The Rainbow by D. H. Lawrence (novels for beginners .txt) đź“•
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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And she took him, she seemed ready for him, she wanted him.
The grandmother stayed a while at the Yew Cottage, till the Marsh was restored. Then she returned to her own rooms, quiet, and it seemed, wanting nothing. Fred threw himself into the work of restoring the farm. That his father was killed there, seemed to make it only the more intimate and the more inevitably his own place.
There was a saying that the Brangwens always died a violent death. To them all, except perhaps Tom, it seemed almost natural. Yet Fred went about obstinate, his heart fixed. He could never forgive the Unknown this murder of his father.
After the death of the father, the Marsh was very quiet. Mrs. Brangwen was unsettled. She could not sit all the evening peacefully, as she could before, and during the day she was always rising to her feet and hesitating, as if she must go somewhere, and were not quite sure whither.
She was seen loitering about the garden, in her little woollen jacket. She was often driven out in the gig, sitting beside her son and watching the countryside or the streets of the town, with a childish, candid, uncanny face, as if it all were strange to her.
The children, Ursula and Gudrun and Theresa went by the garden gate on their way to school. The grandmother would have them call in each time they passed, she would have them come to the Marsh for dinner. She wanted children about her.
Of her sons, she was almost afraid. She could see the sombre passion and desire and dissatisfaction in them, and she wanted not to see it any more. Even Fred, with his blue eyes and his heavy jaw, troubled her. There was no peace. He wanted something, he wanted love, passion, and he could not find them. But why must he trouble her? Why must he come to her with his seething and suffering and dissatisfactions? She was too old.
Tom was more restrained, reserved. He kept his body very still. But he troubled her even more. She could not but see the black depths of disintegration in his eyes, the sudden glance upon her, as if she could save him, as if he would reveal himself.
And how could age save youth? Youth must go to youth. Always the storm! Could she not lie in peace, these years, in the quiet, apart from life? No, always the swell must heave upon her and break against the barriers. Always she must be embroiled in the seethe and rage and passion, endless, endless, going on forever. And she wanted to draw away. She wanted at last her own innocence and peace. She did not want her sons to force upon her any more the old brutal story of desire and offerings and deep, deep-hidden rage of unsatisfied men against women. She wanted to be beyond it all, to know the peace and innocence of age.
She had never been a woman to work much. So that now she would stand often at the garden-gate, watching the scant world go by. And the sight of children pleased her, made her happy. She had usually an apple or a few sweets in her pocket. She liked children to smile at her.
She never went to her husband’s grave. She spoke of him simply, as if he were alive. Sometimes the tears would run down her face, in helpless sadness. Then she recovered, and was herself again, happy.
On wet days, she stayed in bed. Her bedroom was her city of refuge, where she could lie down and muse and muse. Sometimes Fred would read to her. But that did not mean much. She had so many dreams to dream over, such an unsifted store. She wanted time.
Her chief friend at this period was Ursula. The little girl and the musing, fragile woman of sixty seemed to understand the same language. At Cossethay all was activity and passion, everything moved upon poles of passion. Then there were four children younger than Ursula, a throng of babies, all the time many lives beating against each other.
So that for the eldest child, the peace of the grandmother’s bedroom was exquisite. Here Ursula came as to a hushed, paradisal land, here her own existence became simple and exquisite to her as if she were a flower.
Always on Saturdays she came down to the Marsh, and always clutching a little offering, either a little mat made of strips of coloured, woven paper, or a tiny basket made in the kindergarten lesson, or a little crayon drawing of a bird.
When she appeared in the doorway, Tilly, ancient but still in authority, would crane her skinny neck to see who it was.
“Oh, it’s you, is it?” she said. “I thought we should be seein’ you. My word, that’s a bobby-dazzlin’ posy you’ve brought!”
It was curious how Tilly preserved the spirit of Tom Brangwen, who was dead, in the Marsh. Ursula always connected her with her grandfather.
This day the child had brought a tight little nosegay of pinks, white ones, with a rim of pink ones. She was very proud of it, and very shy because of her pride.
“Your gran’mother’s in her bed. Wipe your shoes well if you’re goin’ up, and don’t go burstin’ in on her like a skyrocket. My word, but that’s a fine posy! Did you do it all by yourself, an’ all?”
Tilly stealthily ushered her into the bedroom. The child entered with a strange, dragging hesitation characteristic of her when she was moved. Her grandmother was sitting up in bed, wearing a little grey woollen jacket.
The child hesitated in silence near the bed, clutching the nosegay in front of her. Her childish eyes were shining. The grandmother’s grey eyes shone with a similar light.
“How pretty!” she said. “How pretty you have made them! What a darling little bunch.”
Ursula, glowing, thrust them into her grandmother’s hand, saying, “I made them you.”
“That is how the peasants tied them at
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