Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕
[5] Dodge, Raymond, PSYCHOLOGICAL REVIEW, 1900, VII., p. 456.
[6] Graefe, A., Archiv f. Ophthalmologie, 1895, XLI., 3, S. 136.
This explanation of Graefe is not to be admitted, however, since in the case of eye-movement there are muscular sensations of one's own activity, which are not present when one merely sits in a coach. These sensations of eye-movement are in all cases so intimately connected with our perception of the movement of objects, that they may not be in this case simpl
Read free book «Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Hugo Münsterberg
- Performer: -
Read book online «Sixteen Experimental Investigations from the Harvard Psychological Laboratory by Hugo Münsterberg (100 books to read .txt) 📕». Author - Hugo Münsterberg
the short length. If the assumption of bilateral equivalence
underlying this is correct, then the repetition, in quantitative
terms, on one side, of what we have on the other, constitutes the
unity in the horizontal disposition of æsthetic elements; a unity
receptive to an almost infinite variety of actual visual
forms—quantitative identity in qualitative diversity. If presented
material resists objective symmetrical arrangement (which gives, with
the minimum expenditure of energy, the corresponding bilateral
equivalence of organic energies) we obtain our organic equivalence in
supplementing the weaker part by a contribution of energies for which
it presents no obvious visual, or objective, basis. From this there
results, by reaction, an objective equivalence, for the psychic
correlate of the additional energies freed is an attribution to the
weaker part, in order to secure this feeling of balance, of some added
qualities, which at first it did not appear to have. In the case of
the simple line the lack of objective symmetry that everywhere meets
us is represented by an unequal division. The enhanced significance
acquired by the shorter part, and its psychophysical basis, will
engage us further in the introspection of the subjects, and in the
final paragraph of the paper. In general, however, the phenomenon that
we found in the division of the line—the variety of divisions given
by any one object, and the variations among the several subjects—is
easily accounted for by the suggested theory, for the different
subjects merely exemplify more fixedly the shifting psychophysical
states of any one subject.
In all, five sets of the corrected figures were used. Only the second,
however, and the fifth (chronologically speaking) appeared indubitably
to isolate one element above others, and gave uniform results. But
time lacked to develop the fifth sufficiently to warrant positive
statement. Certain uniformities appeared, nevertheless, in all the
sets, and find due mention in the ensuing discussion. The two figures
of the second set are shown in Fig. 2. Variation No. III. shows a
design similar to that of No. II., but with its parts set more closely
together and offering, therefore, a greater complexity. In Table II.
are given the average divisions of the nine subjects. The total length
of the figure was, as usual, 160 mm. Varying numbers of judgments were
made on the different subjects.
[Illustration: FIG. 2.]
TABLE II.
No. I. No. II. No. I. (reversed). No. II. (reversed).
L. R. L. R. R. L. R. L.
A 55 0 48 0 59 0 50 0
B 59 0 44 0 63 0 52 0
C 58 0 56 0 52 0 50 0
D 60 0 56 0 60 0 55 0
E 74 59 73 65 74 60 75 67
F 61 67 60 66 65 64 62 65
G 64 64 62 68 63 64 53 67
H 76 68 75 64 66 73 67 71
J 49 0 41 0 50 0 42 0
— — — — — — — —
Total. 61 64 57 65 61 65 54 67
With the complex fillings at the left, it will be seen, firstly, that
in every case the left judgment on No. III. is less than that on No.
II. With the figures reversed, the right judgments on No. III. are
less than on No. II., with the exception of subjects E and H.
Secondly, four of the subjects only (E, F, G and H) had
judgments also on the side which gave the complex filling the larger
space; to E, F and G, these were secondary preferences; to H
they were always primary. Thirdly, the judgments on No. III. are less,
in spite of the fact that the larger component parts of No. II., might
be taken as additional weight to that side of the line, and given,
therefore, the shorter space, according to the principle of the lever.
The subjects, then, that appear not to substantiate our suggested
theory are E and H, who in the reversed figures give the shorter
space to the less complex filling, and F and G, who, together with
E and H, have always secondary judgments that allot to either
complex filling a larger space than to the simple horizontal.
Consider, first, subjects E and H. For each, the difference in
division of II. and III. is in any case very slight. Further, subject
E, in judgments where the complex filling exceeds the horizontal
parallels in length, still gives the more complex of the two fillings
markedly the shorter space, showing, apparently, that its additional
complexity works there in accord with the theory. There was, according
to his introspection, another principle at work. As a figure, he
emphatically preferred II. to III. The filling of II. made up, he
found, by its greater interest, for lack of length. He here secured a
balance, in which the interest of the complex material compensated for
the greater extent of the simpler horizontals. This accounts for its
small variation from III., and even for its occupying the smaller
space. But in judgments giving the two complex fillings the larger
space, the more interesting material exceeded in extent the less
interesting. In such divisions the balance was no longer uppermost in
mind, but the desire to get as much as possible of the interesting
filling. To this end the horizontal parallels were shortened as far as
they could be without becoming insignificant. But unless some element
of balance were there (although not present to introspection) each
complex filling, when up for judgment, would have been pushed to the
same limit. It, therefore, does seem, in cases where the complex
fillings occupied a larger space than the horizontals, that the
subject, not trying consciously to secure a balance of interests,
was influenced more purely by the factor of complexity, and that his
judgments lend support to our theory.
Subject H was the only subject who consistently preferred to have
all complex fillings occupy the larger space. Introspection invariably
revealed the same principle of procedure—he strove to get as much of
the interesting material as he could. He thought, therefore, that in
every case he moved the complex filling to that limit of the pleasing
range that he found on the simple line, which would yield him most of
the filling. Balance did not appear prominent in his introspection. A
glance, however, at the results shows that his introspection is
contradicted. For he maintains approximately the same division on the
right in all the figures, whether reversed or not, and similarly on
the left. The average on the right for all four is 67; on the left it
is 74. Comparing these with the averages on the simple line, we see
that the right averages coincide exactly, while the left but slightly
differ. I suspect, indeed, that the fillings did not mean much to H,
except that they were ‘interesting’ or ‘uninteresting’; that aside
from this he was really abstracting from the filling and making the
same judgments that he would make on the simple line. Since he was
continually aware that they fell within the ‘pleasing range’ on the
simple line, this conclusion is the more plausible.
Perhaps these remarks account for the respective uniformities of the
judgments of E and H, and their departure from the tendency of the
other subjects to give the more complex filling constantly the shorter
space. But subjects F and G also had judgments (secondary with
both of them) giving to the complex filling a larger extent than to
the parallels. With them one of two principles, I think, applies: The
judgments are either instances of abstraction from the filling, as
with H, or one of simpler gravity or vertical balance, as
distinguished from the horizontal equivalence which I conceive to be
at the basis of the other divisions. With F it is likely to be the
latter, since the divisions of the figures under discussion do not
approach very closely those of the simple line, and because
introspectively he found that the divisions giving the complex the
larger space were ‘balance’ divisions, while the others were
determined with ‘reference to the character of the fillings.’ From G
I had no introspection, and the approximation of his judgments to
those he gave for the simple line make it probable that with him the
changes in the character of the filling had little significance. The
average of his judgments in which the complex filling held the greater
space is 66, while the averages on the simple line were 65 on the
left, and 64 on the right. And, in general, abstraction from filling
was easy, and to be guarded against. Subject C, in the course of the
work, confessed to it, quite unsolicited, and corrected himself by
giving thenceforth all complex fillings much smaller space than
before. Two others noticed that it was particularly hard not to
abstract. Further, none of the four subjects mentioned (with that
possible exception of E) showed a sensitiveness similar to that of
the other five.
With the exception of H, and in accord with the constant practice of
the other five, these subjects, too, occasionally found no pleasing
division in which the complex filling preponderated in length over the
horizontals. It was uniformly true, furthermore, in every variation
introduced in the course of the investigation, involving a complex and
a simple filling, that all the nine subjects but H preferred the
complex in the shorter space; that five refused any divisions offering
it in the larger space; that these five showed more sensitiveness to
differences in the character of fillings; and that with one exception
(C) the divisions of the simple line which these subjects gave were
nearer the ends than those of the others. It surely seems plausible
that those most endowed with æsthetic sensitiveness would find a
division near the center more unequal than one nearer the end; for one
side only slightly shorter than the other would at once seem to mean
the same thing to them, and yet, because of the obvious difference in
length, be something markedly different, and they would therefore
demand a part short enough to give them sharp qualitative difference,
with, however, in some way, quantitative equivalence. When the short
part is too long, it is overcharged with significance, it strives to
be two things at once and yet neither in its fulness.
We thus return to the simple line. I have considered a series of
judgments on it, and a series on two different figures, varying in the
degree of complexity presented, in one of their fillings. It remains
very briefly to see if the introspection on the simple line furnishes
further warrant for carrying the complexities over into the simple
line and so giving additional validity to the outlined theory of
substitution. The following phrases are from introspective notes.
A. Sweep wanted over long part. More attention to short.
Significance of whole in short. Certainly a concentration of interest
in the short. Short is efficacious. Long means rest; short is the
center of things. Long, an effortless activity; short, a more
strenuous activity. When complex fillings are introduced, subject is
helped out; does not have to put so much into the short division. In
simple line, subject introduces the concentration. In complex
figures the concentration is objectified. In equal division subject
has little to do with it; the unequal depends on the subject—it
calls for appreciation. Center of references is the division point,
and the eye movements to right and left begin here, and here return.
The line centers there. The balance is a horizontal affair.
B. Center
Comments (0)