A Voyage to Arcturus by David Lindsay (the false prince series .TXT) 📕
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On hearing the title A Voyage to Arcturus, one might picture an astronaut strapping themselves into a rocket and flying into space for a swashbuckling adventure. Nothing could be further from what this book actually is.
Voyage is in fact a fascinating, bizarre, bewildering, and thought-provoking sort of acid-fueled Pilgrim’s Progress: a philosophical allegory told through the frame of a psychedelic gender-bending journey to an alien planet.
After a terrifying séance, the protagonist, Maskull, is offered the chance of an adventure on a different world. He agrees, and the reader follows him on his blood-soaked path through lands representing different philosophies and ways of life as he searches for the world’s godhead, Surtur. Or is it Crystalman?
Voyage features fiction wildly ahead of its time, and is hardly classifiable as either science fiction or fantasy; one might even say that the book is better approached as a philosophical work than a straightforward narrative. It’s not a book for a reader seeking simple fiction, but rather for a reader seeking a thoughtful, imaginative, and totally unexpected exploration of philosophy and of life.
Decades ahead of its time, Voyage was praised by contemporaries like C. S. Lewis and J. R. R. Tolkien, and by modern authors like Clive Barker and Alan Moore. Many modern reviewers consider it a masterpiece of 20th century fiction and the work of an underappreciated genius. A century later it boasts a significant cult following, having inspired movies, plays, albums, and even operas, as well as a modern sequel by famous literary critic Harold Bloom—the only work of fiction he ever wrote.
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- Author: David Lindsay
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The shadow form of Crystalman had drawn much closer to him, and filled the whole sky, but it was not a shadow of darkness, but a bright shadow. It had neither shape, nor colour, yet it in some way suggested the delicate tints of early morning. It was so nebulous that the sphere could be clearly distinguished through it; in extension, however, it was thick. The sweet smell emanating from it was strong, loathsome, and terrible; it seemed to spring from a sort of loose, mocking slime inexpressibly vulgar and ignorant.
The spirit stream from Muspel flashed with complexity and variety. It was not below individuality, but above it. It was not the One, or the Many, but something else far beyond either. It approached Crystalman, and entered his body—if that bright mist could be called a body. It passed right through him, and the passage caused him the most exquisite pleasure. The Muspel-stream was Crystalman’s food. The stream emerged from the other side on to the sphere, in a double condition. Part of it reappeared intrinsically unaltered, but shivered into a million fragments. These were the green corpuscles. In passing through Crystalman they had escaped absorption by reason of their extreme minuteness. The other part of the stream had not escaped. Its fire had been abstracted, its cement was withdrawn, and, after being fouled and softened by the horrible sweetness of the host, it broke into individuals, which were the whirls of living will.
Nightspore shuddered. He comprehended at last how the whole world of will was doomed to eternal anguish in order that one Being might feel joy.
Presently he set foot on the final flight leading to the roof; for he remembered vaguely that now only that remained.
Halfway up, he fainted—but when he recovered consciousness he persisted as though nothing had happened to him. As soon as his head was above the trap, breathing the free air, he had the same physical sensation as a man stepping out of water. He pulled his body up, and stood expectantly on the stone-floored roof, looking round for his first glimpse of Muspel.
There was nothing.
He was standing upon the top of a tower, measuring not above fifteen feet each way. Darkness was all around him. He sat down on the stone parapet, with a sinking heart; a heavy foreboding possessed him.
Suddenly, without seeing or hearing anything, he had the distinct impression that the darkness around him, on all four sides, was grinning. … As soon as that happened, he understood that he was wholly surrounded by Crystalman’s world, and that Muspel consisted of himself and the stone tower on which he was sitting.
Fire flashed in his heart. … Millions upon millions of grotesque, vulgar, ridiculous, sweetened individuals—once Spirit—were calling out from their degradation and agony for salvation from Muspel. … To answer that cry there was only himself … and Krag waiting below … and Surtur—But where was Surtur?
The truth forced itself on him in all its cold, brutal reality. Muspel was no all-powerful Universe, tolerating from pure indifference the existence side by side with it of another false world, which had no right to be. Muspel was fighting for its life—against all that is most shameful and frightful—against sin masquerading as eternal beauty, against baseness masquerading as Nature, against the Devil masquerading as God. …
Now he understood everything. The moral combat was no mock one, no Valhalla, where warriors are cut to pieces by day and feast by night; but a grim death struggle in which what is worse than death—namely, spiritual death—inevitably awaited the vanquished of Muspel. … By what means could he hold back from this horrible war!
During those moments of anguish, all thoughts of Self—the corruption of his life on Earth—were scorched out of Nightspore’s soul, perhaps not for the first time.
After sitting a long time, he prepared to descend. Without warning, a strange, wailing cry swept over the face of the world. Starting in awful mystery, it ended with such a note of low and sordid mockery that he could not doubt for a moment whence it originated. It was the voice of Crystalman.
Krag was waiting for him on the island raft. He threw a stern glance at Nightspore.
“Have you seen everything?”
“The struggle is hopeless,” muttered Nightspore.
“Did I not say I am the stronger?”
“You may be the stronger, but he is the mightier.”
“I am the stronger and the mightier. Crystalman’s Empire is but a shadow on the face of Muspel. But nothing will be done without the bloodiest blows. … What do you mean to do?”
Nightspore looked at him strangely. “Are you not Surtur, Krag?”
“Yes.”
“Yes,” said Nightspore in a slow voice, without surprise. “But what is your name on Earth?”
“It is pain.”
“That, too, I must have known.”
He was silent for a few minutes; then he stepped quietly onto the raft. Krag pushed off, and they proceeded into the darkness.
ColophonA Voyage to Arcturus
was published in 1920 by
David Lindsay.
This ebook was produced for
Standard Ebooks
by
Alex Cabal,
and is based on a transcription produced in 2008 by
An Anonymous Volunteer and David Widger
for
Project Gutenberg
and on digital scans available at the
Internet Archive.
The cover page is adapted from
She Shall Be Called Woman,
a painting completed around 1880 by
George Frederic Watts.
the cover and title pages feature the
League Spartan and Sorts
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