The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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He was fairly well-off. His wife was there with him, a different being from himself, yet somewhere vitally connected with him:—who was he to understand where and how? His two sons were gentlemen. They were men distinct from himself, they had separate beings of their own, yet they were connected with himself. It was all adventurous and puzzling. Yet one remained vital within one’s own existence, whatever the offshoots.
So, handsome and puzzled, he laughed and stuck to himself as the only thing he could stick to. His youngness and the wonder remained almost the same in him. He became indolent, he developed a luxuriant ease. Fred did most of the farm-work, the father saw to the more important transactions. He drove a good mare, and sometimes he rode his cob. He drank in the hotels and the inns with better-class farmers and proprietors, he had well-to-do acquaintances among men. But one class suited him no better than another.
His wife, as ever, had no acquaintances. Her hair was threaded now with grey, her face grew older in form without changing in expression. She seemed the same as when she had come to the Marsh twenty-five years ago, save that her health was more fragile. She seemed always to haunt the Marsh rather than to live there. She was never part of the life. Something she represented was alien there, she remained a stranger within the gates, in some ways fixed and impervious, in some ways curiously refining. She caused the separateness and individuality of all the Marsh inmates, the friability of the household.
When young Tom Brangwen was twenty-three years old there was some breach between him and his chief which was never explained, and he went away to Italy, then to America. He came home for a while, then went to Germany; always the same good-looking, carefully-dressed, attractive young man, in perfect health, yet somehow outside of everything. In his dark eyes was a deep misery which he wore with the same ease and pleasantness as he wore his close-sitting clothes.
To Ursula he was a romantic, alluring figure. He had a grace of bringing beautiful presents: a box of expensive sweets, such as Cossethay had never seen; or he gave her a hairbrush and a long slim mirror of mother-of-pearl, all pale and glimmering and exquisite; or he sent her a little necklace of rough stones, amethyst and opal and brilliants and garnet. He spoke other languages easily and fluently, his nature was curiously gracious and insinuating. With all that, he was undefinably an outsider. He belonged to nowhere, to no society.
Anna Brangwen had left her intimacy with her father undeveloped since the time of her marriage. At her marriage it had been abandoned. He and she had drawn a reserve between them. Anna went more to her mother.
Then suddenly the father died.
It happened one springtime when Ursula was about eight years old, he, Tom Brangwen, drove off on a Saturday morning to the market in Nottingham, saying he might not be back till late, as there was a special show and then a meeting he had to attend. His family understood that he would enjoy himself.
The season had been rainy and dreary. In the evening it was pouring with rain. Fred Brangwen, unsettled, uneasy, did not go out, as was his wont. He smoked and read and fidgeted, hearing always the trickling of water outside. This wet, black night seemed to cut him off and make him unsettled, aware of himself, aware that he wanted something else, aware that he was scarcely living. There seemed to him to be no root to his life, no place for him to get satisfied in. He dreamed of going abroad. But his instinct knew that change of place would not solve his problem. He wanted change, deep, vital change of living. And he did not know how to get it.
Tilly, an old woman now, came in saying that the labourers who had been suppering up said the yard and everywhere was just a slew of water. He heard in indifference. But he hated a desolate, raw wetness in the world. He would leave the Marsh.
His mother was in bed. At last he shut his book, his mind was blank, he walked upstairs intoxicated with depression and anger, and, intoxicated with depression and anger, locked himself into sleep.
Tilly set slippers before the kitchen fire, and she also went to bed, leaving the door unlocked. Then the farm was in darkness, in the rain.
At eleven o’clock it was still raining. Tom Brangwen stood in the yard of the “Angel,” Nottingham, and buttoned his coat.
“Oh, well,” he said cheerfully, “it’s rained on me before. Put ’er in, Jack, my lad, put her in—Tha’rt a rare old cock, Jacky-boy, wi’ a belly on thee as does credit to thy drink, if not to thy corn. Co’ up lass, let’s get off ter th’ old homestead. Oh, my heart, what a wetness in the night! There’ll be no volcanoes after this. Hey, Jack, my beautiful young slender feller, which of us is Noah? It seems as though the waterworks is bursted. Ducks and ayquatic fowl’ll be king o’ the castle at this rate—dove an’ olive branch an’ all. Stand up then, gel, stand up, we’re not stoppin’ here all night, even if you thought we was. I’m dashed if the jumping rain wouldn’t make anybody think they was drunk. Hey, Jack—does rainwater wash the sense in, or does it wash it out?” And he laughed
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