he would relent there seemed no promise whatever, she lay down dully. When sorrow ceases to be speculative, sleep sees her opportunity. Among so many happier moods which forbid repose this was a mood which welcomed it, and in a few minutes the lonely Tess forgot existence, surrounded by the aromatic stillness of the chamber that had once, possibly, been the bride-chamber of her own ancestry.
Later on that night Clare also retraced his steps to the house. Entering softly to the sitting-room he obtained a light, and with the manner of one who had considered his course he spread his rugs upon the old horsehair sofa which stood there, and roughly shaped it to a sleeping-couch. Before lying down he crept shoeless upstairs, and listened at the door of her apartment. Her measured breathing told that she was sleeping profoundly.
“Thank God!” murmured Clare; and yet he was conscious of a pang of bitterness at the thought—approximately true, though not wholly so—that having shifted the burden of her life to his shoulders, she was now reposing without care.
He turned away to descend; then, irresolute, faced round to her door again. In the act he caught sight of one of the d’Urberville dames, whose portrait was immediately over the entrance to Tess’s bedchamber. In the candlelight the painting was more than unpleasant. Sinister design lurked in the woman’s features, a concentrated purpose of revenge on the other sex—so it seemed to him then. The Caroline bodice of the portrait was low—precisely as Tess’s had been when he tucked it in to show the necklace; and again he experienced the distressing sensation of a resemblance between them.
The check was sufficient. He resumed his retreat and descended.
His air remained calm and cold, his small compressed mouth indexing his powers of self-control; his face wearing still that terrible sterile expression which had spread thereon since her disclosure. It was the face of a man who was no longer passion’s slave, yet who found no advantage in his enfranchisement. He was simply regarding the harrowing contingencies of human experience, the unexpectedness of things. Nothing so pure, so sweet, so virginal as Tess had seemed possible all the long while that he had adored her, up to an hour ago; but
The little less, and what worlds away!
He argued erroneously when he said to himself that her heart was not indexed in the honest freshness of her face; but Tess had no advocate to set him right. Could it be possible, he continued, that eyes which as they gazed never expressed any divergence from what the tongue was telling, were yet ever seeing another world behind her ostensible one, discordant and contrasting?
He reclined on his couch in the sitting-room, and extinguished the light. The night came in, and took up its place there, unconcerned and indifferent; the night which had already swallowed up his happiness, and was now digesting it listlessly; and was ready to swallow up the happiness of a thousand other people with as little disturbance or change of mien.
XXXVIClare arose in the light of a dawn that was ashy and furtive, as though associated with crime. The fireplace confronted him with its extinct embers; the spread
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