Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âIt was not my wraith, then? I almost thought it was.â
âNo; only gauze, crockery, and pink blossomâ âa sample of earthly illusions.â
âI wonder you have time for such illusions, occupied as your mind must be.â
âSo do I. But I find in myself, Lina, two naturesâ âone for the world and business, and one for home and leisure. GĂ©rard Moore is a hard dog, brought up to mill and market; the person you call your cousin Robert is sometimes a dreamer, who lives elsewhere than in Cloth-hall and countinghouse.â
âYour two natures agree with you. I think you are looking in good spirits and health. You have quite lost that harassed air which it often pained one to see in your face a few months ago.â
âDo you observe that? Certainly I am disentangled of some difficulties. I have got clear of some shoals, and have more sea-room.â
âAnd, with a fair wind, you may now hope to make a prosperous voyage?â
âI may hope itâ âyesâ âbut hope is deceptive. There is no controlling wind or wave. Gusts and swells perpetually trouble the marinerâs course; he dare not dismiss from his mind the expectation of tempest.â
âBut you are ready for a breeze; you are a good seaman, an able commander. You are a skilful pilot, Robert; you will weather the storm.â
âMy kinswoman always thinks the best of me, but I will take her words for a propitious omen. I will consider that in meeting her tonight I have met with one of those birds whose appearance is to the sailor the harbinger of good luck.â
âA poor harbinger of good luck is she who can do nothing, who has no power. I feel my incapacity. It is of no use saying I have the will to serve you when I cannot prove it. Yet I have that will. I wish you success. I wish you high fortune and true happiness.â
âWhen did you ever wish me anything else? What is Fanny waiting for? I told her to walk on. Oh! we have reached the churchyard. Then we are to part here, I suppose. We might have sat a few minutes in the church porch, if the girl had not been with us. It is so fine a night, so summer-mild and still, I have no particular wish to return yet to the Hollow.â
âBut we cannot sit in the porch now, Robert.â
Caroline said this because Moore was turning her round towards it.
âPerhaps not. But tell Fanny to go in. Say we are coming. A few minutes will make no difference.â
The church clock struck ten.
âMy uncle will be coming out to take his usual sentinel round, and he always surveys the church and churchyard.â
âAnd if he does? If it were not for Fanny, who knows we are here, I should find pleasure in dodging and eluding him. We could be under the east window when he is at the porch; as he came round to the north side we could wheel off to the south; we might at a pinch hide behind some of the monuments. That tall erection of the Wynnes would screen us completely.â
âRobert, what good spirits you have! Go! go!â added Caroline hastily. âI hear the front doorâ ââ
âI donât want to go; on the contrary, I want to stay.â
âYou know my uncle will be terribly angry. He forbade me to see you because you are a Jacobin.â
âA queer Jacobin!â
âGo, Robert, he is coming; I hear him cough.â
âDiable! It is strangeâ âwhat a pertinacious wish I feel to stay!â
âYou remember what he did to Fannyâsâ ââ began Caroline, and stopped abruptly short. âSweetheartâ was the word that ought to have followed, but she could not utter it. It seemed calculated to suggest ideas she had no intention to suggestâ âideas delusive and disturbing. Moore was less scrupulous. âFannyâs sweetheart?â he said at once. âHe gave him a shower-bath under the pump, did he not? Heâd do as much for me, I dare say, with pleasure. I should like to provoke the old Turkâ ânot, however, against you. But he would make a distinction between a cousin and a lover, would he not?â
âOh, he would not think of you in that way, of course not; his quarrel with you is entirely political. Yet I should not like the breach to be widened, and he is so testy. Here he is at the garden gate. For your own sake and mine, Robert, go!â
The beseeching words were aided by a beseeching gesture and a more beseeching look. Moore covered her clasped hands an instant with his, answered her upward by a downward gaze, said âGood night!â and went.
Caroline was in a moment at the kitchen door behind Fanny. The shadow of the shovel-hat at that very instant fell on a moonlit tomb. The rector emerged, erect as a cane, from his garden, and proceeded in slow march, his hands behind him, down the cemetery. Moore was almost caught. He had to âdodgeâ after all, to coast round the church, and finally to bend his tall form behind the Wynnesâ ambitious monument. There he was forced to hide full ten minutes, kneeling with one knee on the turf, his hat off, his curls bare to the dew, his dark eye shining, and his lips parted with inward
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