Main Street by Sinclair Lewis (ink book reader .TXT) 📕
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Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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Ole Jenson the grocer and Dahl the butcher moved on to South Dakota and Idaho. Luke and Mrs. Dawson picked up ten thousand acres of prairie soil, in the magic portable form of a small check book, and went to Pasadena, to a bungalow and sunshine and cafeterias. Chet Dashaway sold his furniture and undertaking business and wandered to Los Angeles, where, the Dauntless reported, “Our good friend Chester has accepted a fine position with a real-estate firm, and his wife has in the charming social circles of the Queen City of the Southwestland that same popularity which she enjoyed in our own society sets.”
Rita Simons was married to Terry Gould, and rivaled Juanita Haydock as the gayest of the Young Married Set. But Juanita also acquired merit. Harry’s father died, Harry became senior partner in the Bon Ton Store, and Juanita was more acidulous and shrewd and cackling than ever. She bought an evening frock, and exposed her collarbone to the wonder of the Jolly Seventeen, and talked of moving to Minneapolis.
To defend her position against the new Mrs. Terry Gould she sought to attach Carol to her faction by giggling that “some folks might call Rita innocent, but I’ve got a hunch that she isn’t half as ignorant of things as brides are supposed to be—and of course Terry isn’t one-two-three as a doctor alongside of your husband.”
Carol herself would gladly have followed Mr. Ole Jenson, and migrated even to another Main Street; flight from familiar tedium to new tedium would have for a time the outer look and promise of adventure. She hinted to Kennicott of the probable medical advantages of Montana and Oregon. She knew that he was satisfied with Gopher Prairie, but it gave her vicarious hope to think of going, to ask for railroad folders at the station, to trace the maps with a restless forefinger.
Yet to the casual eye she was not discontented, she was not an abnormal and distressing traitor to the faith of Main Street.
The settled citizen believes that the rebel is constantly in a stew of complaining and, hearing of a Carol Kennicott, he gasps, “What an awful person! She must be a Holy Terror to live with! Glad my folks are satisfied with things way they are!” Actually, it was not so much as five minutes a day that Carol devoted to lonely desires. It is probable that the agitated citizen has within his circle at least one inarticulate rebel with aspirations as wayward as Carol’s.
The presence of the baby had made her take Gopher Prairie and the brown house seriously, as natural places of residence. She pleased Kennicott by being friendly with the complacent maturity of Mrs. Clark and Mrs. Elder, and when she had often enough been in conference upon the Elders’ new Cadillac car, or the job which the oldest Clark boy had taken in the office of the flour-mill, these topics became important, things to follow up day by day.
With nine-tenths of her emotion concentrated upon Hugh, she did not criticize shops, streets, acquaintances … this year or two. She hurried to Uncle Whittier’s store for a package of corn-flakes, she abstractedly listened to Uncle Whittier’s denunciation of Martin Mahoney for asserting that the wind last Tuesday had been south and not southwest, she came back along streets that held no surprises nor the startling faces of strangers. Thinking of Hugh’s teething all the way, she did not reflect that this store, these drab blocks, made up all her background. She did her work, and she triumphed over winning from the Clarks at five hundred.
The most considerable event of the two years after the birth of Hugh occurred when Vida Sherwin resigned from the high school and was married. Carol was her attendant, and as the wedding was at the Episcopal Church, all the women wore new kid slippers and long white kid gloves, and looked refined.
For years Carol had been little sister to Vida, and had never in the least known to what degree Vida loved her and hated her and in curious strained ways was bound to her.
XXI IGray steel that seems unmoving because it spins so fast in the balanced flywheel, gray snow in an avenue of elms, gray dawn with the sun behind it—this was the gray of Vida Sherwin’s life at thirty-six.
She was small and active and sallow; her yellow hair was faded, and looked dry; her blue silk blouses and modest lace collars and high black shoes and sailor hats were as literal and uncharming as a schoolroom desk; but her eyes determined her appearance, revealed her as a personage and a force, indicated her faith in the goodness and purpose of everything. They were blue, and they were never still; they expressed amusement, pity, enthusiasm. If she had been seen in sleep, with the wrinkles beside her eyes stilled and the creased lids hiding the radiant irises, she would have lost her potency.
She was born in a hill-smothered Wisconsin village where her father was a prosy minister; she labored through a sanctimonious college; she taught for two years in an iron-range town of blurry-faced Tatars and Montenegrins, and wastes of ore, and when she came to Gopher Prairie, its trees and the shining spaciousness of the wheat prairie made her certain that she was in paradise.
She admitted to her fellow-teachers that the schoolbuilding was slightly damp, but she insisted that the rooms were “arranged so conveniently—and then that bust of President McKinley at the head of the stairs, it’s a lovely artwork, and isn’t it an inspiration to have the brave, honest, martyr president to think
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