''Bring Me His Ears'' by Clarence E. Mulford (howl and other poems TXT) π
"I know how you feel, Mr. Boyd. Have you seen your father since you landed?"
Tom reluctantly shook his head. "It would only reopen the old bitterness and lead to further estrangement. No man shall ever speak to me again as he did--not even him. If you should see him, Jarvis, tell him I asked you to assure him of my affection."
"I shall be glad to do that," replied the clerk. "You missed him by only two days. He asked for you and wished you success, and said your home was open to you when you returned to resume your studies. I think, in his heart, he is proud of you, but too stubborn to admit it." As he spoke he chanced to glance through the window of the store. "Don't look around," he warned. "I want to tell you t
Read free book Β«''Bring Me His Ears'' by Clarence E. Mulford (howl and other poems TXT) πΒ» - read online or download for free at americanlibrarybooks.com
- Author: Clarence E. Mulford
- Performer: -
Read book online Β«''Bring Me His Ears'' by Clarence E. Mulford (howl and other poems TXT) πΒ». Author - Clarence E. Mulford
"This hyar shore is good beaver," he chuckled, clapping the Pueblo on the shoulder, "but thar's more good news fer you." He put his mouth close to the Pueblo's ear and whispered: "Yer friend Salezar will be leadin' a percession ter th' buryin' ground. That Delaware thar killed him with his bare hands!"
The Pueblo touched Tom's arm, his hand passing down it caressingly, to be seized in a grip which made him wince; and when Adam Cooper offered him a handful of gold coins the Indian drew himself up proudly and pushed them away.
"For his friends Pablo do what he can," he said in Spanish. "I now take these horses back on the trail to make a puzzle in the sand that will take time to read. Pablo does not forget. Adios!" He vaulted onto his horse, took the lead ropes of the tired mounts, and was lost in the darkness, eager to weave a pattern of hoof marks to mock pursuing eyes.
The little cavalcade pushed on, following a trail that wound along the sides of the mountains, passing many places where a handful of resolute men could check scores. The cold mountain air bit shrewdly, and occasional gusts of wind blustered along the timbered slopes and set the pines and cedars whispering. Higher and higher went the narrow trail, skirting sheer walls of rock on one side, and dizzy precipices on the other; higher and higher plodded the little caravan in single file, following the unhesitant leader.
There came a leaden glow high up on the right. It paled swiftly as a streak of silver flared up behind the jagged crests of the mountains, here and there caught by a snow mantle to gleam in virgin white. On the left lay abysmal darkness, like a lake of ink, and slowly out of it pushed ranks of treetops as the dawn rolled downward and the mountain fogs dissolved in dew. Deep canons, sheer precipices; long streaks on mountain sides where resistless avalanches had scraped all greenery from the glistening rock; green amphitheaters, fit for fairy pageants; velvety knolls and jewels of mountain pastures lay below them, with here and there the crystal gleam of ribbon-like mountain brooks, their waters embarked on a long, depressing journey through capricious oceans of billowy sands and the salty leagues of desert wastes. Birds flashed among the branches, chipmunks chattered furiously at these unheeding invaders of their mountain fastness; high up on a beetling crag a bighorn ram was silhouetted in rigid majesty, and over all lazily drifted an eagle against the paling western sky, symbolical of freedom.
There came the musical tinkle of falling water and Hank stopped, raising his hand. Into the little mountain dell the caravan wound and in a moment muscles tired and cramped from long, hard riding found relief in a score of little duties. While the animals were relieved of saddles and packs and securely picketed, and a fire made of dry wood from a bleached windfall, Hank climbed swiftly up the mountain side for a view of the back trail. Perched on an out-thrust finger of rock high above the dell he knelt motionless, searching with keen and critical eyes every yard of that windswept trail, following it along its sloping length until it shrunk into a hair line across the frowning mountain sides and then faded out entirely. Below him grotesque figures moved about like gnomes performing incantations around a tiny blaze; dwarfed horses cropped the plentiful grass and succulent leaves, and a timid streamer of pale blue smoke arose like a plumb line until the cruising gusts above the treetops tore it into feathery wisps and carried it away. Across the valley the rising sun pushed golden floods of light into crevices, among the rocks, and turned the pines and cedars into glistening cones of green on stems of jet.
"Wall," said a voice below him, "hyar I am. Go down an' feed. See anythin'?"
Hank leaned over and looked down at the climbing figure, whose laborious progress sent a noisy stream of clicking pebbles behind him like sparks from a rocket.
"Nothin' I ain't plumb glad ter see," replied Hank. "This hyar beats th' settlements all ter hell." As Jim's horrible face peered over the edge of the rock balcony Hank eyed it critically and shook his head. "I've seen some plumb awful lookin' 'Rapahoes; but nothin' ter stack up ag'in you. Vermillion mebby is yer favorite color, but it don't improve yer looks a hull lot. Neither does that sorrel juice. How's th' gal?"
"Full o' spunk an' gittin' chipper as a squirrel," answered Jim. "Who's goin' ter git th' blame fer last night's fandango?"
"Four murderin' Injuns, a-plunderin' an' a-kidnappin'," chuckled Hank. "Woodson's goin' ter raise hell about th' hull Cooper fambly bein' stole. Armijo'll keep his mouth shet an' pass th' crime along ter us, an' make a great show o' gittin' us; but," he winked knowingly at his accomplice in the night's activities, "chasin' four desperite Injuns along an open trail, whar his sojers kin spread out an' take advantage o' thar bein' twenty ter one is one thing; chasin' 'em along a trail like this, whar they has ter ride Injun fashion, is a hull lot diff'rent. They've had thar bellies full o' chasin' along Injun trails in th' mountings. Th' Apaches, Utes, an' Comanches has showed 'em it don't pay. Thar's sharpshooters that can't be got at; thar's rollin' rocks, an' ambushes; an' chasin' murderin' Injuns afoot up mounting sides ain't did in this part o' th' country."
"Meanin' we won't be chased?" demanded Jim, incredulously.
"Not meanin' nothin' o' th' kind," growled Hank, spitting into three hundred feet of void. "We killed some of th' military aristo-crazy, as Tom calls 'em, didn't we? We made fools outer th' whole prairie-dog town, didn't we? An' what's worse, we stole th' gal that Armijo war sweet on, an' Tom knocked him end over endβoh, Jim, ye should 'a' seen that! Six feet o' greaser gov'ner a-turnin' a cartwheel in his own house! Chase us? Hell, yes!"
The Arapahoe rubbed his chin. "Fust ye say one thing, then ye say another. What ye mean, Ol' Buffaler?"
"I'm bettin' thar's a greaser army a-poundin' along th' wagon road fer Raton Pass," replied Hank, spitting again with great gusto. "We're a Delaware from Bent's, a Blackfoot from th' Upper Missoury, an' two ugly 'Rapahoes from 'tother side o' St. Vrains, ain't we? Wall, if ye know a fox's den ye needn't foller him along th' ridges." He chuckled again. "We're goin' another way over some Ute trails I knows of."
"But s'posin' they foller us along this trail?"
Hank looked speculatively back along the narrow pathway, with its numerous bends, and then glanced pityingly at his anxious friend. "I jest told ye why they won't; an' if they do, let 'em!"
Ogden looked steadily southward along the trail and suddenly laughed: "Yes; let 'em!"
In the great courtyard of Bent's Fort one evening more than a week later, three trappers sat with their backs against the brass cannon that scowled at the heavy doors. They were planning their winter's trip in the mountains, figuring out the supplies and paraphernalia for a party of four, when Hank, glancing up, saw two people slowly walking along the high, wide parapet on the side toward the Arkansas. He raised an arm, pointing, and his companions, following it with their eyes, saw the two figures suddenly become like one against the moonlit sky.
Hank sighed, bit his lip, and looked down.
"Better figger on a party o' three," he said.
End of Project Gutenberg's Bring Me His Ears, by Clarence E. Mulford
*** END OF THIS PROJECT GUTENBERG EBOOK BRING ME HIS EARS ***
***** This file should be named 31699-h.htm or 31699-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/1/6/9/31699/
Produced by Chris Curnow, Michael, Graeme Mackreth and the
Online Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a
Comments (0)