Quo Vadis: A Narrative of the Time of Nero by Henryk Sienkiewicz (nonfiction book recommendations .txt) 📕

the arena. I will rise and turn my face toward them; then thou wilt find him with thy eyes.”

“Thanks to thee, lord, and peace be with thee.”

“May the Redeemer be merciful to thee.”

“Amen.”

Vinicius went out of the cuniculum, and betook himself to the amphitheatre, where he had a place near Petronius among the other Augustians.

“Is she there?” inquired Petronius.

“No; she remained in prison.”

“Hear what has occurred to me, but while listening look at Nigidia for example, so that we may seem to talk of her hair-dressing. Tigellinus and Chilo are looking at us now. Listen then. Let them put Lygia in a coffin at night and carry her out of the prison as a corpse; thou divinest the rest?”

“Yes,” answered Vinicius.

Their further conversation was interrupted by Tullius Senecio, who, bending toward them, asked,—

“Do ye know whether they will give weapons to the Christians?”

“We do not,” answered Petronius. “I should prefer that arms were given,” said Tullius; “if not, the arena will become like butcher’s shambles too early. But what a splendid amphitheatre!”

The sight was, in truth, magnificent. The lower seats, crowded with togas were as white as snow. In the gilded podium sat Cæsar, wearing a diamond collar and a golden crown on his head; next to him sat the beautiful and gloomy Augusta, and on both sides were vestal virgins, great officials, senators with embroidered togas, officers of the army with glittering weapons,—in a word, all that was powerful, brilliant, and wealthy in Rome. In the farther rows sat knights; and higher up darkened in rows a sea of common heads, above which from pillar to pillar hung festoons of roses, lilies, ivy, and grapevines.

People conversed aloud, called to one another, sang; at times they broke into laughter at some witty word which was sent from row to row, and they stamped with impatience to hasten the spectacle.

At last the stamping became like thunder, and unbroken. Then the prefect of the city, who rode around the arena with a brilliant retinue, gave a signal with a handkerchief, which was answered throughout the amphitheatre by “A-a-a!” from thousands of breasts.

Usually a spectacle was begun by hunts of wild beasts, in which various Northern and Southern barbarians excelled; but this time they had too many beasts, so they began with andabates,—that is, men wearing helmets without an opening for the eyes, hence fighting blindfold. A number of these came into the arena together, and slashed at random with their swords; the scourgers with long forks pushed some toward others to make them meet. The more select of the audience looked with contempt and indifference at this spectacle; but the crowd were amused by the awkward motions of the swordsmen. When it happened that they met with their shoulders, they burst out in loud laughter. “To the right!” “To the left!” cried they, misleading the opponents frequently by design. A number of pairs closed, however, and the struggle began to be bloody. The determined combatants cast aside their shields, and giving their left hands to each other, so as not to part again, struggled to the death with their right. Whoever fell raised his fingers, begging mercy by that sign; but in the beginning of a spectacle the audience demanded death usually for the wounded, especially in the case of men who had their faces covered and were unknown. Gradually the number of combatants decreased; and when at last only two remained, these were pushed together; both fell on the sand, and stabbed each other mutually. Then, amid cries of “Peractum est!” servants carried out the bodies, youths raked away the bloody traces on the sand and sprinkled it with leaves of saffron.

Now a more important contest was to come,—rousing interest not only in the herd, but in exquisites; during this contest young patricians made enormous bets at times, often losing all they owned. Straightway from hand to hand went tablets on which were written names of favorites, and also the number of sestertia which each man wagered on his favorite. “Spectati”—that is, champions who had appeared already on the arena and gained victories—found most partisans; but among betters were also those who risked considerably on gladiators who were new and quite unknown, hoping to win immense sums should these conquer. Cæsar himself bet; priests, vestals, senators, knights bet; the populace bet. People of the crowd, when money failed them, bet their own freedom frequently. They waited with heart-beating and even with fear for the combatants, and more than one made audible vows to the gods to gain their protection for a favorite.

In fact, when the shrill sound of trumpets was heard, there was a stillness of expectation in the amphitheatre. Thousands of eyes were turned to the great bolts, which a man approached dressed like Charon, and amid the universal silence struck three times with a hammer, as if summoning to death those who were hidden behind them. Then both halves of the gate opened slowly, showing a black gully, out of which gladiators began to appear in the bright arena. They came in divisions of twenty-five, Thracians, Mirmillons, Samnites, Gauls, each nation separately, all heavily armed; and last the retiarii, holding in one hand a net, in the other a trident. At sight of them, here and there on the benches rose applause, which soon turned into one immense and unbroken storm. From above to below were seen excited faces, clapping hands, and open mouths, from which shouts burst forth. The gladiators encircled the whole arena with even and springy tread, gleaming with their weapons and rich outfit; they halted before Cæsar’s podium, proud, calm, and brilliant. The shrill sound of a horn stopped the applause; the combatants stretched their right hands upward, raised their eyes and heads toward Cæsar, and began to cry or rather to chant with drawling voice,—

“Ave, Cæsar imperator! Morituri te salutant!”

Then they pushed apart quickly, occupying their places on the arena. They were to attack one another in whole detachments; but first it was permitted the most famous fencers to have a series of single combats, in which the strength, dexterity, and courage of opponents were best exhibited. In fact, from among the Gauls appeared a champion, well known to lovers of the amphitheatre under the name of Lanio, a victor in many games. With a great helmet on his head, and in mail which formed a ridge in front of his powerful breast and behind, he looked in the gleam of the golden arena like a giant beetle. The no less famous retiarius Calendio came out against him.

Among the spectators people began to bet.

“Five hundred sestertia on the Gaul!”

“Five hundred on Calendio!”

“By Hercules, one thousand!”

“Two thousand!”

Meanwhile the Gaul, reaching the centre of the arena, began to withdraw with pointed sword, and, lowering his head, watched his opponent carefully through the opening of his visor; the light retiarius, stately, statuesque, wholly naked save a belt around his loins, circled quickly about his heavy antagonist, waving the net with graceful movement, lowering or raising his trident, and singing the usual song of the retiarius,—

“Non te peto,