Short Fiction by Nikolai Gogol (primary phonics .TXT) 📕
Description
Nikolai Gogol spent most of his literary career writing short stories, drawing inspiration from his childhood in Ukraine and his adult life in St. Petersburg. His stories are filled with larger than life yet relatable characters and perfectly described locations, and span many genres from historical epics to early horror and surrealism.
His influence on Russian literature cannot be understated: Fyodor Dostoevsky is quoted as saying “We all come out from Gogol’s ‘Overcoat,’ ” (presented here as “The Mantle”) and mentioned him by name in Crime and Punishment; Mikhail Bulgakov stated that “no-one can compare with him,” and Vladimir Nabokov wrote a full biography. Many of the stories in this collection have been adapted for stage and film, including “The Nose” as an opera by Dmitri Shostakovich.
Collected here are all of the public domain translations into English of Gogol’s short stories, in chronological order of the original Russian publication. They were translated by Claud Field, Isabel F. Hapgood, Vizetelly and Company, and George Tolstoy.
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- Author: Nikolai Gogol
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“When night came, and her father and his wife had retired, the young girl locked herself up in her room, and feeling melancholy began to weep bitterly. Suddenly she spied a hideous black cat creeping towards her; its fur was aflame and its claws struck on the ground like iron. In her terror the girl sprang on a chair; the cat followed her. Then she sprang into bed; the cat sprang after her, and seizing her by the throat began to choke her. She tore the creature away, and flung it on the ground, but the terrible cat began to creep towards her again. Rendered desperate with terror, she seized her father’s sabre which hung on the wall, and struck at the cat, wounding one of its paws. The animal disappeared, whimpering.
“The next day the young wife did not leave her bedroom; the third day she appeared with her hand bound up.
“The poor girl perceived that her stepmother was a witch, and that she had wounded her hand.
“On the fourth day her father told her to bring water, to sweep the floor like a servant-maid, and not to show herself where he and his wife sat. She obeyed him, though with a heavy heart. On the fifth day he drove her barefooted out of the house, without giving her any food for her journey. Then she began to sob and covered her face with her hands.
“ ‘You have ruined your own daughter, father!’ she cried; ‘and the witch has ruined your soul. May God forgive you! He will not allow me to live much longer.’
“And do you see,” continued Levko, turning to Hanna and pointing to the house, “do you see that high bank; from that bank she threw herself into the water, and has been no more seen on earth.”
“And the witch?” Hanna interrupted, timidly fastening her tearful eyes on him.
“The witch? Old women say that when the moon shines, all those who have been drowned come out to warm themselves in its rays, and that they are led by the witch’s stepdaughter. One night she saw her stepmother by the pool, caught hold of her, and dragged her screaming into the water. But this time also the witch played her a trick; she changed herself into one of those who had been drowned, and so escaped the chastisement she would have received at their hands.
“Let anyone who likes believe the old women’s stories. They say that the witch’s stepdaughter gathers together those who have been drowned every night, and looks in their faces in order to find out which of them is the witch; but has not done so yet. Such are the old wives’ tales. It is said to be the intention of the present owner to erect a distillery on the spot. But I hear voices. They are coming home from the dancing. Goodbye, Hanna! Sleep well, and don’t think of all that nonsense.” So saying he embraced her, kissed her, and departed.
“Goodbye, Levko!” said Hanna, still gazing at the dark pine wood.
The brilliant moon was now rising and filling all the earth with splendour. The pool shone like silver, and the shadows of the trees stood out in strong relief.
“Goodbye, Hanna!” she heard again as she spoke, and felt the light pressure of a kiss.
“You have come back!” she said, looking round, but started on seeing a stranger before her.
There was another “Goodbye, Hanna!” and again she was kissed.
“Has the devil brought a second?” she exclaimed angrily.
“Goodbye, dear Hanna!”
“There is a third!”
“Goodbye, goodbye, goodbye, Hanna!” and kisses rained from all sides.
“Why, there is a whole band of them!” cried Hanna, tearing herself from the youths who had gathered round. “Are they never tired of the eternal kissing? I shall soon not be able to show myself on the street!” So saying, she closed the door and bolted it.
II The Village HeadmanDo you know a Ukraine night? No, you do not know a night in the Ukraine. Gaze your full on it. The moon shines in the midst of the sky; the immeasurable vault of heaven seems to have expanded to infinity; the earth is bathed in silver light; the air is warm, voluptuous, and redolent of innumerable sweet scents. Divine night! Magical night! Motionless, but inspired with divine breath, the forests stand, casting enormous shadows and wrapped in complete darkness. Calmly and placidly sleep the lakes surrounded by dark green thickets. The virginal groves of the hawthorns and cherry-trees stretch their roots timidly into the cool water; only now and then their leaves rustle unwillingly when that freebooter, the night-wind, steals up to kiss them. The whole landscape is hushed in slumber; but there is a mysterious breath upon the heights. One falls into a weird and unearthly mood, and silvery apparitions rise from the depths. Divine night! Magical night! Suddenly the woods, lakes, and steppes become alive. The nightingales of the Ukraine are singing, and it seems as though the moon itself were listening to their song. The village sleeps as though under a magic spell; the cottages shine in the moonlight against the darkness of the woods behind them. The songs grow silent, and all is still. Only here and there is a glimmer of light in some small window. Some families, sitting up late, are finishing their supper at the thresholds of their houses.
“No, the ‘gallop’ is not danced like that! Now I see, it does not go properly! What did my godfather tell me? So then! Hop! tralala! Hop! tralala! Hop! Hop! Hop!” Thus a half-intoxicated, middle-aged Cossack talked to himself as he danced through the street. “By heaven, a ‘gallop’ is not danced like that! What is the use of lying! On with it then! Hop! tralala! Hop! tralala! Hop! Hop! Hop!”
“See that
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