The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“Fred,” she called, “Fred!”
Away in the night was a hoarse, brutal roar of a mass of water rushing downwards.
She went downstairs. She could not understand the multiplied running of water. Stepping down the step into the kitchen, she put her foot into water. The kitchen was flooded. Where did it come from? She could not understand.
Water was running in out of the scullery. She paddled through barefoot, to see. Water was bubbling fiercely under the outer door. She was afraid. Then something washed against her, something twined under her foot. It was the riding whip. On the table were the rug and the cushion and the parcel from the gig.
He had come home.
“Tom!” she called, afraid of her own voice.
She opened the door. Water ran in with a horrid sound. Everywhere was moving water, a sound of waters.
“Tom!” she cried, standing in her nightdress with the candle, calling into the darkness and the flood out of the doorway.
“Tom! Tom!”
And she listened. Fred appeared behind her, in trousers and shirt.
“Where is he?” he asked.
He looked at the flood, then at his mother. She seemed small and uncanny, elvish, in her nightdress.
“Go upstairs,” he said. “He’ll be in th’ stable.”
“To-om! To-om!” cried the elderly woman, with a long, unnatural, penetrating call that chilled her son to the marrow. He quickly pulled on his boots and his coat.
“Go upstairs, mother,” he said; “I’ll go an’ see where he is.”
“To—om! To—o—om!” rang out the shrill, unearthly cry of the small woman. There was only the noise of water and the mooing of uneasy cattle, and the long yelping of the dog, clamouring in the darkness.
Fred Brangwen splashed out into the flood with a lantern. His mother stood on a chair in the doorway, watching him go. It was all water, water, running, flashing under the lantern.
“Tom! Tom! To—o—om!” came her long, unnatural cry, ringing over the night. It made her son feel cold in his soul.
And the unconscious, drowning body of the father rolled on below the house, driven by the black water towards the highroad.
Tilly appeared, a skirt over her nightdress. She saw her mistress clinging on the top of a chair in the open doorway, a candle burning on the table.
“God’s sake!” cried the old serving-woman. “The cut’s burst. That embankment’s broke down. Whativer are we goin’ to do!”
Mrs. Brangwen watched her son, and the lantern, go along the upper causeway to the stable. Then she saw the dark figure of a horse: then her son hung the lamp in the stable, and the light shone out faintly on him as he untackled the mare. The mother saw the soft blazed face of the horse thrust forward into the stable-door. The stables were still above the flood. But the water flowed strongly into the house.
“It’s getting higher,” said Tilly. “Hasn’t master come in?”
Mrs. Brangwen did not hear.
“Isn’t he the—ere?” she called, in her far-reaching, terrifying voice.
“No,” came the short answer out of the night.
“Go and loo-ok for him.”
His mother’s voice nearly drove the youth mad.
He put the halter on the horse and shut the stable door. He came splashing back through the water, the lantern swinging.
The unconscious, drowning body was pushed past the house in the deepest current. Fred Brangwen came to his mother.
“I’ll go to th’ cart-shed,” he said.
“To-om, To-o-om!” rang out the strong, inhuman cry. Fred Brangwen’s blood froze, his heart was very angry. He gripped his veins in a frenzy. Why was she yelling like this? He could not bear the sight of her, perched on a chair in her white nightdress in the doorway, elvish and horrible.
“He’s taken the mare out of the trap, so he’s all right,” he said, growling, pretending to be normal.
But as he descended to the cart-shed, he sank into a foot of water. He heard the rushing in the distance, he knew the canal had broken down. The water was running deeper.
The trap was there all right, but no signs of his father. The young man waded down to the pond. The water rose above his knees, it swirled and forced him. He drew back.
“Is he the-e-ere?” came the maddening cry of the mother.
“No,” was the sharp answer.
“To-om—To-o-om!” came the piercing, free, unearthly call. It seemed high and supernatural, almost pure. Fred Brangwen hated it. It nearly drove him mad. So awfully it sang out, almost like a song.
The water was flowing fuller into the house.
“You’d better go up to Beeby’s and bring him and Arthur down, and tell Mrs. Beeby to fetch Wilkinson,” said Fred to Tilly. He forced his mother to go upstairs.
“I know your father is drowned,” she said, in a curious dismay.
The flood rose through the night, till it washed the kettle off the hob in the kitchen. Mrs. Brangwen sat alone at a window upstairs. She called no more. The men were busy with the pigs and the cattle. They were coming with a boat for her.
Towards morning the rain ceased, the stars came out over the noise and the terrifying clucking and trickling of the water. Then there was a pallor in the east, the light began to come. In the ruddy light of the dawn she saw the waters spreading out, moving sluggishly, the buildings rising out of a waste of water. Birds began to sing, drowsily, and as if slightly hoarse with the dawn. It grew brighter. Up the second field was the great, raw gap in the canal embankment.
Mrs. Brangwen went from window to window, watching the flood. Somebody had brought a little boat. The light grew stronger, the red gleam was gone off the flood-waters, day took place. Mrs. Brangwen went from the front of the house to the back, looking out, intent and unrelaxing, on the pallid morning of spring.
She saw
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