Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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And this she did, and then stood on the rug with her hands behind her.
âA pretty expression you have in your countenance,â she went on, still gazing keenly, though not inimicallyâ ârather indeed pityinglyâ âat Caroline. âWonderfully self-supported you look, you solitude-seeking, wounded deer. Are you afraid Shirley will worry you if she discovers that you are hurt, and that you bleed?â
âI never do fear Shirley.â
âBut sometimes you dislike her; often you avoid her. Shirley can feel when she is slighted and shunned. If you had not walked home in the company you did last night, you would have been a different girl today. What time did you reach the rectory?â
âBy ten.â
âHumph! You took three-quarters of an hour to walk a mile. Was it you, or Moore, who lingered so?â
âShirley, you talk nonsense.â
âHe talked nonsenseâ âthat I doubt not; or he looked it, which is a thousand times worse. I see the reflection of his eyes on your forehead at this moment. I feel disposed to call him out, if I could only get a trustworthy second. I feel desperately irritated. I felt so last night, and have felt it all day.â
âYou donât ask me why,â she proceeded, after a pause, âyou little silent, overmodest thing; and you donât deserve that I should pour out my secrets into your lap without an invitation. Upon my word, I could have found it in my heart to have dogged Moore yesterday evening with dire intent. I have pistols, and can use them.â
âStuff, Shirley! Which would you have shotâ âme or Robert?â
âNeither, perhaps. Perhaps myselfâ âmore likely a bat or a tree-bough. He is a puppy, your cousinâ âa quiet, serious, sensible, judicious, ambitious puppy. I see him standing before me, talking his half-stern, half-gentle talk, bearing me down (as I am very conscious he does) with his fixity of purpose, etc.; and thenâ âI have no patience with him!â
Miss Keeldar started off on a rapid walk through the room, repeating energetically that she had no patience with men in general, and with her tenant in particular.
âYou are mistaken,â urged Caroline, in some anxiety. âRobert is no puppy or male flirt; I can vouch for that.â
âYou vouch for it! Do you think Iâll take your word on the subject? There is no oneâs testimony I would not credit sooner than yours. To advance Mooreâs fortune you would cut off your right hand.â
âBut not tell lies. And if I speak the truth, I must assure you that he was just civil to me last nightâ âthat was all.â
âI never asked what he was. I can guess. I saw him from the window take your hand in his long fingers, just as he went out at my gate.â
âThat is nothing. I am not a stranger, you know. I am an old acquaintance, and his cousin.â
âI feel indignant, and that is the long and short of the matter,â responded Miss Keeldar. âAll my comfort,â she added presently, âis broken up by his manoeuvres. He keeps intruding between you and me. Without him we should be good friends; but that six feet of puppyhood makes a perpetually-recurring eclipse of our friendship. Again and again he crosses and obscures the disc I want always to see clear; ever and anon he renders me to you a mere bore and nuisance.â
âNo, Shirley, no.â
âHe does. You did not want my society this afternoon, and I feel it hard. You are naturally somewhat reserved, but I am a social personage, who cannot live alone. If we were but left unmolested, I have that regard for you that I could bear you in my presence forever, and not for the fraction of a second do I ever wish to be rid of you. You cannot say as much respecting me.â
âShirley, I can say anything you wish. Shirley, I like you.â
âYou will wish me at Jericho tomorrow, Lina.â
âI shall not. I am every day growing more accustomed toâ âfonder of you. You know I am too English to get up a vehement friendship all at once; but you are so much better than commonâ âyou are so different to everyday young ladiesâ âI esteem you, I value you; you are never a burden to meâ ânever. Do you believe what I say?â
âPartly,â replied Miss Keeldar, smiling rather incredulously; âbut you are a peculiar personage. Quiet as you look, there is both a force and a depth somewhere within not easily reached or appreciated. Then you certainly are not happy.â
âAnd unhappy people are rarely good. Is that what you mean?â
âNot at all. I mean rather that unhappy people are often preoccupied, and not in the mood for discoursing with companions of my nature. Moreover, there is a sort of unhappiness which not only depresses, but corrodes; and that, I fear, is your portion. Will pity do you any good, Lina? If it will, take some from Shirley; she offers largely, and warrants the article genuine.â
âShirley, I never had a sisterâ âyou never had a sister; but it flashes on me at this moment how sisters feel towards each otherâ âaffection twined with their life, which no shocks of feeling can uproot, which little quarrels only trample an instant, that it may spring more freshly when the pressure is removed; affection that no passion can ultimately outrival, with which even love itself cannot do more than compete in force and truth. Love hurts us so, Shirley. It is so tormenting, so racking, and it burns away our strength with its flame. In affection is no pain and no fire, only sustenance and balm. I am supported and soothed when youâ âthat is, you onlyâ âare near, Shirley. Do you believe me now?â
âI am always easy of belief when the creed pleases me. We really are friends, then, Lina, in spite of the black eclipse?â
âWe really are,â returned the other, drawing Shirley towards her, and making her sit down, âchance what may.â
âCome, then; we will talk of something else than the Troubler.â But at this moment the
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